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I recently got to join a roundtable interview with the creators of The Bad Batch! This one is with Michelle Ang, the voice of Omega. There are some light spoilers for season three near the end of the video, so be warned!
I recently got the chance to join a roundtable interview with the creators of The Bad Batch! This one is with head writer Jennifer Corbett and supervising director Brad Rau. There are some slight spoilers in here, but I moved those questions to the end.
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Composer: Whitesand (Martynas Lau)
Year: 2017
Title: Eternity
There’ll be a Stupendous Wave catch-up coming!!
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Plus, begun the Clone War has with new Droidekas and clone troopers, the Ghost crew’s Sabine Wren and Chopper join the Vintage Collection, and other reveals from today’s livestream.
StarWars.com Team
Grand Admiral Thrawn is returning to Hasbro’s Star Wars: The Black Series next year.
The Chiss tactician will debut an updated sculpt modeled after the character’s appearance in the Ahsoka series as one of several new arrivals to the 6-inch scale line. Plus, a host of new characters will be added to the 3.75-inch scale Vintage Collection, including Luke Skywalker in X-wing gear from Star Wars: A New Hope, Clone Commander Rex from Star Wars: The Bad Batch, and a two-pack of Sabine Wren and Chopper to complete the Ghost crew from Star Wars Rebels.
And there’s more exciting announcements to come with pipeline teasers including an Amazon-exclusive 4-pack of Ahsoka Tano, R7-A7, CH-33P (Cheep), and RG-G1 (G-G) from Star Wars: The Clone Wars and a deluxe Cobb Vanth with Boba Fett armor as seen in The Mandalorian from The Vintage Collection. We’ll also soon get our first look at a deluxe Black Series pack with IG-12, Grogu, and Anzellan from The Mandalorian Season 3, an Amazon-exclusive three-pack from the Star Wars Jedi: Survivor video game, and a premium roleplay helmet modeled after Moff Gideon still to be revealed.
Check out the full list of today’s reveals below! Pre-order begins tomorrow at 1 p.m. ET/10 a.m. PT….
The Star Wars: The High Republic co-authors of Escape from Valo talk about their longtime friendship and latest collaboration.
StarWars.com Team
Authors Daniel José Older and Alyssa Wong have been friends and fans of each other’s work for nearly a decade. After meeting in 2015 at the launch party for Older’s first novel, Half-Resurrection Blues, they quickly formed a mutual appreciation that went beyond the page.
Their shared beliefs in creating chaotic and flawed characters, an affinity for imagining a wide spectrum of individuals whose identities reflect the full array of real Star Wars fans, and a shorthand that includes sharing pictures of birds during brainstorming makes them uniquely suited to co-write Escape from Valo, the newest middle grade book in Star Wars: The High Republic. With a cast of kids that bring the charm of The Goonies crew to the world of Valo, their story imbues a sense of hope and self-discovery to a younger audience during a period of anarchy in which the Nihil remain victorious.
In the latest installment in the StarWars.com series celebrating Phase III in Star Wars: The High Republic, which continues next week with Escape from Valo arriving January 30 and the monthly release of Older’s ongoing Star Wars: The High Republic Adventures comic series tomorrow, listen in as the two writers reflect on their collaboration, their fictional kids, and avian character vibes…
After the announcement of The Mandalorian and Grogu movie, of course Star Wars fans had a ton of questions. So for this week’s Q&A we’re reacting discussing the news, and answering those questions we saw pop up over and over again!
0:00 Introduction
5:31 Announcement discussion
19:38 What will The Mandalorian and Grogu be about?
22:20 Will Pedro Pascal show his face?
26:03 Will this movie bring together all the Mandoverse characters?
30:48 Will the movie use the Volume?
32:52 When will the movie come out?
38:08 Ahsoka season two discussion
39:25 The abandoned First Jedi movie discussion
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Welcome to a look Inside The Holocron. A collection of articles from the archives of *starwars.com no longer directly available.
(*Archived here with Permission utilising The Internet Archive Wayback Machine)
Close Ups and The Big Picture — Jayne-Ann Tenggren
March 25, 2002 – An Eye for Detail
Star Wars movies work on two distinct scales. They are sprawling epics encompassing scattered worlds told on panoramic vistas, and they are also personal stories told in medium and close shots filled with layers of details. Helping balance the big picture and the close ups and keep the detail in check is Jayne-Ann Tenggren, Script Supervisor.
“My job is to look after the continuity of the movie in terms of the story and the action, and provide comprehensive notes for the editors so that they have a reference when they come to cut the picture,” she describes. Her work, too, is done in differing levels of scale, from the day-to-day little tasks to an overlapping larger whole.
During principal photography, Tenggren’s days began with briefings from Writer/Director George Lucas regarding what was on schedule for that day. “George doesn’t really work from a shot list,” says Tenggren. “He has a very clear picture in his mind of what he’s trying to achieve in each scene. He comes to it each day with an idea of what he’s trying to create, and then approaches the actors and communicates to them what it is he’s looking for.”
From then, the shots are rehearsed until everyone involved is clear on the shot’s intent and logistics. “The main purpose of a rehearsal is to decide on the blocking — who’s going to stand where, and at what point do they move from A to B during the scene — so that you can get an overall sense of the entire scene. You also get the emotion of a scene and what’s going to be happening in terms of pacing.”
For every decision made in the rehearsal, Tenggren is there, keeping notes. “In the process, I might be helping the actors with their lines, helping them match action, and providing camera information from the previous set up or any technical support that might be needed,” she describes.
But aside from looking at the picture scene-to-scene, she also keeps an eye on the overall body of work. “If the director says we’re trying to do the main theme of this particular Episode as a love story, for example, then there may be a certain tonality that he wants for the entire film. In certain scenes, it may not be present. In others, it may, But it’s easy within specific scenes to lose a continuity of timing within the film, or to have too much of one tone. That’s something that in my job, I might call out. Also, At a particular junction, if we’re two-thirds of the way through the story, I might be asked to remember that we need to make sure that a certain point is clearly communicated.”
The sheer number of set-ups keeps Tenggren’s job a challenge and her notes extensive. George Lucas’ directorial style comes from his background in editing and documentary filmmaking, which results in a large number of set-ups that he pairs down in editorial. With each set-up, Tenggren’s eye for details is called upon.
“Asking what the average set-up on a film versus what an average set up on Star Wars is kind of an unequal, unfair question,” she says. “An average drama, before this sort of MTV-age, was around between 600 and 700 set-ups for a movie. On Day 59 of shooting Episode II, the main unit alone had done over 2000 set-ups. By the time Episode II is cut, there will be something like 2,200 cuts in the movie.”
Recollections
Tenggren describes herself as knowing the Episode II script backwards and forward. She can identify scenes by their numbers from memory, and recall the various challenges for each one. She was also script supervisor for Episode I, and can readily list differences between both productions.
“There’s more dialogue in Episode II than there was in Episode I, and that’s because the relationships have been built and the story is expanding further and layering the foundation for the next Episode,” she reveals. “The fun part of this script, too, is that you’re getting to see how the characters are starting to develop, and why they think the way they think.”
Tenggren’s memory records more than just the technical requirements of each set-up as she readily recalls her favorite or most challenging shooting days. “My most hilarious moments came about shooting actors who are hoping to jump on a blue blob and sort of bounce around and pretend that it’s some kind of animal,” she remembers. “They’re falling off and trying to keep their composure and stay in role. They’re just wonderful, and cope with it very, very well. They always got up and went for it again.”
The biggest challenges tend to come with scenes with multiple characters, since each one adds another level of blocking and detail that must be kept track of. “In the scene in Palpatine’s quarters when Amidala comes in, we had a scene with many, many characters and everybody was moving around. It was a lot of entrances and exits and some sliding in the blocking and just keeping everybody straight and who goes where among the background extras.”
Conversely, the larger the crowd gets, the easier continuity becomes, provided there’s a clear subject matter for the audience to focus on, as Tenggren can attest to when filming a foot-chase through the backstreets of Coruscant. “The extras essentially become a sort of mobilized mass in that type of environment. We want our audience’s focus to be on
Despite such careful attention to detail on the job, Tenggren doesn’t let it get in the way of her enjoying other films. “When I go and watch a movie, I don’t think about continuity at all,” she says. “The only thing I think about is the story, and how something is being told in a visual medium. Those are the things that completely captivate me.”
Just as a FYI, to avoid old posts becoming one with the Force, this post has been republished so it can be a blue glowy thing, it was Originally posted 2022-08-24 13:14:34.
The Disney+ series stars talk about their emotional link to the Jedi and the Nightsister and the magic of being cast in their dream roles.
Eman Esfandi and Diana Lee Inosanto express their deep gratitude for the opportunity to be part of the Ahsoka universe. Esfandi, known for his portrayal of Ezra Bridger in the Disney+ series, and Inosanto, who reprises her role as Morgan Elsbeth from The Mandalorian, both share a similar journey of searching for their place in the film industry before being cast in these iconic roles. Inosanto, in particular, had almost given up hope when Ahsoka creator Dave Filoni and executive producer Jon Favreau discovered her indie film trailer online. This unexpected turn of events has been a magical experience for Inosanto, allowing her to pursue her passion for acting in a beloved franchise like Star Wars, which has been a lifelong love for her…
The Disney+ series stars tell StarWars.com about getting into character and their real-life friendship.
Natasha Liu Bordizzo and Ivanna Sakhno are here for WolfWren. The name was bestowed by fans of their rival characters’ in Ahsoka. However, the duo coined their own phrase for the connection between Bordizzo’s Sabine Wren and Sakhno’s Shin Hati long before the first episode arrived on Disney+: Shabine.
When their work on the series wrapped, Sakhno even made a friendship bracelet with their “Shabine” moniker, a nod to a bond between two Star Wars newcomers who started on set together training for future lightsaber battles and became real-life friends. “I loved working with Ivanna so much,” says Bordizzo. “We really went through the whole journey from start to finish together.”
“We got to know one another through working in the training facility with Ming [Qiu], our stunt coordinator, who taught both of us focus and dedication to the craft and to lightsaber combat,” Sakhno adds. “The experience of working with [Natasha] was just fun. There was a lot of laughter on set, definitely, and inside jokes.”…
…Read the Full Article @ StarWars.com
Welcome to a look inside The Holocron. A collection of articles from the archives of *starwars.com no longer directly available.
(*Archived here with Permission utilising The Internet Archive Wayback Machine)
Boba Fett On The Empire Strikes Back, That Crazy Suit, and the Star Wars Legacy
Vanity Fair article from October 8th, 2010 by Mike Ryan. Featured on starwars.com (hence its inclusion here)
Jeremy Bulloch: The only thing that I thought was a bit strange was when I was shown a small figure of Boba Fett and I hadn’t even started filming, and they said, “Well, this will be given away if they send in [proofs of purchase].”And I didn’t understand what they were saying at all. Obviously the figures became very important much later on.
Then, there was just the off figure. And I thought it was amazing, “look, I’m in plastic, already.” This was before the first day, and I thought they might not like what I do and get rid of me. But now, of course, there’s so many things that are being made and in incredible detail—and Boba Fett is an ideal character to have because he has so many gadgets on his armor and his weaponry.
Well, I have (Laughs)—this is quite sad, now, really. I do have the big Boba Fett by Don Post, which I went to America to model for. I have that and I have lots of little trinkets and things like that. Only of Boba Fett, because I’m biased.
It’s interesting, considering your theater background, that you played a character in which we don’t even see your face, let alone hear your voice.
The voice of Boba Fett was dubbed over by another actor. Were you saying the lines on set?
So you knew, unlike David Prowse (who played Darth Vader) in the first film, that the voice would be redubbed by another actor?
I’m assuming that the outfit isn’t conducive to actual bounty hunting.
(Laughs.) No, no. It is possibly the most uncomfortable costume I’ve ever worn. As they clicked the jet-pack into position, you’d lean back. It was top-heavy and you were almost falling over. And the backs of your legs and your feet—at the end of it you’d just long for a hot bath.
You were in three Star Wars films. If I’m not mistaken, you were in Revenge of the Sith.
Yes, I had a little cameo role as Captain Colton.
Irvin was wonderful because you knew, as an actor, exactly what he wanted. He’d occasionally say, “come on, come on,” and you could see he was saying we had to get this shot in. Richard Marquand I’d met before and he was a lovely man. He said, “Jeremy, you know, you were in the last one, you know what to do. Don’t you?” I said, “well, yes I do, but it’s always lovely to have the director say, ‘no, no, no, that’s wrong,’” I quite like that. Because if you’re an actor who says, “well, what I do is obviously what is best,” it’s sometimes not right. I think it’s wonderful having a director leading you through.
Well, I don’t know. As I said, I do like someone to direct you. And, as you say, Irvin kershner would say, “do it like this.” And you go, “O.K., fine.” But when they say “action,” you put a little of yourself in it. The director thinks that is exactly what he said, but, in fact, it’s quite a bit of what you want.
There’s a transcript in the book from the set of the Carbon Freezing Chamber where Harrison Ford and Carrie Fisher were having a huge, real-life argument. Could you tell there was tension between the two?
The funniest part of that transcript is when David Prowse interrupts kershner during the fight to offer him a signed copy of his new book, Fitness is Fun. Did you get a copy of Fitness is Fun?
Um, no. Well, I have seen it, actually, but I haven’t read it. I prefer to read my book because, as I said to David (Prowse), because it’s in English.
No, that was a good impression.
I hope that’s true, because even as a kid I remember thinking, “wait, Boba Fett was killed by Han with a stick by accident?”
How did your other role in Empire, as the Imperial Officer, come about?
I was sitting down waiting to do a Boba Fett scene—the one where I was firing in Cloud City at Luke Skywalker—and they said, “Jeremy, Jeremy, quick, get changed.” I went to wardrobe and they took the Boba Fett outfit off and put me in this Imperial Officer’s outfit. There was no one available to play the part, so that’s what it was.
No, I’ve said before, if I hadn’t fit in the outfit, I wouldn’t have played the part. There was only one costume. My half-brother, Robert Watts, was an associate producer and he said, “Look, get your agent on to this. It’s not very much, but you never know.” So I went back and put the outfit on. And that was the interview with producer Gary Kurtz, putting bits of the outfit on and it fit like a glove. I always say to people, “It was meant to be.”
(Laughs.) I didn’t even know that. Well, that’s good. I’ll have to start practicing a Yoda voice. That’s brilliant.
And you received a lot of fan mail asking if you were the “other” that Yoda mentions.
It sounds like you’ve gotten more meaning with what’s happened in the 30 years after the movie was released than you did actually filming.
I feel there’s a lot of people in your position who may resent talking about Boba Fett because, as you said, you just happened to fit a costume.
Just as a FYI, to avoid old posts becoming one with the Force, this post has been republished so it can be a blue glowy thing, it was Originally posted 2023-01-31 08:05:58.
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The stunning High Republic-era hilt arrives later this month.
For lightsaber and life!
As announced last week on the Disney Parks Blog, the Stellan Gios Legacy Lightsaber Hilt will be available starting November 17 — just in time for fans to celebrate Life Day — at Disney Parks and shopDisney. It’s the first Legacy Lightsaber collectible hilt inspired by Star Wars: The High Republic, the storytelling initiative set hundreds of years before Star Wars: The Phantom Menace during the prime of the Jedi Order; Stellan Gios, a Jedi Master, is a key figure in the High Republic saga.
The stunning Legacy Lightsaber hilt features a cross-saber design and gold accents befitting the time period, and is truly unique from lightsabers depicted in other eras of Star Wars. “It was so inspiring to add to the lore of the High Republic era through the design of Stellan Gios’ lightsaber,” designer Jeff Thomas tells StarWars.com. “All of the intricacies — from the colors to the filigrees, as well as the function of the cross guard, were meant to honor and celebrate the elegance of a lightsaber from a more civilized age that readers and fans can explore through the High Republic books.”…
…Read the Full Article @ The Official Site
The Star Wars: The High Republic authors talk about their longtime friendship, collaboration, and getting emotionally invested in stories yet to come.
Long before Cavan Scott and George Mann were Star Wars authors, they were just two friends who shared a love of science fiction and fantasy stories. From the online forum for Doctor Who to the pages of Star Wars: The High Republic, the duo has shared exciting career breakthroughs, personal highs and lows, and acted as sounding boards for the other’s work. And they never take themselves, or each other, too seriously.
In a new StarWars.com series celebrating the release of Phase III in Star Wars: The High Republic, which officially kicks off with Scott’s Star Wars: The High Republic comic relaunch from Marvel and Mann’s novel The Eye of Darkness, we listen in as the two writers reflect on being invited to join the then-codenamed Project Luminous, their latest releases, and beard envy…
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Check out a collection of 27 videos, celebrating the release of Star Wars on Digital
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With a wish for good luck, the former Master and apprentice part ways after a bittersweet reunion amid the final days of the Clone Wars
No one’s ever really gone, but in Star Wars — as in real life — sometimes a farewell has more finality than we at first realize.
We thought Ahsoka Tano and her Master Anakin Skywalker may have parted ways for good when Tano decided to leave the Jedi Order at the end of Star Wars: The Clone Wars Season 5. Falsely accused of a brutal bombing at the Jedi Temple, Anakin’s faith in his Padawan never faltered, but we can’t say the same for her belief in the Jedi Order, or the Council’s support of one of their own. At the end of the ordeal, the Jedi apologized, but Ahsoka still decided to walk away, leaving her lightsabers and her friends behind…
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Watch the three charming tales now on Star Wars Kids.
Scary season has come to LEGO Star Wars!
The LEGO Group and Lucasfilm have unleashed three new Halloween-themed shorts, available now on Star Wars Kids. The boo- and brick-filled tales include “The Sith Witch of Mustafar,” in which Darth Vader feels the fright of an old legend; “Mech My Day,” featuring a stormtrooper who builds his own mech suit in order to confront his Sith boss; and “Mandoween,” which finds Grogu playing a terrifying trick on Din Djarin. The charming shorts blend Halloween and Star Wars for a frighteningly fun time, appropriate for Jedi Masters and younglings alike…
See stills from the season finale!
The season finale of Ahsoka, “Part Eight: The Jedi, the Witch, and the Warlord,” takes us on a heart-stopping race against time to prevent Grand Admiral Thrawn from escaping a galaxy far, far away. See below for new stills from the latest installment, now streaming on Disney+…
Ahsoka Tano and her friends try to prevent Grand Admiral Thrawn’s escape in the thrilling season finale.
Sabine Wren has succeeded even as she’s failed. She found her friend Ezra Bridger and helped propel him in the direction home. She learned to stand by her Master, Ahsoka Tano. And despite what certain ancient droids say — cough, Huyang, cough — she has shown tremendous potential as a Jedi apprentice.
In the captivating Ahsoka season finale, “Part Eight: The Jedi, the Witch, and the Warlord,” now streaming on Disney+, Morgan Elsbeth embraced the gift of shadows, the Great Mothers resurrected the dead as part of their reign of terror, and Ezra Bridger finally made the quantum leap to get back to his space mom, Hera Syndulla. Unfortunately…he hitched a ride with the enemy. Here are seven highlights from the finale of Ahsoka…
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Season One of AHSOKA wraps up with epic saber battles, zombie troopers, latent Force powers and Witch majiks! Join us for an equally explosive discussion of “The Jedi, The Witch, and the Warlord” this week on RFR’s AHSOKA After Show livestream tonight at 8 p.m. ET (7 CT | 5 PT) only on YouTube. Watch, listen, chat and call in with your thoughts, theories and observations!
#starwars #aftershow #ahsokaaftershow #livestream #tunein #rebelforceradio #rfr #ahsoka #hera #sabine #ezra #thrawn #rebels #thejedithewitchandthewarlord #filoni
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Check out a C-3PO character poster and stills from the episode.
Thrawn prepares for his return while Ahsoka races to stop him — and save her friends. See below for a character poster inspired by the episode, now streaming on Disney+, and stills…
Ahsoka looks to save her friends, while Thrawn’s plans near fruition.
Ezra, Sabine, Ahsoka, Thrawn, and the purrgil. It’s just like old times.
With Sabine finally locating Ezra (and some new friends in the turtle-like Noti), and Thrawn preparing for his return, it’s now up to Ahsoka to reach them all in “Part Seven: Dreams and Madness.” Ahsoka’s cunning and determinedness meets Thrawn’s masterful calculations, while our heroes get their second-round rematches, all setting the stage for an epic finale. Here five highlights…
Thrawn and Elsbeth attempt to stay one step ahead of Ahsoka this week as Baylan seeks his own path in the new galaxy. Join us for a breakdown of this penultimate episode of AHSOKA on the RFR After Show livestream WEDNESDAY Sept 27 at 8 p.m. ET (7 CT | 5 PT) only on YouTube. We invite you to watch, listen, chat and call in with your thoughts, theories and observations
#starwars #aftershow #ahsokaaftershow #livestream #tunein #rebelforceradio #rfr #ahsoka #hera #sabine #ezra #thrawn #rebels #dreamsandmadness #filoni
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