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Misc PDF’s | The Empire Strikes Back – Posters #3

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The Empire Strikes Back – Posters #3

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This Article was Originally posted 2023-01-31 10:27:58.

Star Wars Cast & Crew | The Empire Strikes Back

Star Wars: Episode V – The Empire Strikes Back

Release Date: May 21, 1980 (original); February 21, 1997 (Special Edition)

Synopsis: (3 years after Episode IV) Three years after the destruction of the Death Star, Imperial forces continue to pursue the Rebels. After the Rebellion’s defeat on the ice planet Hoth, Luke journeys to the planet Dagobah to train with Jedi Master Yoda, who has lived in hiding since the fall of the Republic. In an attempt to convert Luke to the dark side, Darth Vader lures young Skywalker into a trap in the Cloud City of Bespin. In the midst of a fierce lightsaber duel with the Sith Lord, Luke faces the startling revelation that the evil Vader is in fact his father, Anakin Skywalker.

Opening Crawl:

It is a dark time for the Rebellion. Although the Death Star has been destroyed, Imperial troops have driven the Rebel forces from their hidden base and pursued them across the galaxy.

Evading the dreaded Imperial Starfleet, a group of freedom fighters led by Luke Skywalker have established a new secret base on the remote ice world of Hoth.

The evil lord Darth Vader, obsessed with finding young Skywalker, has dispatched
thousands of remote probes into the far reaches of space….

Awards: Academy Award Winner: Best Sound, Special Achievement in Visual Effects. Academy Award Nominee: Best Art Direction-Set Decoration, Best Original Score.

BAFTA Award Winner: Anthony Asquith Award for Film Music. BAFTA Nominee: Best Production Design/Art Direction, Best Sound.

Golden Globe Nominee: Best Original Score.

Saturn Award Winner: Best Director, Best Science Fiction Film, Best Special Effects. Saturn Award Nominee: Best Costumes, Best Music, Best Supporting Actor, Best Writing.


Cast

Luke Skywalker
Mark Hamill
Han Solo
Harrison Ford
Princess Leia Organa
Carrie Fisher
Lando Calrissian
Billy Dee Williams
See Threepio (C-3PO)
Anthony Daniels
Darth Vader
David Prowse
Chewbacca
Peter Mayhew
Artoo-Detoo (R2-D2)
Kenny Baker
Yoda
Frank Oz
Ben (Obi-Wan) Kenobi
Alec Guinness
Boba Fett
Jeremy Bulloch
Lando’s Aide
John Hollis
Chief Ugnaught
Jack Purvis
Snow Creature
Des Webb
Performing Assistant For Yoda
Kathryn Mullen
Voice Of Emperor
Clive Revill
Admiral Piett
Kenneth Colley
General Veers
Julian Glover
Admiral Ozzel
Michael Sheard
Captain Needa
Michael Culver
Imperial Officers
John Dicks
Milton Johns
Mark Jones
Oliver Maguire
General Rieekan
Bruce Boa
Zev (Rogue 2)
Christopher Malcom
Wedge (Rogue 3)
Denis Lawson
Hobbie (Rogue 4)
Richard Oldfield
Dak (Luke’s Gunner)
John Morton
Janson (Wedge’s Gunner)
Ian Liston
Major Derlin
John Ratzenberger
Deck Lieutenant
Jack Mckenzie
Head Controller
Jerry Harte
Rebel Officers
Norman Chancer
Norwich Duff
Ray Hassett
Brigitte Kahn
Burnell Tucker

Crew

Directed By
Irvin Kershner
Produced By
Gary Kurtz
Screenplay By
Leigh Brackett
Lawrence Kasdan
Story By
George Lucas
Executive Producer
George Lucas
Production Designer
Norman Reynolds
Director Of Photography
Peter Suschitzky B.S.C.
Edited By
Paul Hirsch A.C.E.
Special Visual Effects
Brian Johnson
Richard Edlund
Music By
John Williams
Performed By
The London Symphony Orchestra
Original Music Copyright 1980
Fox Fanfare Music Inc. | Bantha Music
Associate Producers
Robert Watts
James Bloom
Design Consultant And Conceptual Artist
Ralph McQuarrie
Art Directors
Leslie Dilley
Harry Lange
Alan Tomkins
Set Decorator
Michael Ford
Construction Manager
Bill Welch
Assistant Art Directors
Michael Lamont
Fred Hole
Sketch Artist
Ivor Beddoes
Draftsmen
Ted Ambrose
Michael Boone
Reg Bream
Steve Cooper
Richard Dawking
Modellers
Fred Evans
Allan Moss
Jan Stevens
Chief Buyer
Edward Rodrigo
Construction Storeman
Dave Middleton
Operating Cameramen
Kelvin Pike
David Garfath
Assistant Cameramen
Maurice Arnold
Chris Tanner
Second Assistant Cameramen
Peter Robinson
Madelyn Most
Dolly Grips
Dennis Lewis
Brian Osborn
Matte Photography Consultant
Stanley Sayer, B.S.C.
Gaffer
Laurie Shane
Rigging Gaffer
John Clark
Lighting Equipment And Crew From Lee Electric
Make-Up And Special Creature Design
Stuart Freeborn
Chief Make-Up Artist
Graham Freeborn
Make-Up Artists
Kay Freeborn
Nick Maley
Chief Hairdresser
Barbara Ritchie
Yoda Fabrication
Wendy Midener
Costume Designer
John Mollo
Wardrobe Supervisor
Tiny Nicholls
Wardrobe Mistress
Eileen Sullivan
Property Master
Frank Bruton
Property Supervisor
Charles Torbett
Property Dressing Supervisor
Joe Dipple
Head Carpenter
George Gunning
Head Plasterer
Bert Rodwell
Head Rigger
Red Lawrence
Sound Design And Supervising
Sound Effects Editor
Ben Burtt
Sound Editors
Richard Burrow
Teresa Eckton
Bonnie Koehler
Production Sound
Peter Sutton
Sound Boom Operator
Don Wortham
Production Maintenance
Ron Butcher
Re-Recording
Bill Varney
Steve Maslow
Gregg Landaker
Music Recording
Eric Tomlinson
Orchestrations
Herbert W. Spencer
Supervising Music Editor
Kenneth Wannberg
Assistant Film Editors
Duwayne Dunham
Phil Sanderson
Barbara Ellis
Steve Starkey
Paul Tomlinson
Dialogue Editors
Curt Schulkey
Leslie Shatz
Joanne D’antonio
Optical Coordinator
Roberta Friedman
Assistant Sound Editors
John Benson
Joanne Cappuccilli
Ken Fischer
Craig Jaeger
Nancy Jencks
Laurel Ladevich
Foley Editors
Robert Rutledge
Scott Hecker
Foley Assistants
Edward M. Steidele
John Roesh
Sound Effects Recording
Randy Thom
Recording Technicians
Gary Summers
Howie
Kevin O’connell
Production Supervisor
Bruce Sharman
Assistant Production Manager
Patricia Carr
Production Coordinator
Miki Herman
First Assistant Director
David Tomblin
Second Assistant Directors
Steve Lanning
Roy Button
Location Manager
Philip Kohler
Continuity
Kay Rawlings
Pamela Mann
Casting
Irene Lamb
Terry Liebling
Bob Edmiston
Assistant To Producer
Bunny Alsup
Assistant To Director
Debbie Shaw
Assistant To Executive Producer
Jane Bay
Production Assistants
Barbara Harley
Nick Laws
Charles Wessler
Stunt Coordinator
Peter Diamond
Stunt Doubles
Bob Anderson
Colin Skeaping
Production Accountant
Ron Phipps
Assistant Accountant
Michael Larkins
Set Cost-Controller
Ken Gordon
Location Accountant
Ron Cook
Still Photographer
George Whitear
Unit Publicist
Alan Arnold
Assistant Publicist
Kirsten Wing
Studio Second Unit
Directors
Harley Cokliss
John Barry
Director Of Photography
Chris Menges
Assistant Director
Dominic Fulford
Second Assistant Director
Andrew Montgomery
Location Second Unit
Director
Peter Macdonald
Director Of Photography
Geoff Glover
Operating Cameraman
Bob Smith
Assistant Cameramen
John Campbell
Mike Brewster
Second Assistant Cameramen
John Keen
Greg Dupre
Dolly Grip
Frank Batt
Production Manager
Svein Johansen
Assistant Directors
Bill Westley
Ola Solum
Production And Mechanical Effects Unit
Mechanical Effects Supervision
Nick Allder
Location Unit Supervisor
Allan Bryce
Senior Effects Technician
Neil Swan
Dave Watkins
Robot Fabrication And Supervision
Andrew Kelly
Ron Hone
Effects Technicians
Phil Knowles
Barry Whitrod
Martin Gant
Brian Eke
Guy Hudson
Dennis Lowe
Effects Engineering
Roger Nicholls
Steve Lloyd
Electrical Engineer
John Hatt
Electronics Consultant
Rob Dickinson
Model Construction
John Pakenham
Effects Assistants
Alan Poole
Digby Milner
Robert McLaren
Effects Secretary
Gill Case
Minature And Optical Effects Unit
Effects DirectorOf Photography
Dennis Muren
Effects Cameramen
Ken Ralston
Jim Veilleux
Camera Operators
Don Dow
Bill Neil
Assistant Cameramen
Selwyn Eddy
Jody Westheimer
Rick Fighter
Clint Palmer
Michael McAlister
Paul Huston
Richard Fish
Chris Anderson
Optical Photography Supervisor
Bruce Nicholson
Optical Printer Operators
David Berry
Kenneth Smith
Donald Clark
Optical Line-Up
Warren Franklin
Mark Vargo
Peter Amundson
Loring Doyle
Thomas Rosseter
Tam Pillsbury
James Lim
Optical Coordinator
Laurie Vermont
Laboratory Technicians
Tim Geideman
Duncan Myers
Ed Jones
Art Director-Visual Effects
Joe Johnston
Assistant Art Director
Nilo Rodis-Jamero
Stop Motion Animation
Jon Berg
Phil Tippett
Stop Motion Technicians
Tom St. Amand
Doug Beswick
Matte Painting Supervisor
Harrison Ellenshaw
Matte Artists
Ralph McQuarrie
Michael Pangrazio
Matte Photography
Neil Krepela
Additional Matte Photography
Michael Lawler
Matte Photography Assistants
Craig Barron
Robert Elswit
Chief Model Maker
Lorne Peterson
Modelshop Foreman
Steve Gawley
Model Makers
Paul Huston
Tom Rudduck
Michael Fulmer
Samuel Zolltheis
Charles Bailey
Ease Owyeung
Scott Marshall
Marc Thorpe
Wesley Seeds
Dave Carson
Rob Gemmel
Pat McClung
Animation And Rotoscope Supervisor
Peter Kuran
Animators
Samuel Comstock
Garry Waller
John Van Vliet
Rick Taylor
Kim Knowlton
Chris Casady
Nina Saxon
Diana Wilson
Visual Effects Editorial Supervisor
Conrad Buff
Effects Editor
Michael Kelly
Assistant Effects Editors
Arthur Repola
Howard Stein
Apprentice Editor
Jon Thaler
Production Administrator
Dick Gallegly
Production Secretary
Patricia Blau
Production Associate
Thomas Brown
Production Accountant
Ray Scalice
Assistant Accountant
Glenn Phillips
Pam Traas
Laura Crockett
Production Assistant
Jenny Oznowicz
Transportation
Robert Martin
Still Photographer
Terry Chostner
Lab Assistant
Roberto McGrath
Electronics Systems Designer
Jerry Jeffress
Systems Programming
Kris Brown
Electronic Engineers
Lhary Meyer
Mike Mackenzie
Gary Leo
Special Project Coordinator
Stuart Ziff
Equipment Engineering Supervisor
Gene Whiteman
Design Engineer
Mike Bolles
Machinists
Udo Pampel
Greg Beaumonte
Draftsman
Ed Tennler
Special Projects
Gary Platek
Supervising Stage Technician
T.E. Moehnke
Stage Technicians
William Beck
Bobby Finley
Leo Loverro
Edward Hirsh
Dick Dova
Ed Breed
Miniature Pyrotechnics
Joseph Viskocil
Dave Pier
Thaine Morris
Optical Printer Component Manufacturer
George Randle Co.
Camera And Movement Design
Jim Beaumonte
Special Optics Designer
David Grafton
Special Optics Fabrication
J.L. Wood Optical Systems
Optical Printer Component Engineering
Fries Engineering
High Speed Camera Movements
Mitchell Camera Corp.
Ultra High Speed Camera
Bruce Hill Productions
Color Timer
Ed Lemke
Negative Cutting
Robert Hart
Darrell Hixson
Dolby Consultant
Don Digirolamo
Additional Optical Effects
Van Der Veer Photo Effects
Modern Film Effects
Ray Mercer & Company
Westheimer Company
Lookout Mountain Films

Special Edition Crew

Producer
Rick McCallum
Editor
T.M. Christopher
Sound Designer
Ben Burtt
Re-Recording Mixer
Gary Summers
First Assistant Editor
Samuel Hinckley
Assistant Editor
Robert Marty
Assistant Avid Editors
Mike Jackson
Robin Lee
Sound Editor
Teresa Eckton
Assistant Sound Editor
Lisa Storer
Re-Recordist
Ronald G. Roumas
Digital Mix Technician
Gary A. Rizzo
Archivist
Tim Fox
Optical Supervisors
Phillip Feiner
Chris Bushman
Film Restoration Supervisor
Pete Comandini
Color Timer
Robert J. Raring
Negative Continuity
Ray Sabo
Negative Cutter
Bob Hart
Special Edition Digital Remastering Provided By
Skywalker Sound A Lucas Digital Ltd. Company
Film Restoration Consultant
Leon Briggs
Optical Restoration
Pacific Title
Film Restoration By
Ycm Laboratories
Industrial Light And Magic
Visual Effects Supervisor
Dave Carson
Visual Effects Producer
Tom Kennedy
Computer Graphics Supervisor
Tom Hutchinson
Visual Effects Art Director
George Hull
Visual Effects Editor
Michael McGovern
Color Timing Supervisor
Bruce Vecchitto
Visual Effects Coordinator
Lisa Todd
Digital Effects Artists
Don Butler
Michael Conte
Howard Gersh
Marshall Krasser
Tia Marshall
Stuart Maschwitz
Julie Neary
Ken Nielsen
Eddie Pasquarello
Ricardo Ramos
Tom Rosseter
Lawrence Tan
Paul Theren
Hans Uhlig
Li-Hsein Wei
Ron Woodall
Digital Matte Artists
Ronn Brown
Eric Chauvin
Brian Flora
William Mather
3d Matchmove Artist
James Hagedorn
Digital Paint & Roto Artists
Lisa Drostova
Heidi Zabit
Chief Creature Maker
Howie Weed
Model & Creature Makers
Carol Bauman
Don Bies
Giovanni Donovan
Wendy Morton
Anne Polland
Mark Siegel
Steven Walton
Sabre Group Supervisor
Daniel McNamara
Sabre Artists
Rita Zimmerman
Chad Taylor
Mary McCulloch
Grant Guenin
Caitlin Content
Software Research And Development
David Benson
Jim Hourihan
Zoran Kacic-Alesic
Florian Kainz
Jeff Yost
Digital Scanning Supervisor
Joshua Pines
Digital Scanning Operators
Randall Bean
Michael Ellis
Earl Beyer
Negative Supervisor
Doug Jones
Negative Line-Up
Andrea Biklian
Tim Geideman
Projectionist
Tim Greenwood
Digital Plate Restoration
Melissa Monterrosa
Mike Van Eps
Wendy Hendrickson
Assistant Visual Effects Art Director
Alex Laurant
Assistant Visual Effects Editor
John Bartle
Video Editor
Angela Leaper
Animatic Artist
Jonathan Rothbart
Digital Effects Technical Assistants
Okan Ataman
Peter Chesloff
Joshua Levine
Dawn Matheson
Daniel Shumaker
Digital Effects Resource Assistant
Daniel Brimer
Visual Effects Production Staff
Julie Creighton
Joshua Marks
Video Assistants
Dawn Martin
Wendy Bell
Production Engineering
Ken Beyer
Ken Corvino
Gary Meyer
Aerial Camera System By Wesscam Camera Systems (Europe)
Aerial Cameraman
Ron Goodman
Assistant
Margaret Herron
Helicopter Supplied By Dollar Air Services Limited
Pilot
Mark Wolfe
Cloud Plates Photographed With
Astrovision(c) By Continental Camera Systems Inc.
Snow Vehicles Supplied By
Aktiv Fischer
R2 Bodies Fabricated By
White Horse Toy Company
Special Assistance From
Giltspur Engineering And Compair
Photographed On The Hardengerjekulan Glacier, Finse, Norway
And At Emi – Elstree Studios, Borehamwood, England
Music Recorded At
Anvil Studios, Denham, England
Re-Recording At
Samuel Goldwyn Studios, Los Angeles, California
Special Visual Effects Produced At
Industrial Light And Magic, Marin County, California

This Article was Originally posted 2022-07-25 16:31:59.

Kathleen Kennedy Strikes Back and a “Special Look” at ANDOR Season 2

Audio Podcast

We react to Kathleen Kennedy’s response to last week’s reports claiming she will be stepping down as president of Lucasfilm and clarifying what was true in the reports and what wasn’t. Kathleen also discussed several STAR WARS projects currently in the pipeline. More footage of ANDOR season two dropped this week as the hype for next month’s season premiere ramps up. We breakdown the “Special Look” footage and search for hints of what’s to come. We discuss the STAR WARS presence in the 2025 Oscars including nominees and presenters, some flubs in the Original Trilogy and more!


Brought to you by RFR on Patreon!

Official YouTube Video Home for Rebel Force Radio: Star Wars Podcast

#StarWars News, Interviews. comedy and Commentary

Catch new audio podcasts every Friday at www.rebelforceradio.com

Watch Full Show Video, get tons of exclusive bonus podcasts and join a great community at: RFR on Patreon

Rebel Force Radio

STAR WARS Flashback! THE EMPIRE STRIKES BACK 1980 U.S. Press Conference

AUDIO PODCAST!

We’ve heard from so many listeners who say they love it when we feature rare interview footage from the Original Trilogy era so in this week’s RFR, we feature cool audio highlights from the official 1980 press conference for THE EMPIRE STRIKES BACK. You’ll hear from Harrison Ford, Mark Hamill, Carrie Fisher, Irwin Kershner, Anthony Daniels, and Gary Kurtz. Fast forward to the present, we discuss all the latest STAR WARS headlines, including new quotes from Daisy Ridley discussing her upcoming “New Jedi Order” film along with comments from Sigourney Weaver who reveals Baby Yoda “kicks ass” in upcoming THE MANDALORIAN AND GROGU. We react to a recent Lucasfilm executive shakeup and new rumors about a possible pair of unannounced all-new STAR WARS animated series. Plus, listener feedback, Luke Skywalker at STAR WARS GALAXY’S EDGE, and Harrison Ford’s new Jeep commercial

#starwars #rebelforceradio #movie #carriefisher #film #georgelucas #starwarsactor #starwarspodcast #markhamill #harrisonford #jeep #galaxysedge #disney #theempirestrikesback


Brought to you by RFR on Patreon!

Official YouTube Video Home for Rebel Force Radio: Star Wars Podcast

#StarWars News, Interviews. comedy and Commentary

Catch new audio podcasts every Friday at www.rebelforceradio.com

Watch Full Show Video, get tons of exclusive bonus podcasts and join a great community at: RFR on Patreon

Rebel Force Radio

The Bad Batch is Back in Star Wars: Sanctuary

Here’s the latest from: StarWars.Com

Reunite with Clone Force 99 — including Hunter, Wrecker, Tech, and Omega — in a new novel set before the events of the final season.

By StarWars.com Team

We never got over losing Clone Force 99 when we said goodbye with the series finale of Star Wars: The Bad Batch last year, but no one’s ever really gone. And today StarWars.com is pleased to announce that soon the Batch will be back in action in Star Wars: Sanctuary — A Bad Batch Novel, a new book from Lamar Giles, with an exclusive first look at the book’s cover art by Marie Bergeron!

The story of Star Wars: Sanctuary, set during the events of Season 2 of the Disney+ series, centers on Hunter, Wrecker, Tech, and Omega as they work with treasure hunter Phee Genoa on a plan to help rebuild their island refuge after the devastating tsunami seen in the episode “Pabu.” Giles, whose young adult novels include Fake ID, SPIN, and Not So Pure and Simple among others is delighted by the chance to write his first Star Wars novel, having previously contributed the short story “Twenty and Out” to the From a Certain Point of View: Return of the Jedi anthology….

Read the Full Article @ StarWars.com

The New Jedi Order Strikes Back

AUDIO PODCAST!

The screenwriter for the in-development “New Jedi Order” film featuring Daisy Ridley – George Nolfi – addressed some questions about the script in a recent interview. We look at quotes from Nolfi about his influences, along with the politics and history that may be inserted into the story. We provide a first blush review of the early chapters from the upcoming novel STAR WARS: REIGN OF THE EMPIRE: THE MASK OF FEAR. This book will look at the earliest days of The Galactic Empire, the political fallout surrounding Palpatine’s rise to power, and the birth of a rebellion. We continue our discussion about Marvel Comics’ “Legacy of Vader” and the death of Watto, we review highlights from recent interviews with Bill Burr, Mark Hamill and Harrison Ford, a RETURN OF THE JEDI-era “Outrageous and Unthinkable” story, listener feedback presents the question: Will Finn return as a Jedi?


Brought to you by RFR on Patreon!

Official YouTube Video Home for Rebel Force Radio: Star Wars Podcast

#StarWars News, Interviews. comedy and Commentary

Catch new audio podcasts every Friday at www.rebelforceradio.com

Watch Full Show Video, get tons of exclusive bonus podcasts and join a great community at: RFR on Patreon

Rebel Force Radio

We almost killed Mark Hamill by RON HONE – Special Effects department on Empire Strikes Back

In London, Darryl James (author of Trigger World: Elite) hosted a Star Wars Tea Party where one of the attendees was Ron Hone who worked on Special Effects for The Empire Strikes Back. He assisted with IG-88, 2-1B, Yoda, R2 and the Probot plus in this segment, he talks about coming close to killing Mark Hamill in one scene.


Star Wars 100 Interviews

Brad Rau and Jennifer Corbett Look Back on The Bad Batch

Here’s the latest from: StarWars.Com

The duo behind the animated series breaks down the final season and more.

By Dan Brooks

With the conclusion of Star Wars: The Bad Batch this week, a journey ends not just for our elite-clone heroes, but also for Brad Rau and Jennifer Corbett. Executive producer/supervising director and executive producer/head writer, respectively, Rau and Corbett have shepherded the series since its Star Wars Day 2021 debut on Disney+. Through the adventures of this Star Wars family — Hunter, Wrecker, Crosshair, Echo, Tech, and the young Omega — they’ve told stories of friendship, loss, and forgiveness, endearing a new cast of characters to a generation of fans in the process. In a wide-ranging mission debrief with StarWars.com, Rau and Corbett discuss the final season’s biggest moments, the dynamic between Crosshair and Omega, and their personal connections to the series finale….

Read the Full Article @ StarWars.com

Tales of the Empire | ‘Stay Back’

See General Grievous in action in this new clip from #TalesOfTheEmpire.

Tales of the Empire, featuring six all new Star Wars Original shorts, is available May 4 on @DisneyPlus.


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Star Wars Video

Ventress Strikes Back

Here’s the latest from: StarWars.Com

Actor Nika Futterman talks to StarWars.com about the return of her fan-favorite character in Star Wars: The Bad Batch

By Dan Brooks

There was unfinished business for Nika Futterman. As the voice of Asajj Ventress, the Sith assassin serving Count Dooku, she played one of the most important — and well-liked among fans — characters of the Star Wars: The Clone Wars animated series. A dual-lightsaber-wielding menace, Ventress held her own against Anakin Skywalker, Obi-Wan Kenobi, and Ahsoka Tano, before leaving the bad guys behind for free agency. But just as Asajj’s journey was taking a surprising turn, it all stopped when the series was cancelled.

“I thought we had gotten to a place in her story where it was going to continue on in this really interesting way,” Futterman tells StarWars.com. “I just thought, now that she’s going to be a bounty hunter, there’s just a world of possibility that she could be anything and do anything and become anything.”…

Read the Full Article @ StarWars.com


Jedi Master Arkoff is Back

Here’s the latest from: StarWars.Com

Plus, get your first look at character concept art for the next installment of the Star Wars: The High Republic manga series.

By StarWars.com Team

The secrets of the Jedi Temple on Banchii are about to be exposed.

This summer, Daniel José Older and Shima Shinya will join forces for the third installment of the Star Wars: The High Republic manga series by VIZ, The Edge of Balance, Vol. 3. With art by Mizuki Sakakibara, the illustrated story is part of Phase III of Star Wars: The High Republic, reuniting fans with Jedi Knight Lily Tora-Asi who remains in defiance on Banchii, one year after the fall of Starlight Beacon.

Today, StarWars.com is pleased to reveal the cover art, featuring Jedi Master Arkoff the Wookiee proudly standing guard with green lightsaber ignited. “I envisioned the covers of Edge of Balance to represent the four seasons,” Sakakibara tells StarWars.com. “Volume 1 (Lily) was autumn, Volume 2 (Keerin) was summer, so this time it will be Arkoff in the winter. The Jedi are facing a tough time, but after winter comes spring.”…

Read the Full Article @ StarWars.com

Star Wars: The Empire Strikes Back – The Most Frequently Asked Questions ANSWERED

After nearly ten years of running this channel, I have seen the same Star Wars questions over and over again. Today I’m answering FORTY of the most frequently asked questions I’ve seen about The Empire Strikes Back!

0:00 Intro
0:16 Who was the bounty hunter on Ord Mantell?
1:07 Why was Echo Base a mess?
1:49 Does hell exist in Star Wars?
2:30 How did the wampa hang Luke upside down?
3:09 When did Luke learn telekinesis?
3:42 Why did Obi-Wan wait three years to tell Luke to go to Dagobah?
4:45 Did Obi-Wan forget Qui-Gon Jinn?
5:23 What is a gundark?
5:56 When did Darth Vader get control of the Imperial fleet?
6:42 When was the Executor constructed?
7:12 What is Darth Vader’s pod?
7:42 From how far away can you Force choke someone?
8:28 Why did Darth Vader kill Admiral Ozzel?
9:09 Was Ozzel a Rebel spy?
9:57 What was Leia’s military rank?
10:33 Why didn’t the Rebels fly away from the Imperial blockade?
11:18 When was Rogue Squadron created?
11:59 How were AT-ATs deployed?
12:42 What happened to General Veers after the Battle of Hoth?
13:42 Did Yoda forget R2-D2?
14:28 How could Han and Leia walk around inside the space slug?
15:30 What is the dark side cave?
16:20 What does Luke’s vision in the dark side cave mean?
17:13 How did Boba Fett know where the Millennium Falcon was hiding?
17:54 How long did Luke train with Yoda?
19:09 What is Cloud City?
19:52 What does e chuta mean?
20:42 Why doesn’t Lobot talk?
21:36 Was Leia always meant to be a Skywalker?
22:37 Is that IG-88 on Cloud City?
23:36 How did the Empire beat Han to Cloud City?
24:09 Did Darth Vader actualy serve a meal to everyone?
25:01 Shouldn’t Darth Vader know carbon freezing isn’t lethal?
25:46 Why did Darth Vader stop Boba Fett from shooting Chewbacca?
26:45 What was in Willrow Hood’s camtono?
27:37 Was Darth Vader always going to be Luke’s father?
28:30 Why did Darth Vader let Admiral Piett live?
29:26 What did the Rebel fleet do while Luke and Leia were away?
30:08 Why is Lando wearing Han’s clothes?
30:57 Is that another galaxy at the end of the movie?


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Being Forced to Bring Back Carano’s Cara Dune Would Be Ridiculous

Here’s the latest from Den of Geek

Former The Mandalorian actor Gina Carano, with financial backing from Elon Musk, has filed a lawsuit against Disney claiming she was wrongfully terminated from the show in 2021 and discriminated against for her political views and her gender. According to the complaint filed with the California federal court this week, Carano is not only seeking $75,000 in damages but also wants the court to force Disney to recast her on The Mandalorian, which would be an unprecedented turn of events for the entertainment industry and pretty ludicrous.

I’m no legal expert, but if Carano’s legal team were to somehow convince the court to rule that Disney had to bring her back as Cara Dune on a future show, how would that even work? What sort of welcome back would Carano expect to receive from a studio she reportedly has a toxic relationship with, not to mention the section of angry fans who wanted her off the series in the first place? And for just how long does Carano expect to be back on the show?…


Read the Full Article @ Den of Geek

The Clone Wars Episode Guide: The Zillo Beast Strikes Back

Welcome to a look inside The Holocron. A collection of articles from the archives of *starwars.com no longer directly available.

(*Archived here with Permission utilising The Internet Archive Wayback Machine)

The Clone Wars Episode Guide: The Zillo Beast Strikes Back

Episode No.: 41 (Season 2, Episode 19)
Original Air Date: April 16th, 2010
Production No.: 223 (Season 2, Episode 23)

Written by Steven Melching
Supervising Writer: Drew Z. Greenberg
Staff Writer: Brian Larsen
Directed by Steward Lee

Key Characters: Anakin Skywalker, Yoda, Chancellor Palpatine, Padmé Amidala, Obi-Wan Kenobi, R2-D2, C-3PO, Doctor Sionval Boll, Aayla Secura
Key Locales: Coruscant

Cast:
Ian Abercrombie as Chancellor Palpatine
Matt Lanter as Anakin Skywalker
Cara Pifko as Dr. Sionver Boll
Terrence Carson as Mace Windu
Catherine Taber as Padmé Amidala
Dee Bradley Baker as clone troopers
Tom Kane as narrator and Yoda
Stephen Stanton as Mas Amedda
James Arnold Taylor as Obi-Wan Kenobi and Senate Guard
Jennifer Hale as Aayla Secura


Full Synopsis:

“The most dangerous beast is the beast within.”

Newsreel
A calculated risk! Following a costly
victory on the planet Malastare,
Chancellor Palpatine orders Jedi
Knights Mace Windu and Anakin
Skywalker to transport a fearsome
Zillo beast captured during the battle Back to Coruscant.

After seeing that not even a
lightsaber could harm the beast,
Chancellor Palpatine hopes to unlock the secret of its invulnerability to create new armor for the Republic’s clone troopers. Tensions run high as the most dangerous life form in the galaxy touches down on its mostpopulous planet….

ACT I

An enormous transport touches down in an embarkation zone on Coruscant near the monolithic Republic Science and Technical Center. Heavily armed clone troopers serve as security as the slumbering Zillo Beast is carted from the ship. Arriving by gunship are Mace Windu and Anakin Skywalker, who convene with Chancellor Palpatine. Windu once again voices his reservations about the beast’s presence on the capital, but the Chancellor insists it is a chance to uncover a technological edge that could end the war. Mace turns over stewardship of the creature to Doctor Sionver Boll.

Later, within the Jedi Council chambers, Mace commiserates with Obi-Wan Kenobi about the Chancellor’s reckless plan. Obi-Wan has an idea as to how to convince Palpatine of the threat posed by the Zillo Beast.

Within the hangar-like space of the science center, the Zillo Beast is contained by force-fields and girder-like structures while Dr. Boll supervises its examination. Worker and medical droids poke around its hardened scale plates. Chancellor Palpatine visits the doctor, checking on her progress. Dr. Boll fears the only way to properly extract a scale sample would be to kill the beast, but she is reluctant to do so, suspecting the rare Zillo may in fact be intelligent. Palpatine implores her to continue, suggesting that she use Malastarian fuel to weaken the Zillo. Palpatine threatens that if Dr. Boll cannot kill the beast, she will be replaced by someone who can. The Zillo Beast seems to recognize the malice in Palpatine.

In the Senate building, Padmé Amidala and Obi-Wan Kenobi convince Anakin to speak to the Chancellor and express their concerns. Amidala worries that no one in a position of power is representing what’s in the best interests of the alien life-form.

ACT II

In the Chancellor’s office, Padmé and Palpatine debate the merits of secretly dooming the creature to extinction. Anakin attempts to remain impartial, but the Chancellor is steadfast. He contacts Doctor Boll, who reports success in converting the Malastarian fuel into a poison gas. The Chancellor orders the Zillo Beast gassed.

Worker droids begin dousing the creature. It bucks and bolts, tearing the girders apart and shorting out the shields. The enraged monster breaks loose, shattering out of the science center. It makes its way towards the dense city lights.

Alarms wail in the metropolitan canyons as the Zillo Beast clambers through the dense cityscape. Republic gunships attempt to contain the monster, but to no avail. The creature reacts intensely to a holographic billboard of Chancellor Palpatine. It tears through the projector, enraged by the politician’s face.

Doctor Boll reports to the Chancellor that she needs time to synthesize more toxin. The creature charges the Senate office building. Its enormous head fills the panoramic window of the Chancellor’s office. Anakin, Padmé, the Chancellor, and C-3PO and R2-D2 evacuate the building. They head to an emergency escape route occupied by a sleek executive ship.

Meanwhile, Mace Windu and Obi-Wan fly to the embarkation area in transports to collect a column of armored stun tanks. Yoda, within the Jedi Temple, supervises the Jedi action with the aid of Aayla Secura.

Palpatine’s ship lifts off from the executive building, but it is plucked from the sky by the Zillo Beast, who holds the vessel as it if were a mere toy.

ACT III

The Republic tanks arrive in the Senate district and deploy in formation. Mace Windu orders them to fire on the beast, but Yoda countermands him. The elder Jedi Master reports that the creature is clutching the Chancellor’s shuttle. Using a gunship, Yoda and Aayla Secura fly up to the creature and leap atop its back to distract it.

Inside the shuttle, the bulkheads creak and groan under the strain of the Zillo Beast’s clutches. Anakin springs into action, slicing through the cabin with his lightsaber. He shears the ship into two sections, separating the crew cabin from creature’s grasp. The cabin slides down the sloping building surface while Mace Windu and Obi-Wan slow the section’s descent. Anakin, Padmé and the droids spill out of the cabin, sliding freely on their own. Anakin grabs Padmé before she falls off the edge, while R2-D2 affixes himself to the building surface, and stops C-3PO’s fall.

With the Chancellor out of the creature’s reach (with thanks to R2-D2’s boosters), the gunships and tanks open concentrated fire on the Zillo Beast. Republic gunships lob gas bombs, engulfing the monster in a toxic green cloud. It eventually collapses and dies, sliding to a stop at the foot of the Senate executive building.

The next day, the creature’s corpse is carted back to the science center. Chancellor Palpatine vows that the Zillo Beast’s sacrifice not be in vain. Unbeknownst to the Jedi, however, he orders Doctor Boll to clone the beast.


Trivia & Details

  • The holographic billboard of Palpatine is repeating the same address seen in “Lightsaber Lost.”
  • The droids tending to the Zillo Beast include re-purposed heavy labor droids first seen in Star Wars: Episode III Revenge of the Sith.


Memorable Quotes

  • “Chancellor, I must protest. Besides being the last of its kind, this creature may be intelligent.”
  • “I find that hard to believe. It is, after all, just an animal.” — Dr. Boll and Chancellor Palpatine

“I applaud your high moral stance, Doctor. After all, principle is in short supply these days. — Palpatine

“Doctor, you need to find a way to kill that Beast, or we shall replace you with someone who can.” — Palpatine

“I sympathize my dear, truly I do. But consider this: a democracy is only as strong as the people who comprise it.” — Palpatine to Senator Amidala

“Of course, in wartime, some things must be kept secret. Even from the people, so as not to aid the enemy.” — Anakin Skywalker

“We’re doomed.” — C-3PO

“I’ve got a bad feeling about this.” — Chancellor Palpatine

  • “Looks like one of Anakin’s improvised plans.”
  • “How can it be a plan if its improvised?” — Obi-Wan Kenobi and Mace Windu

“A lot of the General’s plans involve falling.” — Clone Captain Rex

This Article was Originally posted 2023-06-19 12:00:57.

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Inside the Holocron / Boba Fett On The Empire Strikes Back, That Crazy Suit, and the Star Wars Legacy

Welcome to a look inside The Holocron. A collection of articles from the archives of *starwars.com no longer directly available.

(*Archived here with Permission utilising The Internet Archive Wayback Machine)

Boba Fett On The Empire Strikes Back, That Crazy Suit, and the Star Wars Legacy

Vanity Fair article from October 8th, 2010 by Mike Ryan.  Featured on starwars.com (hence its inclusion here)

In celebration of the 30th anniversary of The Empire Strikes Back, Lucasfilm is releasing a comprehensive history of the making of the groundbreaking film, aptly titled The Making of Star Wars: The Empire Strikes Back. The book is packed with hundreds of rarely seen behind the scene photographs which you can preview here. Over the next few days, VF Daily will be running a series of interviews coinciding with the release. Tune in next week for an interview with legendary director Irvin Kershner.

Despite extremely limited screen time and only a few lines of dialogue, Boba Fett remains, to this day, one of the most popular characters from the Star Wars trilogy. VF Daily sat down with the actor behind the mask of the most revered bounty hunter in the galaxy: Jeremy Bulloch, who is mostly known for his theater work before Empire. And he doesn’t shy away from how he got the role—the suit fit. Bulloch talked with us about the challenges behind portraying a bounty hunter in an outfit not really conducive to bounty hunting, dealing with Boba Fett’s rabid fan base, the differences in directing styles between Empire and Return of the Jedi, and how he feels about Jango Fett (Temuera Morrison) in Attack of the Clones.

Mike Ryan: There was a lot of buildup and hype with the Boba Fett character leading into Empire. Say what you will about The Star Wars Holiday Special, which I’m not sure Lucasfilm will even admit exists (the Lucasfilm rep in the room audibly laughs), but there was the Boba Fett cartoon during that special which piqued a lot of interest.

Jeremy Bulloch: The only thing that I thought was a bit strange was when I was shown a small figure of Boba Fett and I hadn’t even started filming, and they said, “Well, this will be given away if they send in [proofs of purchase].”And I didn’t understand what they were saying at all. Obviously the figures became very important much later on.

And action figures weren’t quite as popular then.

Then, there was just the off figure. And I thought it was amazing, “look, I’m in plastic, already.” This was before the first day, and I thought they might not like what I do and get rid of me. But now, of course, there’s so many things that are being made and in incredible detail—and Boba Fett is an ideal character to have because he has so many gadgets on his armor and his weaponry.

And how many of those do you own?

Well, I have (Laughs)—this is quite sad, now, really. I do have the big Boba Fett by Don Post, which I went to America to model for. I have that and I have lots of little trinkets and things like that. Only of Boba Fett, because I’m biased.

It’s interesting, considering your theater background, that you played a character in which we don’t even see your face, let alone hear your voice.

It’s the very first part that I’ve ever played with a mask. But, luckily, I was working in the theater at nights for two weeks of The Empire Strikes Back. So I had to leave by 5:30 to get to the theater. And in the theater, I was non-stop talking for two and a half hours for this fast comedy. So I could go in the next day, look at people who spent four or five-hour in makeup, and I just put a helmet on. I could rest a little bit because I was really tired.

The voice of Boba Fett was dubbed over by another actor. Were you saying the lines on set?

Oh, yes, you do. The lovely thing is that you’re saying something, even with Darth Vader, I was talking. And you can’t hear what you’re saying because it’s a muffled sound, obviously, under the helmet. But it’s quite fun because, at the time, you think, I wonder what kind of voice this will be? Whether it will be electronic or will it be just an ordinary voice? Looking at the outfit, I thought it would be some croaky type of person.

So you knew, unlike David Prowse (who played Darth Vader) in the first film, that the voice would be redubbed by another actor?

No, I didn’t know from the beginning. But I assumed that when everything goes back to America, they’ll get someone to do the voice. Now, had I been speaking throughout the whole film, and they wanted to dub my voice, I’d actually have been surprised. Why would they need to do it? But for this, Boba Fett, a few lines, I thought, this came out really well. I was quite happy.

I’m assuming that the outfit isn’t conducive to actual bounty hunting.

(Laughs.) No, no. It is possibly the most uncomfortable costume I’ve ever worn. As they clicked the jet-pack into position, you’d lean back. It was top-heavy and you were almost falling over. And the backs of your legs and your feet—at the end of it you’d just long for a hot bath.

You were in three Star Wars films. If I’m not mistaken, you were in Revenge of the Sith.

Yes, I had a little cameo role as Captain Colton.

Your largest roles were in Empire and Jedi. What was the biggest difference between Empire director Irvin Kershner and Jedi director Richard Marquand?

Irvin was wonderful because you knew, as an actor, exactly what he wanted. He’d occasionally say, “come on, come on,” and you could see he was saying we had to get this shot in. Richard Marquand I’d met before and he was a lovely man. He said, “Jeremy, you know, you were in the last one, you know what to do. Don’t you?” I said, “well, yes I do, but it’s always lovely to have the director say, ‘no, no, no, that’s wrong,’” I quite like that. Because if you’re an actor who says, “well, what I do is obviously what is best,” it’s sometimes not right. I think it’s wonderful having a director leading you through.

It says in the book that Mark Hamill would get frustrated with kershner’s direction. At the way kershner would even act out a scene while saying, “do it like this.”

Well, I don’t know. As I said, I do like someone to direct you. And, as you say, Irvin kershner would say, “do it like this.” And you go, “O.K., fine.” But when they say “action,” you put a little of yourself in it. The director thinks that is exactly what he said, but, in fact, it’s quite a bit of what you want.

There’s a transcript in the book from the set of the Carbon Freezing Chamber where Harrison Ford and Carrie Fisher were having a huge, real-life argument. Could you tell there was tension between the two?

No. For us in masks, we were just dripping and waiting for one section of the piece to go—just pouring with sweat. There was something happening, but I could never know what it was because there was so much noise and I was standing at the back next to Darth Vader while the carbon freezer thing was going. I could hardly see through the mask because it used to mist up with all of the steam. So if someone said, “did you see anything, Jeremy?” I’d say, “No, I didn’t.”

The funniest part of that transcript is when David Prowse interrupts kershner during the fight to offer him a signed copy of his new book, Fitness is Fun. Did you get a copy of Fitness is Fun?

Um, no. Well, I have seen it, actually, but I haven’t read it. I prefer to read my book because, as I said to David (Prowse), because it’s in English.

When Empire was released on DVD in 2004, Boba Fett’s voice was redubbed again, only this time by Temuera Morrison who played Jango Fett in Attack of the Clones. Do you feel he’s co-opted your role, playing Jango Fett or Boba Fett throughout the six films? Someone watching all six today for the first time would probably just assume that he’s the guy in the suit by the time we get to Empire.

I can see why because now it’s the Clone Wars and they’re all exactly the same. It’s Temuera and Daniel Logan who plays the young Boba Fett. We all know the voice and what’s going to happen. Although, the original voice by Jason Wingreen is far more menacing. (Mimes Wingreen) “Put Captain Solo in the cargo hold.” That sounded a bit funny.

No, that was a good impression.

I think the original voice—I’m caught halfway here. I can see why, although, I don’t think they needed to change the voice. Especially with the little dialogue Boba Fett has, it’s very strong what comes out. But that’s what is so lovely about the Star Wars films, there’s so much to talk about and argue about. If I’m at a convention, someone will say, “Mr. Bulloch, what do you think about the death of Boba Fett when he goes into the Sarlacc Pit? Could you tell us a little bit more about that?” I’ll say, “No, I’m deeply depressed that Boba Fett went into the Sarlacc Pit. But I will get out. I promise you.” And they say, “thank you very much, Mr. Bulloch, thank you.” I just made someone happy because now I’m going to get out of the pit. You say to someone, “I stay down in the pit as long as I want. There are bounty hunters falling down there every day of the week and I’ve now opened a bar. I’ve opened a Hooters.”

I hope that’s true, because even as a kid I remember thinking, “wait, Boba Fett was killed by Han with a stick by accident?”

George Lucas is terribly funny because I said—this was years and years ago—“Did you mean Boba Fett to die?” And he said, “Oh, yeah.” So all I could say was, “Thanks, George.” The great thing is, by getting rid of Boba Fett, it keeps the popularity up. So the reaction afterwards is actually really good.

How did your other role in Empire, as the Imperial Officer, come about?

I was sitting down waiting to do a Boba Fett scene—the one where I was firing in Cloud City at Luke Skywalker—and they said, “Jeremy, Jeremy, quick, get changed.” I went to wardrobe and they took the Boba Fett outfit off and put me in this Imperial Officer’s outfit. There was no one available to play the part, so that’s what it was.

Did you have to audition for Boba Fett?

No, I’ve said before, if I hadn’t fit in the outfit, I wouldn’t have played the part. There was only one costume. My half-brother, Robert Watts, was an associate producer and he said, “Look, get your agent on to this. It’s not very much, but you never know.” So I went back and put the outfit on. And that was the interview with producer Gary Kurtz, putting bits of the outfit on and it fit like a glove. I always say to people, “It was meant to be.”

I also learned from the book that you were credited as Yoda in Arthur Knight’s 1980 Hollywood Reporter review of Empire.

(Laughs.I didn’t even know that. Well, that’s good. I’ll have to start practicing a Yoda voice. That’s brilliant.

And you received a lot of fan mail asking if you were the “other” that Yoda mentions.

Yes, I had a lot of that. I went on straight to another theater job after Empire, and I would get people writing letters asking if I was “the other.” I’d say, “other what?” And then pretend I knew. People will come up and ask, “Did you use the BlasTech .E33 rifle in the first film or the second film?” I just turn around and say, “I’m terribly sorry, it’s classified information. I’m not allowed to tell you.” It’s the best answer because they are far brighter than I am. I’m tempted to try and learn Mandalorian, so I can come back with a really classic answer, when needed. It’s not going very well at the moment.

It sounds like you’ve gotten more meaning with what’s happened in the 30 years after the movie was released than you did actually filming.

You’re absolutely spot on there, Mike. I do. You film something and sometimes you watch it for the first time and go, I wish I had done that. How stupid, I should have turned! I think I’ve been terribly fortunate as an actor. I had 20 years experience before Star Wars, but I was extremely lucky to land the role of Boba Fett. It is a journey, like the term, “if the shoe fit.” If the costume fit—and there it was, as if it was made for me.

I feel there’s a lot of people in your position who may resent talking about Boba Fett because, as you said, you just happened to fit a costume.

I think I’m very fortunate and very proud to be part of Star Wars, very proud. I’ve done a lot of work over the course of 52 years now. A lot of different work, some I’ve really enjoyed and thought, that was just right, and another one where I thought, oh, no, that wasn’t so good. People always ask, “Aren’t you upset because they’re not talking about other things that you’ve done? I say, “No, because they’re interviewing me about Star Wars and what my experience was like and what it means.” That’s terribly important to know that I was involved with Star Wars. There’s no point to say, “Oh, I’ve moved on, I’m playing King Lear now. I don’t want to talk about Star Wars.” I do want to talk about it because it was a very fun time for me. It was a terrific time.

This Article was Originally posted 2023-01-31 08:05:58.

The Nameless Strike Back in Phase III

Here’s the latest from: StarWars.Com

Authors Cavan Scott and Charles Soule, as well as Lucasfilm Publishing’s Michael Siglain, discuss the Force-hungry creatures and reveal new characters experimenting on the nightmarish beasts

What scares the Jedi? That question has been at the core of the entire Star Wars: The High Republic epic, and the answer just might be the Nameless.

Teased in Claudia Gray’s Star Wars: Master and Apprentice and fully introduced in Phase II of The High Republic, the Nameless are creatures that feed on Force sensitives. As part of his plot to destroy the Jedi, Nihil leader Marchion Ro unleashes the beasts — once thought to be the stuff of legend — on the guardians of peace and justice. Unfortunately for the Jedi, the Nameless are back in Phase III…

Read the Full Article @ StarWars.com

Chatter Back Chopper

Here’s the latest from: StarWars.Com

The innovative release from Hasbro has been honored with a nod in the Toy of the Year Awards.

Our favorite grumpy astromech has reason to make some happy beeps!

Hasbro’s Star Wars Chatter Back Chopper Animatronic has been nominated for Action Figure of the Year in the Toy of the Year Awards, it was announced this week by the Toy Association. Inspired by the Ahsoka live-action series on Disney+, the toy features character design and weathered deco based on his look in the show. Even more fun comes from interactivity, as Chopper springs to life with more than 40 sound and movement combinations, unlocked by pressing the button on his body, posing his front arm, or by making sounds of your own. But Chop needs your help!…

Read the Full Article @ The Official Site

The Clone Wars Episode Guide: A Look Back

Welcome to a look inside The Holocron. A collection of articles from the archives of *starwars.com no longer directly available.

(*Archived here with Permission utilising The Internet Archive Wayback Machine)

The Clone Wars Episode Guide: A Look Back

As I said in the previous post, the format changed for the Episode Guides, so I have created two Featurettes covering clips and interviews from The Clone Wars – Season 4 so I hope you enjoy them.

Expect the second part tomorrow.

Expect the same for the rest of the Seasons.


The Clone Wars Episode Guide: A Look Back