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The Empire Strikes Back – Posters #3
Click on the image to download the PDF.
Enjoy!
Just as a FYI, to avoid old posts becoming one with the Force, this post has been republished so it can be a blue glowy thing, it was Originally posted 2023-01-31 10:27:58.
Welcome to the Star Wars Gallery. A collection of some great images from Star Wars: Episode V – The Empire Strikes Back.
Below you will find a Gallery of Star Wars Art from the second film in the series, from way back in 1980.
I hope you enjoy them.
[foogallery id=”226245″]Just as a FYI, to avoid old posts becoming one with the Force, this post has been republished so it can be a blue glowy thing, it was Originally posted 2023-04-26 23:18:00.
Release Date: May 21, 1980 (original); February 21, 1997 (Special Edition)
Synopsis: (3 years after Episode IV) Three years after the destruction of the Death Star, Imperial forces continue to pursue the Rebels. After the Rebellion’s defeat on the ice planet Hoth, Luke journeys to the planet Dagobah to train with Jedi Master Yoda, who has lived in hiding since the fall of the Republic. In an attempt to convert Luke to the dark side, Darth Vader lures young Skywalker into a trap in the Cloud City of Bespin. In the midst of a fierce lightsaber duel with the Sith Lord, Luke faces the startling revelation that the evil Vader is in fact his father, Anakin Skywalker.
It is a dark time for the Rebellion. Although the Death Star has been destroyed, Imperial troops have driven the Rebel forces from their hidden base and pursued them across the galaxy.
Evading the dreaded Imperial Starfleet, a group of freedom fighters led by Luke Skywalker have established a new secret base on the remote ice world of Hoth.
The evil lord Darth Vader, obsessed with finding young Skywalker, has dispatched
thousands of remote probes into the far reaches of space….
Awards: Academy Award Winner: Best Sound, Special Achievement in Visual Effects. Academy Award Nominee: Best Art Direction-Set Decoration, Best Original Score.
BAFTA Award Winner: Anthony Asquith Award for Film Music. BAFTA Nominee: Best Production Design/Art Direction, Best Sound.
Golden Globe Nominee: Best Original Score.
Saturn Award Winner: Best Director, Best Science Fiction Film, Best Special Effects. Saturn Award Nominee: Best Costumes, Best Music, Best Supporting Actor, Best Writing.
Cast
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Luke Skywalker
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Mark Hamill
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Han Solo
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Harrison Ford
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Princess Leia Organa
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Carrie Fisher
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Lando Calrissian
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Billy Dee Williams
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See Threepio (C-3PO)
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Anthony Daniels
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Darth Vader
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David Prowse
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Chewbacca
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Peter Mayhew
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Artoo-Detoo (R2-D2)
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Kenny Baker
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Yoda
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Frank Oz
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Ben (Obi-Wan) Kenobi
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Alec Guinness
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Boba Fett
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Jeremy Bulloch
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Lando’s Aide
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John Hollis
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Chief Ugnaught
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Jack Purvis
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Snow Creature
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Des Webb
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Performing Assistant For Yoda
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Kathryn Mullen
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Voice Of Emperor
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Clive Revill
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Admiral Piett
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Kenneth Colley
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General Veers
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Julian Glover
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Admiral Ozzel
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Michael Sheard
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Captain Needa
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Michael Culver
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Imperial Officers
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John Dicks
Milton Johns Mark Jones Oliver Maguire |
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General Rieekan
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Bruce Boa
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Zev (Rogue 2)
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Christopher Malcom
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Wedge (Rogue 3)
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Denis Lawson
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Hobbie (Rogue 4)
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Richard Oldfield
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Dak (Luke’s Gunner)
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John Morton
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Janson (Wedge’s Gunner)
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Ian Liston
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Major Derlin
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John Ratzenberger
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Deck Lieutenant
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Jack Mckenzie
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Head Controller
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Jerry Harte
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Rebel Officers
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Norman Chancer
Norwich Duff Ray Hassett Brigitte Kahn Burnell Tucker |
Crew
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Directed By
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Irvin Kershner
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Produced By
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Gary Kurtz
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Screenplay By
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Leigh Brackett
Lawrence Kasdan |
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Story By
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George Lucas
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Executive Producer
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George Lucas
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Production Designer
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Norman Reynolds
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Director Of Photography
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Peter Suschitzky B.S.C.
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Edited By
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Paul Hirsch A.C.E.
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Special Visual Effects
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Brian Johnson
Richard Edlund |
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Music By
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John Williams
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Performed By
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The London Symphony Orchestra
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Original Music Copyright 1980
Fox Fanfare Music Inc. | Bantha Music |
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Associate Producers
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Robert Watts
James Bloom |
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Design Consultant And Conceptual Artist
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Ralph McQuarrie
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Art Directors
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Leslie Dilley
Harry Lange Alan Tomkins |
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Set Decorator
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Michael Ford
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Construction Manager
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Bill Welch
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Assistant Art Directors
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Michael Lamont
Fred Hole |
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Sketch Artist
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Ivor Beddoes
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Draftsmen
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Ted Ambrose
Michael Boone Reg Bream Steve Cooper Richard Dawking |
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Modellers
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Fred Evans
Allan Moss Jan Stevens |
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Chief Buyer
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Edward Rodrigo
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Construction Storeman
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Dave Middleton
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Operating Cameramen
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Kelvin Pike
David Garfath |
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Assistant Cameramen
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Maurice Arnold
Chris Tanner |
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Second Assistant Cameramen
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Peter Robinson
Madelyn Most |
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Dolly Grips
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Dennis Lewis
Brian Osborn |
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Matte Photography Consultant
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Stanley Sayer, B.S.C.
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Gaffer
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Laurie Shane
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Rigging Gaffer
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John Clark
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Lighting Equipment And Crew From Lee Electric
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Make-Up And Special Creature Design
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Stuart Freeborn
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Chief Make-Up Artist
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Graham Freeborn
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Make-Up Artists
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Kay Freeborn
Nick Maley |
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Chief Hairdresser
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Barbara Ritchie
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Yoda Fabrication
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Wendy Midener
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Costume Designer
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John Mollo
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Wardrobe Supervisor
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Tiny Nicholls
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Wardrobe Mistress
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Eileen Sullivan
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Property Master
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Frank Bruton
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Property Supervisor
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Charles Torbett
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Property Dressing Supervisor
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Joe Dipple
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Head Carpenter
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George Gunning
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Head Plasterer
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Bert Rodwell
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Head Rigger
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Red Lawrence
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Sound Design And Supervising
Sound Effects Editor |
Ben Burtt
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Sound Editors
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Richard Burrow
Teresa Eckton Bonnie Koehler |
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Production Sound
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Peter Sutton
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Sound Boom Operator
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Don Wortham
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Production Maintenance
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Ron Butcher
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Re-Recording
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Bill Varney
Steve Maslow Gregg Landaker |
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Music Recording
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Eric Tomlinson
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Orchestrations
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Herbert W. Spencer
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Supervising Music Editor
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Kenneth Wannberg
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Assistant Film Editors
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Duwayne Dunham
Phil Sanderson Barbara Ellis Steve Starkey Paul Tomlinson |
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Dialogue Editors
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Curt Schulkey
Leslie Shatz Joanne D’antonio |
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Optical Coordinator
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Roberta Friedman
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Assistant Sound Editors
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John Benson
Joanne Cappuccilli Ken Fischer Craig Jaeger Nancy Jencks Laurel Ladevich |
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Foley Editors
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Robert Rutledge
Scott Hecker |
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Foley Assistants
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Edward M. Steidele
John Roesh |
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Sound Effects Recording
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Randy Thom
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Recording Technicians
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Gary Summers
Howie Kevin O’connell |
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Production Supervisor
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Bruce Sharman
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Assistant Production Manager
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Patricia Carr
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Production Coordinator
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Miki Herman
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First Assistant Director
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David Tomblin
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Second Assistant Directors
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Steve Lanning
Roy Button |
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Location Manager
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Philip Kohler
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Continuity
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Kay Rawlings
Pamela Mann |
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Casting
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Irene Lamb
Terry Liebling Bob Edmiston |
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Assistant To Producer
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Bunny Alsup
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Assistant To Director
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Debbie Shaw
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Assistant To Executive Producer
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Jane Bay
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Production Assistants
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Barbara Harley
Nick Laws Charles Wessler |
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Stunt Coordinator
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Peter Diamond
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Stunt Doubles
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Bob Anderson
Colin Skeaping |
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Production Accountant
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Ron Phipps
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Assistant Accountant
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Michael Larkins
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Set Cost-Controller
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Ken Gordon
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Location Accountant
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Ron Cook
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Still Photographer
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George Whitear
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Unit Publicist
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Alan Arnold
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Assistant Publicist
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Kirsten Wing
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Studio Second Unit
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Directors
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Harley Cokliss
John Barry |
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Director Of Photography
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Chris Menges
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Assistant Director
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Dominic Fulford
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Second Assistant Director
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Andrew Montgomery
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Location Second Unit
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Director
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Peter Macdonald
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Director Of Photography
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Geoff Glover
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Operating Cameraman
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Bob Smith
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Assistant Cameramen
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John Campbell
Mike Brewster |
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Second Assistant Cameramen
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John Keen
Greg Dupre |
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Dolly Grip
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Frank Batt
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Production Manager
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Svein Johansen
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Assistant Directors
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Bill Westley
Ola Solum |
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Production And Mechanical Effects Unit
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Mechanical Effects Supervision
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Nick Allder
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Location Unit Supervisor
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Allan Bryce
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Senior Effects Technician
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Neil Swan
Dave Watkins |
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Robot Fabrication And Supervision
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Andrew Kelly
Ron Hone |
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Effects Technicians
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Phil Knowles
Barry Whitrod Martin Gant Brian Eke Guy Hudson Dennis Lowe |
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Effects Engineering
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Roger Nicholls
Steve Lloyd |
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Electrical Engineer
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John Hatt
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Electronics Consultant
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Rob Dickinson
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Model Construction
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John Pakenham
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Effects Assistants
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Alan Poole
Digby Milner Robert McLaren |
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Effects Secretary
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Gill Case
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Minature And Optical Effects Unit
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Effects DirectorOf Photography
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Dennis Muren
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Effects Cameramen
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Ken Ralston
Jim Veilleux |
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Camera Operators
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Don Dow
Bill Neil |
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Assistant Cameramen
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Selwyn Eddy
Jody Westheimer Rick Fighter Clint Palmer Michael McAlister Paul Huston Richard Fish Chris Anderson |
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Optical Photography Supervisor
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Bruce Nicholson
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Optical Printer Operators
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David Berry
Kenneth Smith Donald Clark |
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Optical Line-Up
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Warren Franklin
Mark Vargo Peter Amundson Loring Doyle Thomas Rosseter Tam Pillsbury James Lim |
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Optical Coordinator
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Laurie Vermont
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Laboratory Technicians
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Tim Geideman
Duncan Myers Ed Jones |
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Art Director-Visual Effects
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Joe Johnston
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Assistant Art Director
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Nilo Rodis-Jamero
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Stop Motion Animation
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Jon Berg
Phil Tippett |
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Stop Motion Technicians
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Tom St. Amand
Doug Beswick |
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Matte Painting Supervisor
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Harrison Ellenshaw
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Matte Artists
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Ralph McQuarrie
Michael Pangrazio |
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Matte Photography
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Neil Krepela
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Additional Matte Photography
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Michael Lawler
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Matte Photography Assistants
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Craig Barron
Robert Elswit |
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Chief Model Maker
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Lorne Peterson
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Modelshop Foreman
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Steve Gawley
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Model Makers
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Paul Huston
Tom Rudduck Michael Fulmer Samuel Zolltheis Charles Bailey Ease Owyeung Scott Marshall Marc Thorpe Wesley Seeds Dave Carson Rob Gemmel Pat McClung |
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Animation And Rotoscope Supervisor
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Peter Kuran
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Animators
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Samuel Comstock
Garry Waller John Van Vliet Rick Taylor Kim Knowlton Chris Casady Nina Saxon Diana Wilson |
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Visual Effects Editorial Supervisor
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Conrad Buff
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Effects Editor
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Michael Kelly
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Assistant Effects Editors
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Arthur Repola
Howard Stein |
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Apprentice Editor
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Jon Thaler
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Production Administrator
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Dick Gallegly
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Production Secretary
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Patricia Blau
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Production Associate
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Thomas Brown
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Production Accountant
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Ray Scalice
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Assistant Accountant
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Glenn Phillips
Pam Traas Laura Crockett |
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Production Assistant
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Jenny Oznowicz
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Transportation
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Robert Martin
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Still Photographer
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Terry Chostner
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Lab Assistant
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Roberto McGrath
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Electronics Systems Designer
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Jerry Jeffress
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Systems Programming
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Kris Brown
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Electronic Engineers
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Lhary Meyer
Mike Mackenzie Gary Leo |
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Special Project Coordinator
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Stuart Ziff
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Equipment Engineering Supervisor
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Gene Whiteman
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Design Engineer
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Mike Bolles
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Machinists
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Udo Pampel
Greg Beaumonte |
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Draftsman
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Ed Tennler
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Special Projects
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Gary Platek
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Supervising Stage Technician
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T.E. Moehnke
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Stage Technicians
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William Beck
Bobby Finley Leo Loverro Edward Hirsh Dick Dova Ed Breed |
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Miniature Pyrotechnics
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Joseph Viskocil
Dave Pier Thaine Morris |
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Optical Printer Component Manufacturer
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George Randle Co.
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Camera And Movement Design
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Jim Beaumonte
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Special Optics Designer
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David Grafton
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Special Optics Fabrication
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J.L. Wood Optical Systems
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Optical Printer Component Engineering
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Fries Engineering
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High Speed Camera Movements
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Mitchell Camera Corp.
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Ultra High Speed Camera
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Bruce Hill Productions
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Color Timer
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Ed Lemke
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Negative Cutting
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Robert Hart
Darrell Hixson |
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Dolby Consultant
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Don Digirolamo
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Additional Optical Effects
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Van Der Veer Photo Effects
Modern Film Effects Ray Mercer & Company Westheimer Company Lookout Mountain Films |
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Special Edition Crew
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Producer
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Rick McCallum
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Editor
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T.M. Christopher
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Sound Designer
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Ben Burtt
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Re-Recording Mixer
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Gary Summers
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First Assistant Editor
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Samuel Hinckley
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Assistant Editor
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Robert Marty
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Assistant Avid Editors
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Mike Jackson
Robin Lee |
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Sound Editor
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Teresa Eckton
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Assistant Sound Editor
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Lisa Storer
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Re-Recordist
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Ronald G. Roumas
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Digital Mix Technician
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Gary A. Rizzo
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Archivist
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Tim Fox
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Optical Supervisors
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Phillip Feiner
Chris Bushman |
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Film Restoration Supervisor
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Pete Comandini
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Color Timer
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Robert J. Raring
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Negative Continuity
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Ray Sabo
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Negative Cutter
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Bob Hart
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Special Edition Digital Remastering Provided By
Skywalker Sound A Lucas Digital Ltd. Company |
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Film Restoration Consultant
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Leon Briggs
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Optical Restoration
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Pacific Title
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Film Restoration By
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Ycm Laboratories
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Industrial Light And Magic
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Visual Effects Supervisor
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Dave Carson
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Visual Effects Producer
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Tom Kennedy
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Computer Graphics Supervisor
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Tom Hutchinson
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Visual Effects Art Director
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George Hull
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Visual Effects Editor
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Michael McGovern
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Color Timing Supervisor
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Bruce Vecchitto
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Visual Effects Coordinator
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Lisa Todd
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Digital Effects Artists
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Don Butler
Michael Conte Howard Gersh Marshall Krasser Tia Marshall Stuart Maschwitz Julie Neary Ken Nielsen Eddie Pasquarello Ricardo Ramos Tom Rosseter Lawrence Tan Paul Theren Hans Uhlig Li-Hsein Wei Ron Woodall |
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Digital Matte Artists
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Ronn Brown
Eric Chauvin Brian Flora William Mather |
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3d Matchmove Artist
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James Hagedorn
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Digital Paint & Roto Artists
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Lisa Drostova
Heidi Zabit |
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Chief Creature Maker
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Howie Weed
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Model & Creature Makers
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Carol Bauman
Don Bies Giovanni Donovan Wendy Morton Anne Polland Mark Siegel Steven Walton |
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Sabre Group Supervisor
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Daniel McNamara
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Sabre Artists
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Rita Zimmerman
Chad Taylor Mary McCulloch Grant Guenin Caitlin Content |
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Software Research And Development
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David Benson
Jim Hourihan Zoran Kacic-Alesic Florian Kainz Jeff Yost |
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Digital Scanning Supervisor
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Joshua Pines
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Digital Scanning Operators
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Randall Bean
Michael Ellis Earl Beyer |
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Negative Supervisor
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Doug Jones
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Negative Line-Up
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Andrea Biklian
Tim Geideman |
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Projectionist
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Tim Greenwood
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Digital Plate Restoration
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Melissa Monterrosa
Mike Van Eps Wendy Hendrickson |
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Assistant Visual Effects Art Director
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Alex Laurant
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Assistant Visual Effects Editor
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John Bartle
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Video Editor
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Angela Leaper
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Animatic Artist
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Jonathan Rothbart
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Digital Effects Technical Assistants
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Okan Ataman
Peter Chesloff Joshua Levine Dawn Matheson Daniel Shumaker |
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Digital Effects Resource Assistant
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Daniel Brimer
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Visual Effects Production Staff
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Julie Creighton
Joshua Marks |
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Video Assistants
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Dawn Martin
Wendy Bell |
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Production Engineering
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Ken Beyer
Ken Corvino Gary Meyer |
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Aerial Camera System By Wesscam Camera Systems (Europe)
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||
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Aerial Cameraman
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Ron Goodman
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Assistant
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Margaret Herron
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Helicopter Supplied By Dollar Air Services Limited
|
||
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Pilot
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Mark Wolfe
|
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Cloud Plates Photographed With
Astrovision(c) By Continental Camera Systems Inc. |
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Snow Vehicles Supplied By
Aktiv Fischer |
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R2 Bodies Fabricated By
White Horse Toy Company |
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Special Assistance From
Giltspur Engineering And Compair |
||
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Photographed On The Hardengerjekulan Glacier, Finse, Norway
And At Emi – Elstree Studios, Borehamwood, England |
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Music Recorded At
Anvil Studios, Denham, England |
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Re-Recording At
Samuel Goldwyn Studios, Los Angeles, California |
||
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Special Visual Effects Produced At
Industrial Light And Magic, Marin County, California |
||
Just as a FYI, to avoid old posts becoming one with the Force, this post has been republished so it can be a blue glowy thing, it was Originally posted 2022-07-25 16:31:59.
We react to Kathleen Kennedy’s response to last week’s reports claiming she will be stepping down as president of Lucasfilm and clarifying what was true in the reports and what wasn’t. Kathleen also discussed several STAR WARS projects currently in the pipeline. More footage of ANDOR season two dropped this week as the hype for next month’s season premiere ramps up. We breakdown the “Special Look” footage and search for hints of what’s to come. We discuss the STAR WARS presence in the 2025 Oscars including nominees and presenters, some flubs in the Original Trilogy and more!
Brought to you by RFR on Patreon!
Official YouTube Video Home for Rebel Force Radio: Star Wars Podcast
#StarWars News, Interviews. comedy and Commentary
Catch new audio podcasts every Friday at www.rebelforceradio.com
Watch Full Show Video, get tons of exclusive bonus podcasts and join a great community at: RFR on Patreon
AUDIO PODCAST!
We’ve heard from so many listeners who say they love it when we feature rare interview footage from the Original Trilogy era so in this week’s RFR, we feature cool audio highlights from the official 1980 press conference for THE EMPIRE STRIKES BACK. You’ll hear from Harrison Ford, Mark Hamill, Carrie Fisher, Irwin Kershner, Anthony Daniels, and Gary Kurtz. Fast forward to the present, we discuss all the latest STAR WARS headlines, including new quotes from Daisy Ridley discussing her upcoming “New Jedi Order” film along with comments from Sigourney Weaver who reveals Baby Yoda “kicks ass” in upcoming THE MANDALORIAN AND GROGU. We react to a recent Lucasfilm executive shakeup and new rumors about a possible pair of unannounced all-new STAR WARS animated series. Plus, listener feedback, Luke Skywalker at STAR WARS GALAXY’S EDGE, and Harrison Ford’s new Jeep commercial
#starwars #rebelforceradio #movie #carriefisher #film #georgelucas #starwarsactor #starwarspodcast #markhamill #harrisonford #jeep #galaxysedge #disney #theempirestrikesback
Brought to you by RFR on Patreon!
Official YouTube Video Home for Rebel Force Radio: Star Wars Podcast
#StarWars News, Interviews. comedy and Commentary
Catch new audio podcasts every Friday at www.rebelforceradio.com
Watch Full Show Video, get tons of exclusive bonus podcasts and join a great community at: RFR on Patreon
Reunite with Clone Force 99 — including Hunter, Wrecker, Tech, and Omega — in a new novel set before the events of the final season.
By StarWars.com Team
We never got over losing Clone Force 99 when we said goodbye with the series finale of Star Wars: The Bad Batch last year, but no one’s ever really gone. And today StarWars.com is pleased to announce that soon the Batch will be back in action in Star Wars: Sanctuary — A Bad Batch Novel, a new book from Lamar Giles, with an exclusive first look at the book’s cover art by Marie Bergeron!
The story of Star Wars: Sanctuary, set during the events of Season 2 of the Disney+ series, centers on Hunter, Wrecker, Tech, and Omega as they work with treasure hunter Phee Genoa on a plan to help rebuild their island refuge after the devastating tsunami seen in the episode “Pabu.” Giles, whose young adult novels include Fake ID, SPIN, and Not So Pure and Simple among others is delighted by the chance to write his first Star Wars novel, having previously contributed the short story “Twenty and Out” to the From a Certain Point of View: Return of the Jedi anthology….
The screenwriter for the in-development “New Jedi Order” film featuring Daisy Ridley – George Nolfi – addressed some questions about the script in a recent interview. We look at quotes from Nolfi about his influences, along with the politics and history that may be inserted into the story. We provide a first blush review of the early chapters from the upcoming novel STAR WARS: REIGN OF THE EMPIRE: THE MASK OF FEAR. This book will look at the earliest days of The Galactic Empire, the political fallout surrounding Palpatine’s rise to power, and the birth of a rebellion. We continue our discussion about Marvel Comics’ “Legacy of Vader” and the death of Watto, we review highlights from recent interviews with Bill Burr, Mark Hamill and Harrison Ford, a RETURN OF THE JEDI-era “Outrageous and Unthinkable” story, listener feedback presents the question: Will Finn return as a Jedi?
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Welcome to Misc PDF’s. A collection of PDF files from the archives of *starwars.com no longer directly available.
(*Archived here with Permission utilising The Internet Archive Wayback Machine)
The Empire Strikes Back – Posters #1
Click on the image to download the PDF.
Enjoy!
Just as a FYI, to avoid old posts becoming one with the Force, this post has been republished so it can be a blue glowy thing, it was Originally posted 2023-01-29 01:31:17.
The duo behind the animated series breaks down the final season and more.
By Dan Brooks
With the conclusion of Star Wars: The Bad Batch this week, a journey ends not just for our elite-clone heroes, but also for Brad Rau and Jennifer Corbett. Executive producer/supervising director and executive producer/head writer, respectively, Rau and Corbett have shepherded the series since its Star Wars Day 2021 debut on Disney+. Through the adventures of this Star Wars family — Hunter, Wrecker, Crosshair, Echo, Tech, and the young Omega — they’ve told stories of friendship, loss, and forgiveness, endearing a new cast of characters to a generation of fans in the process. In a wide-ranging mission debrief with StarWars.com, Rau and Corbett discuss the final season’s biggest moments, the dynamic between Crosshair and Omega, and their personal connections to the series finale….
See General Grievous in action in this new clip from #TalesOfTheEmpire.
Tales of the Empire, featuring six all new Star Wars Original shorts, is available May 4 on @DisneyPlus.
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Actor Nika Futterman talks to StarWars.com about the return of her fan-favorite character in Star Wars: The Bad Batch
By Dan Brooks
There was unfinished business for Nika Futterman. As the voice of Asajj Ventress, the Sith assassin serving Count Dooku, she played one of the most important — and well-liked among fans — characters of the Star Wars: The Clone Wars animated series. A dual-lightsaber-wielding menace, Ventress held her own against Anakin Skywalker, Obi-Wan Kenobi, and Ahsoka Tano, before leaving the bad guys behind for free agency. But just as Asajj’s journey was taking a surprising turn, it all stopped when the series was cancelled.
“I thought we had gotten to a place in her story where it was going to continue on in this really interesting way,” Futterman tells StarWars.com. “I just thought, now that she’s going to be a bounty hunter, there’s just a world of possibility that she could be anything and do anything and become anything.”…
…Read the Full Article @ StarWars.com
Plus, get your first look at character concept art for the next installment of the Star Wars: The High Republic manga series.
By StarWars.com Team
The secrets of the Jedi Temple on Banchii are about to be exposed.
This summer, Daniel José Older and Shima Shinya will join forces for the third installment of the Star Wars: The High Republic manga series by VIZ, The Edge of Balance, Vol. 3. With art by Mizuki Sakakibara, the illustrated story is part of Phase III of Star Wars: The High Republic, reuniting fans with Jedi Knight Lily Tora-Asi who remains in defiance on Banchii, one year after the fall of Starlight Beacon.
Today, StarWars.com is pleased to reveal the cover art, featuring Jedi Master Arkoff the Wookiee proudly standing guard with green lightsaber ignited. “I envisioned the covers of Edge of Balance to represent the four seasons,” Sakakibara tells StarWars.com. “Volume 1 (Lily) was autumn, Volume 2 (Keerin) was summer, so this time it will be Arkoff in the winter. The Jedi are facing a tough time, but after winter comes spring.”…
After nearly ten years of running this channel, I have seen the same Star Wars questions over and over again. Today I’m answering FORTY of the most frequently asked questions I’ve seen about The Empire Strikes Back!
0:00 Intro
0:16 Who was the bounty hunter on Ord Mantell?
1:07 Why was Echo Base a mess?
1:49 Does hell exist in Star Wars?
2:30 How did the wampa hang Luke upside down?
3:09 When did Luke learn telekinesis?
3:42 Why did Obi-Wan wait three years to tell Luke to go to Dagobah?
4:45 Did Obi-Wan forget Qui-Gon Jinn?
5:23 What is a gundark?
5:56 When did Darth Vader get control of the Imperial fleet?
6:42 When was the Executor constructed?
7:12 What is Darth Vader’s pod?
7:42 From how far away can you Force choke someone?
8:28 Why did Darth Vader kill Admiral Ozzel?
9:09 Was Ozzel a Rebel spy?
9:57 What was Leia’s military rank?
10:33 Why didn’t the Rebels fly away from the Imperial blockade?
11:18 When was Rogue Squadron created?
11:59 How were AT-ATs deployed?
12:42 What happened to General Veers after the Battle of Hoth?
13:42 Did Yoda forget R2-D2?
14:28 How could Han and Leia walk around inside the space slug?
15:30 What is the dark side cave?
16:20 What does Luke’s vision in the dark side cave mean?
17:13 How did Boba Fett know where the Millennium Falcon was hiding?
17:54 How long did Luke train with Yoda?
19:09 What is Cloud City?
19:52 What does e chuta mean?
20:42 Why doesn’t Lobot talk?
21:36 Was Leia always meant to be a Skywalker?
22:37 Is that IG-88 on Cloud City?
23:36 How did the Empire beat Han to Cloud City?
24:09 Did Darth Vader actualy serve a meal to everyone?
25:01 Shouldn’t Darth Vader know carbon freezing isn’t lethal?
25:46 Why did Darth Vader stop Boba Fett from shooting Chewbacca?
26:45 What was in Willrow Hood’s camtono?
27:37 Was Darth Vader always going to be Luke’s father?
28:30 Why did Darth Vader let Admiral Piett live?
29:26 What did the Rebel fleet do while Luke and Leia were away?
30:08 Why is Lando wearing Han’s clothes?
30:57 Is that another galaxy at the end of the movie?
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Former The Mandalorian actor Gina Carano, with financial backing from Elon Musk, has filed a lawsuit against Disney claiming she was wrongfully terminated from the show in 2021 and discriminated against for her political views and her gender. According to the complaint filed with the California federal court this week, Carano is not only seeking $75,000 in damages but also wants the court to force Disney to recast her on The Mandalorian, which would be an unprecedented turn of events for the entertainment industry and pretty ludicrous.
I’m no legal expert, but if Carano’s legal team were to somehow convince the court to rule that Disney had to bring her back as Cara Dune on a future show, how would that even work? What sort of welcome back would Carano expect to receive from a studio she reportedly has a toxic relationship with, not to mention the section of angry fans who wanted her off the series in the first place? And for just how long does Carano expect to be back on the show?…
Welcome to a look inside The Holocron. A collection of articles from the archives of *starwars.com no longer directly available.
(*Archived here with Permission utilising The Internet Archive Wayback Machine)
The Clone Wars Episode Guide: The Zillo Beast Strikes Back
Episode No.: 41 (Season 2, Episode 19)
Original Air Date: April 16th, 2010
Production No.: 223 (Season 2, Episode 23)
Written by Steven Melching
Supervising Writer: Drew Z. Greenberg
Staff Writer: Brian Larsen
Directed by Steward Lee
Key Characters: Anakin Skywalker, Yoda, Chancellor Palpatine, Padmé Amidala, Obi-Wan Kenobi, R2-D2, C-3PO, Doctor Sionval Boll, Aayla Secura
Key Locales: Coruscant
Cast:
Ian Abercrombie as Chancellor Palpatine
Matt Lanter as Anakin Skywalker
Cara Pifko as Dr. Sionver Boll
Terrence Carson as Mace Windu
Catherine Taber as Padmé Amidala
Dee Bradley Baker as clone troopers
Tom Kane as narrator and Yoda
Stephen Stanton as Mas Amedda
James Arnold Taylor as Obi-Wan Kenobi and Senate Guard
Jennifer Hale as Aayla Secura
Full Synopsis:
“The most dangerous beast is the beast within.”
After seeing that not even a
lightsaber could harm the beast,
Chancellor Palpatine hopes to unlock the secret of its invulnerability to create new armor for the Republic’s clone troopers. Tensions run high as the most dangerous life form in the galaxy touches down on its mostpopulous planet….
ACT I
An enormous transport touches down in an embarkation zone on Coruscant near the monolithic Republic Science and Technical Center. Heavily armed clone troopers serve as security as the slumbering Zillo Beast is carted from the ship. Arriving by gunship are Mace Windu and Anakin Skywalker, who convene with Chancellor Palpatine. Windu once again voices his reservations about the beast’s presence on the capital, but the Chancellor insists it is a chance to uncover a technological edge that could end the war. Mace turns over stewardship of the creature to Doctor Sionver Boll.
Later, within the Jedi Council chambers, Mace commiserates with Obi-Wan Kenobi about the Chancellor’s reckless plan. Obi-Wan has an idea as to how to convince Palpatine of the threat posed by the Zillo Beast.
Within the hangar-like space of the science center, the Zillo Beast is contained by force-fields and girder-like structures while Dr. Boll supervises its examination. Worker and medical droids poke around its hardened scale plates. Chancellor Palpatine visits the doctor, checking on her progress. Dr. Boll fears the only way to properly extract a scale sample would be to kill the beast, but she is reluctant to do so, suspecting the rare Zillo may in fact be intelligent. Palpatine implores her to continue, suggesting that she use Malastarian fuel to weaken the Zillo. Palpatine threatens that if Dr. Boll cannot kill the beast, she will be replaced by someone who can. The Zillo Beast seems to recognize the malice in Palpatine.
In the Senate building, Padmé Amidala and Obi-Wan Kenobi convince Anakin to speak to the Chancellor and express their concerns. Amidala worries that no one in a position of power is representing what’s in the best interests of the alien life-form.
ACT II
In the Chancellor’s office, Padmé and Palpatine debate the merits of secretly dooming the creature to extinction. Anakin attempts to remain impartial, but the Chancellor is steadfast. He contacts Doctor Boll, who reports success in converting the Malastarian fuel into a poison gas. The Chancellor orders the Zillo Beast gassed.
Worker droids begin dousing the creature. It bucks and bolts, tearing the girders apart and shorting out the shields. The enraged monster breaks loose, shattering out of the science center. It makes its way towards the dense city lights.
Alarms wail in the metropolitan canyons as the Zillo Beast clambers through the dense cityscape. Republic gunships attempt to contain the monster, but to no avail. The creature reacts intensely to a holographic billboard of Chancellor Palpatine. It tears through the projector, enraged by the politician’s face.
Doctor Boll reports to the Chancellor that she needs time to synthesize more toxin. The creature charges the Senate office building. Its enormous head fills the panoramic window of the Chancellor’s office. Anakin, Padmé, the Chancellor, and C-3PO and R2-D2 evacuate the building. They head to an emergency escape route occupied by a sleek executive ship.
Meanwhile, Mace Windu and Obi-Wan fly to the embarkation area in transports to collect a column of armored stun tanks. Yoda, within the Jedi Temple, supervises the Jedi action with the aid of Aayla Secura.
Palpatine’s ship lifts off from the executive building, but it is plucked from the sky by the Zillo Beast, who holds the vessel as it if were a mere toy.
ACT III
The Republic tanks arrive in the Senate district and deploy in formation. Mace Windu orders them to fire on the beast, but Yoda countermands him. The elder Jedi Master reports that the creature is clutching the Chancellor’s shuttle. Using a gunship, Yoda and Aayla Secura fly up to the creature and leap atop its back to distract it.
Inside the shuttle, the bulkheads creak and groan under the strain of the Zillo Beast’s clutches. Anakin springs into action, slicing through the cabin with his lightsaber. He shears the ship into two sections, separating the crew cabin from creature’s grasp. The cabin slides down the sloping building surface while Mace Windu and Obi-Wan slow the section’s descent. Anakin, Padmé and the droids spill out of the cabin, sliding freely on their own. Anakin grabs Padmé before she falls off the edge, while R2-D2 affixes himself to the building surface, and stops C-3PO’s fall.
With the Chancellor out of the creature’s reach (with thanks to R2-D2’s boosters), the gunships and tanks open concentrated fire on the Zillo Beast. Republic gunships lob gas bombs, engulfing the monster in a toxic green cloud. It eventually collapses and dies, sliding to a stop at the foot of the Senate executive building.
The next day, the creature’s corpse is carted back to the science center. Chancellor Palpatine vows that the Zillo Beast’s sacrifice not be in vain. Unbeknownst to the Jedi, however, he orders Doctor Boll to clone the beast.
Trivia & Details
Memorable Quotes
“I applaud your high moral stance, Doctor. After all, principle is in short supply these days. — Palpatine
“Doctor, you need to find a way to kill that Beast, or we shall replace you with someone who can.” — Palpatine
“I sympathize my dear, truly I do. But consider this: a democracy is only as strong as the people who comprise it.” — Palpatine to Senator Amidala
“Of course, in wartime, some things must be kept secret. Even from the people, so as not to aid the enemy.” — Anakin Skywalker
“We’re doomed.” — C-3PO
“I’ve got a bad feeling about this.” — Chancellor Palpatine
“A lot of the General’s plans involve falling.” — Clone Captain Rex
Just as a FYI, to avoid old posts becoming one with the Force, this post has been republished so it can be a blue glowy thing, it was Originally posted 2023-06-19 12:00:57.
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Welcome to a look inside The Holocron. A collection of articles from the archives of *starwars.com no longer directly available.
(*Archived here with Permission utilising The Internet Archive Wayback Machine)
Boba Fett On The Empire Strikes Back, That Crazy Suit, and the Star Wars Legacy
Vanity Fair article from October 8th, 2010 by Mike Ryan. Featured on starwars.com (hence its inclusion here)
Jeremy Bulloch: The only thing that I thought was a bit strange was when I was shown a small figure of Boba Fett and I hadn’t even started filming, and they said, “Well, this will be given away if they send in [proofs of purchase].”And I didn’t understand what they were saying at all. Obviously the figures became very important much later on.
Then, there was just the off figure. And I thought it was amazing, “look, I’m in plastic, already.” This was before the first day, and I thought they might not like what I do and get rid of me. But now, of course, there’s so many things that are being made and in incredible detail—and Boba Fett is an ideal character to have because he has so many gadgets on his armor and his weaponry.
Well, I have (Laughs)—this is quite sad, now, really. I do have the big Boba Fett by Don Post, which I went to America to model for. I have that and I have lots of little trinkets and things like that. Only of Boba Fett, because I’m biased.
It’s interesting, considering your theater background, that you played a character in which we don’t even see your face, let alone hear your voice.
The voice of Boba Fett was dubbed over by another actor. Were you saying the lines on set?
So you knew, unlike David Prowse (who played Darth Vader) in the first film, that the voice would be redubbed by another actor?
I’m assuming that the outfit isn’t conducive to actual bounty hunting.
(Laughs.) No, no. It is possibly the most uncomfortable costume I’ve ever worn. As they clicked the jet-pack into position, you’d lean back. It was top-heavy and you were almost falling over. And the backs of your legs and your feet—at the end of it you’d just long for a hot bath.
You were in three Star Wars films. If I’m not mistaken, you were in Revenge of the Sith.
Yes, I had a little cameo role as Captain Colton.
Irvin was wonderful because you knew, as an actor, exactly what he wanted. He’d occasionally say, “come on, come on,” and you could see he was saying we had to get this shot in. Richard Marquand I’d met before and he was a lovely man. He said, “Jeremy, you know, you were in the last one, you know what to do. Don’t you?” I said, “well, yes I do, but it’s always lovely to have the director say, ‘no, no, no, that’s wrong,’” I quite like that. Because if you’re an actor who says, “well, what I do is obviously what is best,” it’s sometimes not right. I think it’s wonderful having a director leading you through.
Well, I don’t know. As I said, I do like someone to direct you. And, as you say, Irvin kershner would say, “do it like this.” And you go, “O.K., fine.” But when they say “action,” you put a little of yourself in it. The director thinks that is exactly what he said, but, in fact, it’s quite a bit of what you want.
There’s a transcript in the book from the set of the Carbon Freezing Chamber where Harrison Ford and Carrie Fisher were having a huge, real-life argument. Could you tell there was tension between the two?
The funniest part of that transcript is when David Prowse interrupts kershner during the fight to offer him a signed copy of his new book, Fitness is Fun. Did you get a copy of Fitness is Fun?
Um, no. Well, I have seen it, actually, but I haven’t read it. I prefer to read my book because, as I said to David (Prowse), because it’s in English.
No, that was a good impression.
I hope that’s true, because even as a kid I remember thinking, “wait, Boba Fett was killed by Han with a stick by accident?”
How did your other role in Empire, as the Imperial Officer, come about?
I was sitting down waiting to do a Boba Fett scene—the one where I was firing in Cloud City at Luke Skywalker—and they said, “Jeremy, Jeremy, quick, get changed.” I went to wardrobe and they took the Boba Fett outfit off and put me in this Imperial Officer’s outfit. There was no one available to play the part, so that’s what it was.
No, I’ve said before, if I hadn’t fit in the outfit, I wouldn’t have played the part. There was only one costume. My half-brother, Robert Watts, was an associate producer and he said, “Look, get your agent on to this. It’s not very much, but you never know.” So I went back and put the outfit on. And that was the interview with producer Gary Kurtz, putting bits of the outfit on and it fit like a glove. I always say to people, “It was meant to be.”
(Laughs.) I didn’t even know that. Well, that’s good. I’ll have to start practicing a Yoda voice. That’s brilliant.
And you received a lot of fan mail asking if you were the “other” that Yoda mentions.
It sounds like you’ve gotten more meaning with what’s happened in the 30 years after the movie was released than you did actually filming.
I feel there’s a lot of people in your position who may resent talking about Boba Fett because, as you said, you just happened to fit a costume.
Just as a FYI, to avoid old posts becoming one with the Force, this post has been republished so it can be a blue glowy thing, it was Originally posted 2023-01-31 08:05:58.
Authors Cavan Scott and Charles Soule, as well as Lucasfilm Publishing’s Michael Siglain, discuss the Force-hungry creatures and reveal new characters experimenting on the nightmarish beasts
What scares the Jedi? That question has been at the core of the entire Star Wars: The High Republic epic, and the answer just might be the Nameless.
Teased in Claudia Gray’s Star Wars: Master and Apprentice and fully introduced in Phase II of The High Republic, the Nameless are creatures that feed on Force sensitives. As part of his plot to destroy the Jedi, Nihil leader Marchion Ro unleashes the beasts — once thought to be the stuff of legend — on the guardians of peace and justice. Unfortunately for the Jedi, the Nameless are back in Phase III…
Welcome to a look inside The Holocron. A collection of articles from the archives of *starwars.com no longer directly available.
(*Archived here with Permission utilising The Internet Archive Wayback Machine)
Highlights of The Empire Strikes Back 10th Anniversary Cast Party
And boy, did they have fun? Well, most of ’em!
The innovative release from Hasbro has been honored with a nod in the Toy of the Year Awards.
Our favorite grumpy astromech has reason to make some happy beeps!
Hasbro’s Star Wars Chatter Back Chopper Animatronic has been nominated for Action Figure of the Year in the Toy of the Year Awards, it was announced this week by the Toy Association. Inspired by the Ahsoka live-action series on Disney+, the toy features character design and weathered deco based on his look in the show. Even more fun comes from interactivity, as Chopper springs to life with more than 40 sound and movement combinations, unlocked by pressing the button on his body, posing his front arm, or by making sounds of your own. But Chop needs your help!…
Welcome to a look inside The Holocron. A collection of articles from the archives of *starwars.com no longer directly available.
(*Archived here with Permission utilising The Internet Archive Wayback Machine)
The Clone Wars Episode Guide: A Look Back
As I said in the previous post, the format changed for the Episode Guides, so I have created two Featurettes covering clips and interviews from The Clone Wars – Season 4 so I hope you enjoy them.
Expect the second part tomorrow.
Expect the same for the rest of the Seasons.
The Clone Wars Episode Guide: A Look Back
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