Tag Archives: legacy:

Why Lucasfilm’s Succession Plans Honor the Company’s Legacy

After years of speculation, Kathleen Kennedy has officially stepped down as President of Lucasfilm and handed over the reins to new Co-Presidents Dave Filoni and Lynwen Brennan. For those attuned to the Force, this news wasn’t shocking, although it has raised concerns among some fans about the future of a galaxy far, far away. Despite the inevitable backlash to Filoni’s hiring customary to a fan base no stranger to toxicity, we think Lucasfilm’s succession plan is not only the logical one, but the most promising one – a plan that will put Star Wars into hyperdrive by simultaneously honoring the past and charting star systems never before seen.

Over the last decade, the very mention of Dave Filoni’s name has become disparagingly synonymous with a certain flavor of Star Wars storytelling. One only has to scroll absent-mindedly through Star Wars Twitter/X to see users poke fun at a predicted future for the franchise involving wild cameos, an over-reliance on nostalgia, projects that require a deep knowledge of Star Wars lore as a prerequisite for viewing, and lots and lots of Ahsoka Tano. All of these jabs woefully simplify Filoni’s contributions to Star Wars and overlook his genuine craft as a storyteller and filmmaker…

…Read the Full Article @ The HoloFiles

The HoloFiles is the perfect source for news, trivia, reviews, and more from your favorite franchises and film and television more broadly. The HoloFiles’ journey dates back to 2017 with the establishment of Star Wars Holocron, a hub for Star Wars fans that provides interesting information and promotes positivity in the fan community. Star Wars Holocron has allowed us to engage with fans with a variety of exclusives and interviews, in addition to frequent and consistent posts keeping fans up to date with what’s going on in a galaxy far, far away. Eventually, this led to the creation of various other hubs, including Marvel Tesseract, DC Motherbox, and Horror Necronomicon. Collectively, these hubs represent much of what we love about film and television and allow us to produce content across a variety of franchises and genres. Our goal at The HoloFiles is to spread positivity and enjoyment about our favorite films and television with thoughtful and insightful posts.

A 10-Year Collaboration Built on Legacy

Like many in his generation, stop-motion animator Tom “Gibby” Gibbons took inspiration for his ultimate career when he saw Star Wars: A New Hope (1977) as a child. Unlike his peers however, one very particular sequence became his obsession: the dejarik holochess monsters. Little did he know that nearly 40 years later, he’d be among the artists to work on the revival of the sequence for Star Wars: The Force Awakens (2015).

“How weird is it that I got to work on this?” Gibbons says with a laugh. “It was probably one of the weirdest synchronicities, cosmic accidents, that’s ever happened in my life — that I had that relationship with the chess set as a kid, and decades later I got to animate it.”

Growing up loving the films of Ray Harryhausen, the original holochess sequence from Star Wars had an outsized impact on Gibbons. “There had been a gap in films where I hadn’t seen the things I particularly loved in them — puppets and monsters — for a while,” he recalls. “Then Star Wars came out and the chess set appeared. That was the moment when I decided I wanted to do that. I realized there must be new people doing this kind of work. It’s still a thing.”…

Read the Full Article @ Lucasfilm

Leia Organa and Rey Return in Star Wars: Legacy

Here’s the latest from: StarWars.Com

Author Madeleine Roux takes StarWars.com inside her first Star Wars novel, a new chapter in the Skywalker saga exploring what it means to carry on the tradition of the Jedi Order

By Kristin Baver

Princess Leia Organa and Rey Skywalker are among the powerful women of the galaxy featured on a sleeve tattoo author Madeleine Roux got to celebrate her Star Wars fandom.

And next summer, the last Jedi and her new Master will return in Roux’s first Star Wars novel, Star Wars: Legacy, which was announced today during the Lucasfilm Publishing panel at New York Comic Con.

Speaking exclusively to StarWars.com on the news, the New York Times bestselling author says the book will explore the characters’ relationship in the months between the events of Star Wars: The Last Jedi and Star Wars: The Rise of Skywalker. In the aftermath of losing Luke Skywalker and Kylo Ren’s refusal to return to the light, Rey and Ben Solo’s mother, Leia, join forces to repair the broken Skywalker lightsaber and the shattered legacy of the Jedi Order.

Fans and readers will recognize Roux’s name from the anthology collection From a Certain Point of View, where Roux penned an unseen moment on the surface of Alderaan for the 40th anniversary of Star Wars: A New Hope. The short story, “Eclipse,” follows Breha Organa from the harrowing news that her daughter Leia’s ship, the Tantive IV, has been lost to the queen’s final moments with her husband, Bail Organa, as the Death Star casts a terrifying shadow over their world. “I really swung for it,” Roux says now of the pitch. “I was sure they were going to say no because it seemed like such a big swing. But I just thought, well, Breha Organa is technically in that movie if you squint. What would it be like to be on Alderaan as it’s imploding from the Death Star?”…

Read the Full Article @ StarWars.com

The Legacy of Colin Cantwell: The Original Star Wars Concept Artist

Rebel Force Radio: Audio Podcast

If someone asked you who the artist was that originally conceived the iconic look of Star Wars vehicles like the TIE Fighter, The X-Wing, and The Death Star, you might think of famous names like Ralph McQuarrie and Joe Johnston. But before those legends were enlisted to work on STAR WARS, George Lucas first worked with Colin Cantwell. Colin’s partner Sierra Dall joins us “In the Cantina” to discuss Colin’s life, his artwork and she sets the record straight about his contributions to STAR WARS. We check out interview highlights featuring Tony Gilroy and some of the cast of ANDOR as they discuss the upcoming second season. Plus, listener feedback sends us down-the-rabbit-hole as we try to define what a “Bokken Jedi” really is.


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New SAGA Museum to Celebrate Legacy of Star Wars Fandom

5 October 2024 – Seattle, WA and Petaluma, CA: A new chapter in the Star Wars universe is being written, not in a galaxy far, far away, but right here on Earth. The Saga Museum® of Star Wars Memorabilia aims to bring together four of the world’s largest Star Wars collections—comprising over 1.5 million objects—into one groundbreaking, immersive experience. This highly anticipated museum will offer fans a galactic range of exhibits, programs, and amenities designed to be both fun and inspirational, while celebrating the rich legacy of Star Wars. Plans for the new museum were announced Saturday night at a fundraising event at Seattle’s Museum of Pop Culture (MoPOP).

“Since Princess Leia’s spaceship first sped across the big screen and our collective consciousness 47 years ago, Star Wars fandom has continued to grow and evolve,” said Steve Sansweet, founder of the nonprofit Rancho Obi-Wan, the world’s largest collection of Star Wars memorabilia as recognized by Guinness World Records. “This new museum is for everyone who has ever felt inspired by Star Wars and its continuing legacy. It will be a place where the creative minds of tomorrow can come and dream.”

The mission of the nonprofit is to share the fun and excitement of Star Wars and to deliver a robust suite of meaningful educational, aesthetic, intellectual, and cultural exhibitions and programming for multiple generations.

“Our intention is that this combined Star Wars memorabilia collection will serve a higher purpose,” Sansweet said. “The legacy of Star Wars is coming full circle to help teach science, technology, robotics, engineering, art, and mathematics in this new museum.”

The founding collections at The Saga Museum are from some of the most renowned Star Wars collectors in the world:

Steve Sansweet—Rancho Obi-Wan: Executive Chairman and Founder of Rancho Obi-Wan, Steve’s collection is certified by Guinness World Records as the largest Star Wars memorabilia collection globally. Steve was Director of Content Management & Head of Fan Relations for Lucasfilm for 15 years and is the author of 17 official Star Wars books.

Gus Lopez—Bobacabana: Creator of the Star Wars Celebration Collecting Track and co-author of several Star Wars books and many articles. Gus’ collection includes rare and one-of-a-kind items like original art, toys, awards, and screen-used movie memorabilia.

Duncan Jenkins—The Sithsonian: Known for his international presentations at Star Wars conventions, Duncan’s collection is one of the most comprehensive in the world, with a focus on international and unique memorabilia. He has also coauthored four Star Wars collectibles books.

Lisa Stevens & Vic Wertz—Imperial Archives: Lisa, one-time president of the Official Star Wars Fan Club and Star Wars Brand Manager at Wizards of the Coast, and Vic, former associate editor of Star Wars Insider, have a collection rich in modern toys and high-end limited-edition collectibles.

“The Saga Museum is a natural extension of Rancho Obi-Wan,” said Anne Neumann, President of the nonprofit museum located in Petaluma, California north of San Francisco that opened to the public in 2011. “Rancho Obi-Wan has inspired thousands of visitors through the ‘Force’ of imagination. Our intention is that The Saga Museum will build on that mission and legacy.”

The founding team, with decades of experience in collecting, curating, and preserving Star Wars memorabilia, has been consulting with museum professionals and fundraising experts to help ensure the success of this new venture. The Saga Museum has launched a campaign to raise $2 million for a two-year planning phase, which will involve working with cities across the United States to identify a permanent, engaging world-class museum design firms, hiring an architectural firm to draft renderings, and executing a capital campaign to fund construction.

“We want The Saga Museum to be a place where everyone, from hardcore fans to casual visitors, can experience the magic of Star Wars in new ways,” said Neumann. “It’s an opportunity to explore how these stories have impacted not just pop culture but the world at large.”

Ahmed Best on the Creation and Legacy of Jar Jar Binks

Here’s the latest from: StarWars.Com

The actor, educator, and futurist looks back on his collaboration with George Lucas and ILM to create one of cinema’s first all-digital starring characters

By Lucas Seastrom

On the day he screen-tested for Jar Jar Binks, Ahmed Best didn’t expect to meet George Lucas. Arriving at Industrial Light & Magic’s (ILM) facility in San Rafael, California, Best was greeted in the main lobby by statues of Han Solo in carbonite and the Energizer Bunny (for which ILM produced commercials). “Everyone knew it was a visual effects house, but I didn’t know how many things were done there,” he tells StarWars.com. “ILM runs that gamut. You can be the Energizer Bunny or Han Solo and everything in between. I was really excited walking through there and thinking, this is a place of infinite possibilities and creativity.”

Best’s next surprise was the format in which his screen test would be shot. A soundstage that looked more like an average warehouse had been converted into a motion-capture volume, technology that was brand new to filmmaking. “They pull out this LYCRA cat suit and say, ‘Put this on,’” Best recalls. “I was like, ‘What is actually going on in here? What am I going to be doing?’ [laughs] They gave me the cat suit and six-inch platform shoes and a headband. They had all of what we now know as targets on them. They were huge. Targets now are really tiny. At the time they were like golf balls.”…

Read the Full Article @ StarWars.com

Inside the Holocron / Boba Fett On The Empire Strikes Back, That Crazy Suit, and the Star Wars Legacy

Welcome to a look inside The Holocron. A collection of articles from the archives of *starwars.com no longer directly available.

(*Archived here with Permission utilising The Internet Archive Wayback Machine)

Boba Fett On The Empire Strikes Back, That Crazy Suit, and the Star Wars Legacy

Vanity Fair article from October 8th, 2010 by Mike Ryan.  Featured on starwars.com (hence its inclusion here)

In celebration of the 30th anniversary of The Empire Strikes Back, Lucasfilm is releasing a comprehensive history of the making of the groundbreaking film, aptly titled The Making of Star Wars: The Empire Strikes Back. The book is packed with hundreds of rarely seen behind the scene photographs which you can preview here. Over the next few days, VF Daily will be running a series of interviews coinciding with the release. Tune in next week for an interview with legendary director Irvin Kershner.

Despite extremely limited screen time and only a few lines of dialogue, Boba Fett remains, to this day, one of the most popular characters from the Star Wars trilogy. VF Daily sat down with the actor behind the mask of the most revered bounty hunter in the galaxy: Jeremy Bulloch, who is mostly known for his theater work before Empire. And he doesn’t shy away from how he got the role—the suit fit. Bulloch talked with us about the challenges behind portraying a bounty hunter in an outfit not really conducive to bounty hunting, dealing with Boba Fett’s rabid fan base, the differences in directing styles between Empire and Return of the Jedi, and how he feels about Jango Fett (Temuera Morrison) in Attack of the Clones.

Mike Ryan: There was a lot of buildup and hype with the Boba Fett character leading into Empire. Say what you will about The Star Wars Holiday Special, which I’m not sure Lucasfilm will even admit exists (the Lucasfilm rep in the room audibly laughs), but there was the Boba Fett cartoon during that special which piqued a lot of interest.

Jeremy Bulloch: The only thing that I thought was a bit strange was when I was shown a small figure of Boba Fett and I hadn’t even started filming, and they said, “Well, this will be given away if they send in [proofs of purchase].”And I didn’t understand what they were saying at all. Obviously the figures became very important much later on.

And action figures weren’t quite as popular then.

Then, there was just the off figure. And I thought it was amazing, “look, I’m in plastic, already.” This was before the first day, and I thought they might not like what I do and get rid of me. But now, of course, there’s so many things that are being made and in incredible detail—and Boba Fett is an ideal character to have because he has so many gadgets on his armor and his weaponry.

And how many of those do you own?

Well, I have (Laughs)—this is quite sad, now, really. I do have the big Boba Fett by Don Post, which I went to America to model for. I have that and I have lots of little trinkets and things like that. Only of Boba Fett, because I’m biased.

It’s interesting, considering your theater background, that you played a character in which we don’t even see your face, let alone hear your voice.

It’s the very first part that I’ve ever played with a mask. But, luckily, I was working in the theater at nights for two weeks of The Empire Strikes Back. So I had to leave by 5:30 to get to the theater. And in the theater, I was non-stop talking for two and a half hours for this fast comedy. So I could go in the next day, look at people who spent four or five-hour in makeup, and I just put a helmet on. I could rest a little bit because I was really tired.

The voice of Boba Fett was dubbed over by another actor. Were you saying the lines on set?

Oh, yes, you do. The lovely thing is that you’re saying something, even with Darth Vader, I was talking. And you can’t hear what you’re saying because it’s a muffled sound, obviously, under the helmet. But it’s quite fun because, at the time, you think, I wonder what kind of voice this will be? Whether it will be electronic or will it be just an ordinary voice? Looking at the outfit, I thought it would be some croaky type of person.

So you knew, unlike David Prowse (who played Darth Vader) in the first film, that the voice would be redubbed by another actor?

No, I didn’t know from the beginning. But I assumed that when everything goes back to America, they’ll get someone to do the voice. Now, had I been speaking throughout the whole film, and they wanted to dub my voice, I’d actually have been surprised. Why would they need to do it? But for this, Boba Fett, a few lines, I thought, this came out really well. I was quite happy.

I’m assuming that the outfit isn’t conducive to actual bounty hunting.

(Laughs.) No, no. It is possibly the most uncomfortable costume I’ve ever worn. As they clicked the jet-pack into position, you’d lean back. It was top-heavy and you were almost falling over. And the backs of your legs and your feet—at the end of it you’d just long for a hot bath.

You were in three Star Wars films. If I’m not mistaken, you were in Revenge of the Sith.

Yes, I had a little cameo role as Captain Colton.

Your largest roles were in Empire and Jedi. What was the biggest difference between Empire director Irvin Kershner and Jedi director Richard Marquand?

Irvin was wonderful because you knew, as an actor, exactly what he wanted. He’d occasionally say, “come on, come on,” and you could see he was saying we had to get this shot in. Richard Marquand I’d met before and he was a lovely man. He said, “Jeremy, you know, you were in the last one, you know what to do. Don’t you?” I said, “well, yes I do, but it’s always lovely to have the director say, ‘no, no, no, that’s wrong,’” I quite like that. Because if you’re an actor who says, “well, what I do is obviously what is best,” it’s sometimes not right. I think it’s wonderful having a director leading you through.

It says in the book that Mark Hamill would get frustrated with kershner’s direction. At the way kershner would even act out a scene while saying, “do it like this.”

Well, I don’t know. As I said, I do like someone to direct you. And, as you say, Irvin kershner would say, “do it like this.” And you go, “O.K., fine.” But when they say “action,” you put a little of yourself in it. The director thinks that is exactly what he said, but, in fact, it’s quite a bit of what you want.

There’s a transcript in the book from the set of the Carbon Freezing Chamber where Harrison Ford and Carrie Fisher were having a huge, real-life argument. Could you tell there was tension between the two?

No. For us in masks, we were just dripping and waiting for one section of the piece to go—just pouring with sweat. There was something happening, but I could never know what it was because there was so much noise and I was standing at the back next to Darth Vader while the carbon freezer thing was going. I could hardly see through the mask because it used to mist up with all of the steam. So if someone said, “did you see anything, Jeremy?” I’d say, “No, I didn’t.”

The funniest part of that transcript is when David Prowse interrupts kershner during the fight to offer him a signed copy of his new book, Fitness is Fun. Did you get a copy of Fitness is Fun?

Um, no. Well, I have seen it, actually, but I haven’t read it. I prefer to read my book because, as I said to David (Prowse), because it’s in English.

When Empire was released on DVD in 2004, Boba Fett’s voice was redubbed again, only this time by Temuera Morrison who played Jango Fett in Attack of the Clones. Do you feel he’s co-opted your role, playing Jango Fett or Boba Fett throughout the six films? Someone watching all six today for the first time would probably just assume that he’s the guy in the suit by the time we get to Empire.

I can see why because now it’s the Clone Wars and they’re all exactly the same. It’s Temuera and Daniel Logan who plays the young Boba Fett. We all know the voice and what’s going to happen. Although, the original voice by Jason Wingreen is far more menacing. (Mimes Wingreen) “Put Captain Solo in the cargo hold.” That sounded a bit funny.

No, that was a good impression.

I think the original voice—I’m caught halfway here. I can see why, although, I don’t think they needed to change the voice. Especially with the little dialogue Boba Fett has, it’s very strong what comes out. But that’s what is so lovely about the Star Wars films, there’s so much to talk about and argue about. If I’m at a convention, someone will say, “Mr. Bulloch, what do you think about the death of Boba Fett when he goes into the Sarlacc Pit? Could you tell us a little bit more about that?” I’ll say, “No, I’m deeply depressed that Boba Fett went into the Sarlacc Pit. But I will get out. I promise you.” And they say, “thank you very much, Mr. Bulloch, thank you.” I just made someone happy because now I’m going to get out of the pit. You say to someone, “I stay down in the pit as long as I want. There are bounty hunters falling down there every day of the week and I’ve now opened a bar. I’ve opened a Hooters.”

I hope that’s true, because even as a kid I remember thinking, “wait, Boba Fett was killed by Han with a stick by accident?”

George Lucas is terribly funny because I said—this was years and years ago—“Did you mean Boba Fett to die?” And he said, “Oh, yeah.” So all I could say was, “Thanks, George.” The great thing is, by getting rid of Boba Fett, it keeps the popularity up. So the reaction afterwards is actually really good.

How did your other role in Empire, as the Imperial Officer, come about?

I was sitting down waiting to do a Boba Fett scene—the one where I was firing in Cloud City at Luke Skywalker—and they said, “Jeremy, Jeremy, quick, get changed.” I went to wardrobe and they took the Boba Fett outfit off and put me in this Imperial Officer’s outfit. There was no one available to play the part, so that’s what it was.

Did you have to audition for Boba Fett?

No, I’ve said before, if I hadn’t fit in the outfit, I wouldn’t have played the part. There was only one costume. My half-brother, Robert Watts, was an associate producer and he said, “Look, get your agent on to this. It’s not very much, but you never know.” So I went back and put the outfit on. And that was the interview with producer Gary Kurtz, putting bits of the outfit on and it fit like a glove. I always say to people, “It was meant to be.”

I also learned from the book that you were credited as Yoda in Arthur Knight’s 1980 Hollywood Reporter review of Empire.

(Laughs.I didn’t even know that. Well, that’s good. I’ll have to start practicing a Yoda voice. That’s brilliant.

And you received a lot of fan mail asking if you were the “other” that Yoda mentions.

Yes, I had a lot of that. I went on straight to another theater job after Empire, and I would get people writing letters asking if I was “the other.” I’d say, “other what?” And then pretend I knew. People will come up and ask, “Did you use the BlasTech .E33 rifle in the first film or the second film?” I just turn around and say, “I’m terribly sorry, it’s classified information. I’m not allowed to tell you.” It’s the best answer because they are far brighter than I am. I’m tempted to try and learn Mandalorian, so I can come back with a really classic answer, when needed. It’s not going very well at the moment.

It sounds like you’ve gotten more meaning with what’s happened in the 30 years after the movie was released than you did actually filming.

You’re absolutely spot on there, Mike. I do. You film something and sometimes you watch it for the first time and go, I wish I had done that. How stupid, I should have turned! I think I’ve been terribly fortunate as an actor. I had 20 years experience before Star Wars, but I was extremely lucky to land the role of Boba Fett. It is a journey, like the term, “if the shoe fit.” If the costume fit—and there it was, as if it was made for me.

I feel there’s a lot of people in your position who may resent talking about Boba Fett because, as you said, you just happened to fit a costume.

I think I’m very fortunate and very proud to be part of Star Wars, very proud. I’ve done a lot of work over the course of 52 years now. A lot of different work, some I’ve really enjoyed and thought, that was just right, and another one where I thought, oh, no, that wasn’t so good. People always ask, “Aren’t you upset because they’re not talking about other things that you’ve done? I say, “No, because they’re interviewing me about Star Wars and what my experience was like and what it means.” That’s terribly important to know that I was involved with Star Wars. There’s no point to say, “Oh, I’ve moved on, I’m playing King Lear now. I don’t want to talk about Star Wars.” I do want to talk about it because it was a very fun time for me. It was a terrific time.

This Article was Originally posted 2023-01-31 08:05:58.

Legacy | Ahsoka

“You’ll instantly want more.”

#Ahsoka is now streaming on Disney+, with new episodes on Tuesdays at 6PM PT.


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A New Star Wars Legacy | Ahsoka

Dive into the new Star Wars master-apprentice legacy with the cast and filmmakers of #Ahsoka.

Experience the two-episode premiere, streaming August 23 on @disneyplus.


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A New Legacy | Star Wars

A master and an apprentice.

The legacy continues in #Ahsoka, premiering August 23 only on #DisneyPlus.


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The Clone Wars Episode Guide: Legacy of Terror

Welcome to a look inside The Holocron. A collection of articles from the archives of *starwars.com no longer directly available.

(*Archived here with Permission utilising The Internet Archive Wayback Machine)

The Clone Wars Episode Guide: Legacy of Terror

Episode Air No.: 29 (Season 2, Episode 7)
Original Air Date: November 20, 2009.
Production No.: 209 (Season 2, Episode 9)

Written by Eoghan Mahony
Supervising Writer: Drew Z. Greenberg
Staff Writer: Brian Larsen
Directed by Steward Lee

Key Characters: Obi-Wan Kenobi, Anakin Skywalker, Luminara Unduli, Ki-Adi-Mundi, Queen Karina, Poggle the Lesser, Clone Commander Cody

Key Locale: Geonosis

Cast:
Olivia d’Abo as Luminara Unduli
James Arnold Taylor as Obi-Wan Kenobi
Matt Lanter as Anakin Skywalker
Dee Bradley Baker as the clone troopers and Queen Karina
Brian George as Ki-Adi-Mundi
Tom Kane as Narrator
Matthew Wood as Poggle the Lesser and battle droids
Meredith Salenger as Barriss Offee
Ashley Eckstein as Ahsoka Tano

Episode Brief: When Luminara goes missing, Obi-Wan and Ki-Adi-Mundi lead a platoon of clones in search of her. When the search leads to a mysterious lair, the Jedi are faced with a horde of undead warriors.


Full Synopsis:

“Sometimes, accepting help is harder than offering it.”

Newsreel:
Victory on Geonosis! After a massive
planetary siege, the Separatist forces
on Geonosis have finally fallen. Key
weapons factories have been destroyed,
but at a heavy cost to Republic troops.
Now, as Jedi Master Luminara Unduli
and Obi-Wan Kenobi begin a clean-up
of the planet, they launch an intense
campaign to find Separatist leader
the Lesser and bring him to justice.

ACT I

At a Republic staging area, wounded clones are being loaded into evacuation gunships. One such gunship ferries exhausted Padawans Ahsoka Tano and Barriss Offee away for much needed recuperation after their ordeal of destroying the primary droid factory. The next stage of the operation is up to Jedi Masters Luminara Unduli and Obi-Wan Kenobi. Overlooking the camp, Kenobi reports that no sign of Poggle the Lesser has been found, but clone scouts are spread throughout the desert, searching for clues. Showing an impetuous streak, Unduli decides to seek out Poggle on her own. The Geonosian warlord has too much information about the Separatists to escape. She climbs aboard a BARC speeder and zips off into the wastes.

Deep in the desert, a lone, battered AAT assault tank loaded with three worse-for-wear battle droids carries Poggle the Lesser and a retinue of two royal guards. The tank tows several crates of munitions. A bump in their path causes a box to fall behind, but Poggle orders to keep pressing forward.

Aboard a Jedi transport resting at a Geonosian landing zone, Ki-Adi-Mundi has recovered from his injuries and consults a number of strategic charts and maps. He is joined by Obi-Wan Kenobi, who is happy to see the Cerean Jedi Master up and about. Poring over the remotely gathered data, they continue their search for Poggle the Lesser.

Luminara Unduli reports from the western deserts. She and clone trooper Buzz have spotted the wayward munitions container in the middle of nowhere. Buzz estimates that whoever dropped the case was headed straight for the Progate Temple, a site of heavy bombardment during the initial Republic siege. The Jedi puzzle over why Poggle would head to such a ravaged area, but Luminara wastes little time on speculation. Anakin Skywalker, who has joined the Jedi on the transport bridge, warns Luminara of an incoming sandstorm. Unduli is not frightened off by inclement weather — rather, she is motivated to catch Poggle all the more.

The choking cloud of dust has already consumed Poggle’s escape tank. One of the hapless battle droids disappears in the sands. Poggle nonetheless continues to press on. Luminara and Buzz can’t spot Poggle in the storm, but they keep their bearing toward the Progate Temple.

Back at the Jedi transport, Kenobi, Ki-Adi-Mundi and Skywalker are stranded by the harsh winds, and try not to worry too much about their sandbound compatriot. Luminara has found the temple, and she and Buzz dismount their speeders and take refuge from the winds inside the temple ruins marked by creepy icons. Luminara contacts the Jedi transport with an update. Kenobi advises her not to proceed further until the storm lets up and the Jedi can provide backup. But Buzz spots an entrance to an underground cavern.

Luminara reports that Poggle has gone into the catacombs. Her hologram is suddenly cut short as Buzz screams at something, and she ignites her lightsaber. The Jedi in the transport are left to fear the worst. Skywalker is determined to go to her, but he must wait for the storm to lift. The gunships will not handle the whirling dust.

ACT II

The storm has cleared, and a Republic gunship deposits Commander Cody, his squad, and the Jedi Anakin Skywalker and Obi-Wan Kenobi at the Progate Temple. Cody finds Buzz’s dead body, and Kenobi uncovers no trace of Luminara save for her lightsaber. Anakin doesn’t believe Poggle could have defeated a Jedi. Upon seeing a grotesque statue of a bizarre Geonosian, Obi-Wan speculates that perhaps it was the long rumored Geonosian queen, of whom no evidence had ever been discovered.

The clones and the Jedi enter into the caverns, their lightsabers and helmet lamps illuminating the way. Cody’s wrist-mounted tracker points to the tunnel that penetrates deepest into the planet’s crust.

Meanwhile, oddly affected Geonosian guards drag the inert form of Luminara into the heart of the catacombs. The glassy eyed drones stagger as they follow Poggle the Lesser. Luminara awakens and kicks her way free, though her hands are bound by energy shackles. She lands a heavy blow that breaks into a Geonosian’s thorax, but the creature doesn’t fall. Luminara wrestles her communicator free and hurriedly contacts Obi-Wan. She warns Kenobi to abandon his search and leave while he can.

Her signal drops as she is overrun by the Geonosians. Kenobi doesn’t heed her words, and instead presses on, realizing that she must be close by. Rounding a bend, the clones run into a horde of Geonosian warriors. The squealing insects swarm them, forcing the troops to open fire and the Jedi to attack with their lightsabers. The blaster fire cuts into the Geonosians, but they do not fall, despite taking what appear to be lethal wounds. In the blink of an eye, a clone trooper spots a strange, bright green worm flicker through a Geonosian’s nasal cavity during the fight.

Outnumbered, Kenobi orders a retreat. The clones blast the tunnel supports, collapsing the caverns on top of the relentless Geonosians. Anakin is bewildered by the aliens’ tenacity. Kenobi has heard rumors of a Geonosian hive mind so powerful, that it can even animate the dead. This deep in the caverns, the Jedi cannot get a comlink signal, so Kenobi orders two clones to backtrack to the surface and contact Ki-Adi-Mundi for reinforcements. They do not get very far before being killed by Geonosian zombies.

In the central hive, Luminara awakens to find herself pinned in a Geonosian energy trap. She sees the undulating egg-sac of the enormous, hideous Geonosian queen. Anakin, Obi-Wan, Cody and the clones find the royal chamber, where Poggle the Lesser kneels in supplication to Karina the Great. The intruders stay hidden, spying on the proceedings. Anakin is set to attack, but Kenobi wants answers. He wants to know what the Geonosians are up to.

ACT III

Kenobi and Skywalker emerge from the shadows while Cody and the clone troopers remain hidden. Obi-Wan begins a dialogue with the Queen, while Anakin is ready for action. Kenobi orders the release of Luminara, who is surprised to see the Jedi. The shrieking Queen Karina refuses to recognize the Jedi’s authority. She wishes not to destroy the Jedi, however. She desires to control them. Kenobi watches, captivated, as one of the Geonosian zombies carries a small egg in his hand. From it emerges a wriggling worm — the instrument of the Queen’s mind control.

Kenobi takes no action until the worm is released to crawl upon Luminara’s skin. He wants to capture the creature alive to study. Only once it slithers on Luminara do Kenobi and Skywalker strike. Obi-Wan orders Cody to attack. The clones snap on their helmet lamps, temporarily blinding the dark-dwelling Geonosians. Anakin cuts through Luminara’s bonds and slaps shackles on Poggle. In the scuffle to escape, Anakin knocks the worm from Obi-Wan’s grip, and crushes it under his boot.

The clones blast the chamber supports, bringing tons of rubble crashing atop the Queen and her zombies. The Jedi, clones, and the bound Poggle run from the chaos, clambering up an air shaft. A great geyser of dust pushes them to the surface, where they emerge shaken, filthy, but intact.


Trivia & Details

  • Despite the Star Wars universe’s predilection for metric measurement, Obi-Wan Kenobi uses “miles” in describing the extent of the Geonosian catacombs.
  • Though the expanded universe has offered a possible explanation for Poggle the Lesser’s diminutive title, this episode contrasts it with Queen Karina’s label of “the Great.”
  • The script originally had Luminara impale a Geonosian on a broken stalactite to introduce the idea of them being undead. In the finished episode, it’s a meaty punch to a bug’s midsection that clues her in.
  • Though developed completely independently, this is the second zombie story in Star Wars this year. The first was the adult horror novel, Death Troopers, released by Del Rey in October.
  • Luminara now has her correct lightsaber in these Geonosian episodes. In her appearance in season one’s “Cloak of Darkness,” the rushed production schedule forced the crew to have her use Plo Koon’s lightsaber instead. However, their weapons are nearly identical, save for the gold plating Luminara’s handle has at the bottom end.


Memorable Quotes

“Just make sure to leave a bit of strategic planning for me when I come back, Master Kenobi. I’d hate to feel left out.” — Luminara Unduli.

-“O.M.5, are you still there?”
-“Yes. I think I’m right next to you.” — Battle droids in a sandstorm.

  • “And you think that’s why we couldn’t kill them? Because they’re –“
  • “– Already dead, yes.” — Anakin and Obi-Wan, realizing what they are up against.

“I’ve got a bad feeling about this.” — Anakin, upon seeing the Queen.

“Oh no. You don’t actually want to talk to it, do you?” — Anakin, to Obi-Wan, about not attacking the Geonosian Queen.

  • “I thought I told you not to follow me, Master Kenobi?”
  • “Yes well, I took a lesson from Anakin and decided not to follow orders.” — Luminara and Obi-Wan.
  • “What are you doing? I was going to study that!” – “Study the bottom of my boot.” — Anakin and Obi-Wan, concerning a crushed brain worm.

Star Wars: The Legacy Revealed – Part 2 (2007)

Star Wars: The Legacy Revealed is a TV documentary which premiered on The History Channel in May 2007.

It was produced by Prometheus Entertainment in association with The History Channel and Lucasfilm Ltd. The executive producer and director was Emmy Award-winning filmmaker Kevin Burns.

Initial release: 28 May 2007
Director: Kevin Burns
Writers: Steven Smith, Kevin Burns, David Comtois

Check out Part 2 below:

It’s All  STaR waRS Video

Star Wars: The Legacy Revealed – Part 1 (2007)

Star Wars: The Legacy Revealed is a TV documentary which premiered on The History Channel in May 2007.

It was produced by Prometheus Entertainment in association with The History Channel and Lucasfilm Ltd. The executive producer and director was Emmy Award-winning filmmaker Kevin Burns.

Initial release: 28 May 2007
Director: Kevin Burns
Writers: Steven Smith, Kevin Burns, David Comtois

Check out Part 1 below:

It’s All  STaR waRS Video

The Legacy of Star Wars: The Clone Wars (Part 3)

On March 11th, 2013, The Clone Wars was cancelled, leaving many of its stories untold, and their futures uncertain. In spite of this, Dave Filoni and Lucasfilm Animation endeavored to deliver as many of those stories as possible, even up to the recent final season of the show. This is the conclusion of the 12 year story of Star Wars: The Clone Wars.

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I tell stories about stories. With acclaimed documentary-style video essays on your favorite movies, shows, and video games– including Star Wars: The Clone Wars, The Last of Us: Part II, and Cyberpunk 2077– ArTorr combines a love for storytelling with high-production and a personal edge. Consider subscribing to support the channel!

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Genevieve O’Reilly On The Legacy Of Mon Mothma

Here’s the latest from: StarWars.Com

Nearly two decades after first inhabiting the role, the actor looks back at the character’s debut while exploring new depth on screen.
Kristin Baver

Genevieve O’Reilly has played Mon Mothma, the galactic senator from Chandrila, on and off for nearly 20 years. But in that latest resurgence,  on the new Star Wars Original series Andor now streaming on Disney+, it’s clear her story is only just beginning.

When O’Reilly first stepped into the role in 2005 for an ultimately deleted scene in Star Wars: Revenge of the Sith, she rewatched the character’s debut in Star Wars: Return of the Jedi. Originated by Caroline Blakiston, the first appearance of Mon was just before the Battle of Endor, delivering somber news on the Bothans who had sacrificed everything to deliver top-secret Imperial intel to the Rebel Alliance. “I remember studying the scene, really trying to work on capturing her voice, her syntax, so that fans could see a connectedness between me playing her and Caroline playing her,” O’Reilly tells StarWars.com.

“I always go back to that scene. I think that was as ambitious then — perhaps even more ambitious — than it is now,” O’Reilly adds, referencing creator George Lucas’ bold decision to show a woman as the leader of the Rebel Alliance in 1983. “And she’s a character that I love.”…

Read the Full Article @ StarWars.Com

Is Lucasfilm DONE Recasting Legacy Characters?

Are we really never going to see another recast Star Wars character ever again? What are our final predictions for the Obi-Wan Kenobi series? These questions and more answered in this week’s Q&A!

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Review: The Halcyon Journey Concludes With Halcyon Legacy #5

Here’s the latest from: SWNN

It’s time for one last adventure aboard the Halcyon with the fifth and final issue of the Halcyon Legacy arc. The galaxy’s premiere luxury star liner has gone through some harrowing ordeals in its time. Ranging from being boarded by the Nihil to a Maz Kanata-led heist, each issue has left its unique mark. The present-day storyline takes mostly a backseat to the adventures of the past, but each story serves its purpose. The previous issue was my favorite of the bunch, and I was left excited to see what might be done for the conclusion piece. While this issue has its moments, overall, I was left disappointed. This felt more like a giant Disney marketing plug than any of the previous issues and was hastily introduced to new characters. Because of the jarring introduction, the payoff of the issue didn’t feel entirely earned. Bossk graces the cover of the issue, and I was excited to see him have a strong presence, but he was gone in the blink of an eye. While being a bit of a mess it’s still a fun read. It may not be an issue to return to time and time again, but that doesn’t it is not worth your time.

Spoilers Ahead

Read the Full Article @ SWNN