The Clone Wars Episode Guide: Season Five – Part 4
As I said in the previous post, the format changed for the Episode Guides, so I have created two Featurettes covering clips and interviews from The Clone Wars – Season 5 so I hope you enjoy them.
Expect the same for the rest of the Seasons and expect Season 6 soon.
The Clone Wars Episode Guide: Season Five – Part 4
Just as a FYI, to avoid old posts becoming one with the Force, this post has been republished so it can be a blue glowy thing, it was Originally posted 2023-08-03 13:45:17.
Ashley Eckstein is back on RFR! As the voice of Ahsoka on The Clone Wars, Ashley developed the character from the ground up alongside George Lucas himself. We dig deep into the evolution of Ahsoka from The Clone Wars to Rebels and Ashley bravely opens up about being denied the opportunity to bring the character to life in live-action. In this must-hear conversation, Ashley gets deep about her connection to Ahsoka and the Star Wars fanbase.
Ashley Eckstein is back on RFR! As the voice of Ahsoka on The Clone Wars, Ashley developed the character from the ground up alongside George Lucas himself. We dig deep into the evolution of Ahsoka from The Clone Wars to Rebels and Ashley bravely opens up about being denied the opportunity to bring the character to life in live-action. In this must-hear conversation, Ashley gets deep about her connection to Ahsoka and the Star Wars fanbase. Plus, we listen to the first public comments from Mia Goth about joining the cast of Star Wars: Starfighter, we review Haslab’s Mos Eisley Cantina, listener feedback and more!
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Dianoga, Joopas, and Zillos? To quote C-3PO: Oh my!
By StarWars.com Team
The Galactic Society of Creature Enthusiasts is back in action, and this time they’re cataloguing their galaxy of creatures through in-depth analysis and gorgeous illustrations.
In the new book, The Star Wars Bestiary, Volume 1: Creatures of the Galaxy, author S.T. Bende and illustrator Iris Compiet have created a compendium for wildlife enthusiasts and Star Wars aficionados. Flip through 10 never-before-seen spreads from the book and read on for an excerpt from an upcoming interview conducted by Melissa T. Miller for Star Wars Insider #228….
This man was INSIDE Jabba the Hutt. In this pre-Disney ownership interview, puppeteer Toby Philpott tells Sci Fi Central Australia all about bringing the best version of Jabba to the screen in ROTJ.
Of our world travels from Oz to film over 100 interviews with people who have appeared in Star Wars movies, for Kenny Baker, we traveled the farthest.
To this day, some people we talk with didn’t even know there was a man inside the droid but there certainly was. Here’s our Sci Fi Central interview with the late actor Kenny Baker, from Swansea in Wales.
Katie Purvis played the Maternal Ewok in ROTJ. Her father was the acclaimed stunt man Jack Purvis who played a large part in the original trilogy. Here is part of our talk from Wales. This time, Katie is talking about Illness Inside Ewoks
The Disney+ series stars talk about their emotional link to the Jedi and the Nightsister and the magic of being cast in their dream roles.
Eman Esfandi and Diana Lee Inosanto express their deep gratitude for the opportunity to be part of the Ahsoka universe. Esfandi, known for his portrayal of Ezra Bridger in the Disney+ series, and Inosanto, who reprises her role as Morgan Elsbeth from The Mandalorian, both share a similar journey of searching for their place in the film industry before being cast in these iconic roles. Inosanto, in particular, had almost given up hope when Ahsoka creator Dave Filoni and executive producer Jon Favreau discovered her indie film trailer online. This unexpected turn of events has been a magical experience for Inosanto, allowing her to pursue her passion for acting in a beloved franchise like Star Wars, which has been a lifelong love for her…
The Disney+ series stars tell StarWars.com about getting into character and their real-life friendship.
Natasha Liu Bordizzo and Ivanna Sakhno are here for WolfWren. The name was bestowed by fans of their rival characters’ in Ahsoka. However, the duo coined their own phrase for the connection between Bordizzo’s Sabine Wren and Sakhno’s Shin Hati long before the first episode arrived on Disney+: Shabine.
When their work on the series wrapped, Sakhno even made a friendship bracelet with their “Shabine” moniker, a nod to a bond between two Star Wars newcomers who started on set together training for future lightsaber battles and became real-life friends. “I loved working with Ivanna so much,” says Bordizzo. “We really went through the whole journey from start to finish together.”
“We got to know one another through working in the training facility with Ming [Qiu], our stunt coordinator, who taught both of us focus and dedication to the craft and to lightsaber combat,” Sakhno adds. “The experience of working with [Natasha] was just fun. There was a lot of laughter on set, definitely, and inside jokes.”…
Boba Fett On The Empire Strikes Back, That Crazy Suit, and the Star Wars Legacy
Vanity Fair article from October 8th, 2010 by Mike Ryan. Featured on starwars.com (hence its inclusion here)
In celebration of the 30th anniversary of The Empire Strikes Back, Lucasfilm is releasing a comprehensive history of the making of the groundbreaking film, aptly titled The Making of Star Wars: The Empire Strikes Back. The book is packed with hundreds of rarely seen behind the scene photographs which you can preview here. Over the next few days, VF Daily will be running a series of interviews coinciding with the release. Tune in next week for an interview with legendary director Irvin Kershner.
Despite extremely limited screen time and only a few lines of dialogue, Boba Fett remains, to this day, one of the most popular characters from the Star Wars trilogy. VF Daily sat down with the actor behind the mask of the most revered bounty hunter in the galaxy: Jeremy Bulloch, who is mostly known for his theater work before Empire. And he doesn’t shy away from how he got the role—the suit fit. Bulloch talked with us about the challenges behind portraying a bounty hunter in an outfit not really conducive to bounty hunting, dealing with Boba Fett’s rabid fan base, the differences in directing styles between Empire and Return of the Jedi, and how he feels about Jango Fett (Temuera Morrison) in Attack of the Clones.
Mike Ryan: There was a lot of buildup and hype with the Boba Fett character leading into Empire. Say what you will about The Star Wars Holiday Special, which I’m not sure Lucasfilm will even admit exists (the Lucasfilm rep in the room audibly laughs), but there was the Boba Fett cartoon during that special which piqued a lot of interest.
Jeremy Bulloch: The only thing that I thought was a bit strange was when I was shown a small figure of Boba Fett and I hadn’t even started filming, and they said, “Well, this will be given away if they send in [proofs of purchase].”And I didn’t understand what they were saying at all. Obviously the figures became very important much later on.
And action figures weren’t quite as popular then.
Then, there was just the off figure. And I thought it was amazing, “look, I’m in plastic, already.” This was before the first day, and I thought they might not like what I do and get rid of me. But now, of course, there’s so many things that are being made and in incredible detail—and Boba Fett is an ideal character to have because he has so many gadgets on his armor and his weaponry.
And how many of those do you own?
Well, I have (Laughs)—this is quite sad, now, really. I do have the big Boba Fett by Don Post, which I went to America to model for. I have that and I have lots of little trinkets and things like that. Only of Boba Fett, because I’m biased.
It’s interesting, considering your theater background, that you played a character in which we don’t even see your face, let alone hear your voice.
It’s the very first part that I’ve ever played with a mask. But, luckily, I was working in the theater at nights for two weeks of The Empire Strikes Back. So I had to leave by 5:30 to get to the theater. And in the theater, I was non-stop talking for two and a half hours for this fast comedy. So I could go in the next day, look at people who spent four or five-hour in makeup, and I just put a helmet on. I could rest a little bit because I was really tired.
The voice of Boba Fett was dubbed over by another actor. Were you saying the lines on set?
Oh, yes, you do. The lovely thing is that you’re saying something, even with Darth Vader, I was talking. And you can’t hear what you’re saying because it’s a muffled sound, obviously, under the helmet. But it’s quite fun because, at the time, you think, I wonder what kind of voice this will be? Whether it will be electronic or will it be just an ordinary voice? Looking at the outfit, I thought it would be some croaky type of person.
So you knew, unlike David Prowse (who played Darth Vader) in the first film, that the voice would be redubbed by another actor?
No, I didn’t know from the beginning. But I assumed that when everything goes back to America, they’ll get someone to do the voice. Now, had I been speaking throughout the whole film, and they wanted to dub my voice, I’d actually have been surprised. Why would they need to do it? But for this, Boba Fett, a few lines, I thought, this came out really well. I was quite happy.
I’m assuming that the outfit isn’t conducive to actual bounty hunting.
(Laughs.) No, no. It is possibly the most uncomfortable costume I’ve ever worn. As they clicked the jet-pack into position, you’d lean back. It was top-heavy and you were almost falling over. And the backs of your legs and your feet—at the end of it you’d just long for a hot bath.
You were in three Star Wars films. If I’m not mistaken, you were in Revenge of the Sith.
Yes, I had a little cameo role as Captain Colton.
Your largest roles were in Empire and Jedi. What was the biggest difference between Empire director Irvin Kershner and Jedi director Richard Marquand?
Irvin was wonderful because you knew, as an actor, exactly what he wanted. He’d occasionally say, “come on, come on,” and you could see he was saying we had to get this shot in. Richard Marquand I’d met before and he was a lovely man. He said, “Jeremy, you know, you were in the last one, you know what to do. Don’t you?” I said, “well, yes I do, but it’s always lovely to have the director say, ‘no, no, no, that’s wrong,’” I quite like that. Because if you’re an actor who says, “well, what I do is obviously what is best,” it’s sometimes not right. I think it’s wonderful having a director leading you through.
It says in the book that Mark Hamill would get frustrated with kershner’s direction. At the way kershner would even act out a scene while saying, “do it like this.”
Well, I don’t know. As I said, I do like someone to direct you. And, as you say, Irvin kershner would say, “do it like this.” And you go, “O.K., fine.” But when they say “action,” you put a little of yourself in it. The director thinks that is exactly what he said, but, in fact, it’s quite a bit of what you want.
There’s a transcript in the book from the set of the Carbon Freezing Chamber where Harrison Ford and Carrie Fisher were having a huge, real-life argument. Could you tell there was tension between the two?
No. For us in masks, we were just dripping and waiting for one section of the piece to go—just pouring with sweat. There was something happening, but I could never know what it was because there was so much noise and I was standing at the back next to Darth Vader while the carbon freezer thing was going. I could hardly see through the mask because it used to mist up with all of the steam. So if someone said, “did you see anything, Jeremy?” I’d say, “No, I didn’t.”
The funniest part of that transcript is when David Prowse interrupts kershner during the fight to offer him a signed copy of his new book, Fitness is Fun. Did you get a copy of Fitness is Fun?
Um, no. Well, I have seen it, actually, but I haven’t read it. I prefer to read my book because, as I said to David (Prowse), because it’s in English.
When Empire was released on DVD in 2004, Boba Fett’s voice was redubbed again, only this time by Temuera Morrison who played Jango Fett in Attack of the Clones. Do you feel he’s co-opted your role, playing Jango Fett or Boba Fett throughout the six films? Someone watching all six today for the first time would probably just assume that he’s the guy in the suit by the time we get to Empire.
I can see why because now it’s the Clone Wars and they’re all exactly the same. It’s Temuera and Daniel Logan who plays the young Boba Fett. We all know the voice and what’s going to happen. Although, the original voice by Jason Wingreen is far more menacing. (Mimes Wingreen) “Put Captain Solo in the cargo hold.” That sounded a bit funny.
No, that was a good impression.
I think the original voice—I’m caught halfway here. I can see why, although, I don’t think they needed to change the voice. Especially with the little dialogue Boba Fett has, it’s very strong what comes out. But that’s what is so lovely about the Star Wars films, there’s so much to talk about and argue about. If I’m at a convention, someone will say, “Mr. Bulloch, what do you think about the death of Boba Fett when he goes into the Sarlacc Pit? Could you tell us a little bit more about that?” I’ll say, “No, I’m deeply depressed that Boba Fett went into the Sarlacc Pit. But I will get out. I promise you.” And they say, “thank you very much, Mr. Bulloch, thank you.” I just made someone happy because now I’m going to get out of the pit. You say to someone, “I stay down in the pit as long as I want. There are bounty hunters falling down there every day of the week and I’ve now opened a bar. I’ve opened a Hooters.”
I hope that’s true, because even as a kid I remember thinking, “wait, Boba Fett was killed by Han with a stick by accident?”
George Lucas is terribly funny because I said—this was years and years ago—“Did you mean Boba Fett to die?” And he said, “Oh, yeah.” So all I could say was, “Thanks, George.” The great thing is, by getting rid of Boba Fett, it keeps the popularity up. So the reaction afterwards is actually really good.
How did your other role in Empire, as the Imperial Officer, come about?
I was sitting down waiting to do a Boba Fett scene—the one where I was firing in Cloud City at Luke Skywalker—and they said, “Jeremy, Jeremy, quick, get changed.” I went to wardrobe and they took the Boba Fett outfit off and put me in this Imperial Officer’s outfit. There was no one available to play the part, so that’s what it was.
Did you have to audition for Boba Fett?
No, I’ve said before, if I hadn’t fit in the outfit, I wouldn’t have played the part. There was only one costume. My half-brother, Robert Watts, was an associate producer and he said, “Look, get your agent on to this. It’s not very much, but you never know.” So I went back and put the outfit on. And that was the interview with producer Gary Kurtz, putting bits of the outfit on and it fit like a glove. I always say to people, “It was meant to be.”
I also learned from the book that you were credited as Yoda in Arthur Knight’s 1980 Hollywood Reporter review of Empire.
(Laughs.) I didn’t even know that. Well, that’s good. I’ll have to start practicing a Yoda voice. That’s brilliant.
And you received a lot of fan mail asking if you were the “other” that Yoda mentions.
Yes, I had a lot of that. I went on straight to another theater job after Empire, and I would get people writing letters asking if I was “the other.” I’d say, “other what?” And then pretend I knew. People will come up and ask, “Did you use the BlasTech .E33 rifle in the first film or the second film?” I just turn around and say, “I’m terribly sorry, it’s classified information. I’m not allowed to tell you.” It’s the best answer because they are far brighter than I am. I’m tempted to try and learn Mandalorian, so I can come back with a really classic answer, when needed. It’s not going very well at the moment.
It sounds like you’ve gotten more meaning with what’s happened in the 30 years after the movie was released than you did actually filming.
You’re absolutely spot on there, Mike. I do. You film something and sometimes you watch it for the first time and go, I wish I had done that. How stupid, I should have turned! I think I’ve been terribly fortunate as an actor. I had 20 years experience before Star Wars, but I was extremely lucky to land the role of Boba Fett. It is a journey, like the term, “if the shoe fit.” If the costume fit—and there it was, as if it was made for me.
I feel there’s a lot of people in your position who may resent talking about Boba Fett because, as you said, you just happened to fit a costume.
I think I’m very fortunate and very proud to be part of Star Wars, very proud. I’ve done a lot of work over the course of 52 years now. A lot of different work, some I’ve really enjoyed and thought, that was just right, and another one where I thought, oh, no, that wasn’t so good. People always ask, “Aren’t you upset because they’re not talking about other things that you’ve done? I say, “No, because they’re interviewing me about Star Wars and what my experience was like and what it means.” That’s terribly important to know that I was involved with Star Wars. There’s no point to say, “Oh, I’ve moved on, I’m playing King Lear now. I don’t want to talk about Star Wars.” I do want to talk about it because it was a very fun time for me. It was a terrific time.
Just as a FYI, to avoid old posts becoming one with the Force, this post has been republished so it can be a blue glowy thing, it was Originally posted 2023-01-31 08:05:58.
The rebel’s hideout is filled with callbacks connecting Ahsoka to Star Wars Rebels.
Once a rebel, always a rebel.
Sabine Wren first burst into our lives nearly a decade ago in Star Wars Rebels as an energetic Mandalorian teen with a penchant for art and anarchy. With her live-action debut in the new Disney+ series Ahsoka earlier this year, filmmakers made her colorful personality a reality. Showrunner Dave Filoni and production designers curated nods to her Rebels start throughout her makeshift bedroom in the tower on Lothal. Although Sabine left Ezra’s home world in the dust when she set off for adventure with her former Master Ahsoka Tano, StarWars.com has taken a peek inside to check up on her Loth-cat and confirm these 12 Easter eggs fans can find when rewatching the series…
With no STAR WARS films until 2026, we look ahead to upcoming streaming series AHSOKA and THE ACOLYTE with interview highlights, conversation, speculation and leaked footage. What’s up with LANDO? We give you the lowdown on what’s really going on with the much-delayed series via some insider info. We get into the business of STAR WARS featuring Bob Iger comments about cost cuts at Disney. Plus, “Star Wars in Pop Culture” features Harrison Ford vs Conan O’Brien, ROGUE ONE reshoots and more!
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If you love LEGO Star Wars and Star Wars: Return of the Jedi, the answer is yes. Revealed just ahead of Star Wars Celebration Europe 2023, the LEGO Group has created two dynamic new releases celebrating the 40th anniversary of Episode VI: the Endor Speeder Chase Diorama and the Emperor’s Throne Room Diorama, building sets immortalizing two of the film’s most iconic sequences in LEGO bricks. They arrive May 1 and will be available for pre-order soon.
Both sets were designed for adult fans and make for great display pieces, while still allowing for interactivity. The Speeder Chase set consists of 608 pieces, and includes three LEGO minifigures (Princess Leia, Luke Skywalker and a Scout Trooper), two removable speeder bikes with transparent stands (allowing the bikes to tilt, conveying movement), two buildable trees, and more forest elements. The Throne Room, an 807-piece release, includes Darth Vader, Luke Skywalker, and Emperor Palpatine minifigures (complete with lightsabers and Sith lightning), rotating throne, and more. Both sets also feature a plaque with the Return of the Jedi 40th anniversary logo and a memorable quote from each scene. For fans of the last film in the original trilogy, it is pointless to resist — as Darth Vader himself says in the movie…
The original STAR WARS trilogy was famously recreated as audio dramas for public radio networks in the 80s and 90s. “The Winds That Shook The Stars” is the complete, unauthorized oral history of the STAR WARS radio dramas and will hit bookshelves this summer. We get a preview of the book from authors John and Mary Jo Tenuto, who share behind-the-scenes stories, trivia, and new info never before presented anywhere else. Plus, we spotlight some of the more famous voices heard in the radio dramas and more. Plus, we listen closely to Bail Organa’s voice in the latest episode of THE BAD BATCH and we review MANDALORIAN jokes from Pedro Pascal’s Saturday Night Live monologue.
Get an inside look at Narkina 5. New episodes of #Andor are streaming Wednesdays only on @DisneyPlus.
The “Andor” series will explore a new perspective from the Star Wars galaxy, focusing on Cassian Andor’s journey to discover the difference he can make. The series brings forward the tale of the burgeoning rebellion against the Empire and how people and planets became involved. It’s an era filled with danger, deception and intrigue where Cassian will embark on the path that is destined to turn him into a rebel hero.
Diego Luna returns as Cassian Andor and is joined by cast members Genevieve O’Reilly, Stellan Skarsgård, Adria Arjona, Denise Gough and Kyle Soller. The executive producers are Kathleen Kennedy, Sanne Wohlenberg, Diego Luna and Michelle Rejwan. Tony Gilroy is the creator and showrunner.
In the spirit of Halloween season, StarWars.com examines this creepy cult that looked to replicate the Force through technological terrors! Emily Shkoukani
Star Wars Inside Intel is a StarWars.com feature where Lucasfilm’s Emily Shkoukani, whose job is to know as much about a galaxy far, far away as possible, explores obscure facts about Star Wars lore and continuity. In this creepy installment for Halloween season, Emily takes a look at a mysterious cult of Force worshippers…
First mentioned in Marvel’s Star Wars:Doctor Aphra #15 in the story “War of the Bounty Hunters: Party Favors,” the Ascendant was a Force cult existing long before the Skywalker Saga, sometime during the Sith’s reign. Known for their wicked technology, the Ascendant were eventually eliminated by Sith and Jedi alike, who feared the devices conjured by the cult.
Tech Cult
There are two things that define the Ascendant: technology and the occult. The Ascendant were not Force users but Force fanatics, obsessed with replicating the effects of the dark side in similar ways to how the Sith used it, and beyond. To do this, the Ascendant used clever tricks, technology, dark sciences, and rituals to achieve this mimicry of the Force.
One such technology was the thought dowser, a device capable of amplifying the wielder’s thoughts in order to persuade another being to do whatever they wanted. Using a special material to amplify the user’s thoughts, the thought dowser was effective and, although the Sith were generally wary of the Ascendant, they were known to use this type of technology to aid their apprentices in honing their innate abilities….
Diego Luna & Tony Gilroy give an inside look at the tense and visually stunning episodes 4-6. New episodes of #Andor streaming Wednesdays only on Disney+.
The “Andor” series will explore a new perspective from the Star Wars galaxy, focusing on Cassian Andor’s journey to discover the difference he can make. The series brings forward the tale of the burgeoning rebellion against the Empire and how people and planets became involved. It’s an era filled with danger, deception and intrigue where Cassian will embark on the path that is destined to turn him into a rebel hero.
Explore the galaxy’s seedy underworld — along with its most fearless and inventive blasters-for-hire. Emily Shkoukani
Star Wars Inside Intel is a StarWars.com feature where Lucasfilm’s Emily Shkoukani, whose job is to know as much about a galaxy far, far away as possible, explores obscure facts about Star Wars lore and continuity. In this installment, Emily explores bounty hunters…
As the Client perfectly articulates in The Mandalorian, “bounty hunting is a complicated profession.” The Star Wars galaxy is full of both admirable and nefarious characters, but bounty hunters straddle a delicate line between good and evil. The tactics and skills of each bounty hunter often define them and their value to potential employers. The most rudimentary definition of a bounty hunter is a person who’s hired to capture or kill a target and receives payment upon completion of the job, although it’s almost never that simple.
Bounty hunting can be broken down into three primary factors: the client, the target, and the hunter. The client identifies the target and sets the parameters (wanted dead, alive, etc.) and the hunter tracks the target down for the client. In Star Wars: Attack of the Clones, Senator Padmé Amidala finds herself the target of two bounty hunters — Jango Fett and Zam Wesell. Hired by Nute Gunray of the Trade Federation, the Neimoidian clung to his grudge against Amidala following the Trade Federation’s defeat on Naboo and attempted to have her killed as part of his agreement to join the escalating Separatist movement. Fett and Wesell were unsuccessful, however….
Diego Luna & Tony Gilroy give an inside look at the first three episodes of #Andor. The newest Star Wars event is now streaming only on Disney+. New episodes streaming Wednesday
The “Andor” series will explore a new perspective from the Star Wars galaxy, focusing on Cassian Andor’s journey to discover the difference he can make. The series brings forward the tale of the burgeoning rebellion against the Empire and how people and planets became involved. It’s an era filled with danger, deception and intrigue where Cassian will embark on the path that is destined to turn him into a rebel hero.
Diego Luna returns as Cassian Andor and is joined by cast members Genevieve O’Reilly, Stellan Skarsgård, Adria Arjona, Denise Gough and Kyle Soller. The executive producers are Kathleen Kennedy, Sanne Wohlenberg, Diego Luna and Michelle Rejwan. Tony Gilroy is the creator and showrunner.
This issue was remarkable, because as it was coming together, the news about the Disney acquisition and the new Star Wars trilogy was just about to break. I wouldn’t call myself an editor of the magazine – I just advise when and where I can – but this time, I got to channel the ink-fingered editors of yore and put a call out to HOLD THAT FRONT COVER!
I had gotten wind that these announcements would soon be public while I was at New York Comic-Con, which made for some very cagey phone calls with Lucasfilm while I was at a very public venue (oh, if only the people within earshot had any idea what we were talking about!). As soon as I got back to California, Howard Roffman led us in hammering out a plan on how this news would be announced on starwars.com. It was kept to a very small group of people at first, and I didn’t want Insider to miss what would be the biggest Star Wars news in years.On October 25, I emailed editor Jonathan Wilkins at Titan Magazines, requesting that every effort be made to accommodate an upcoming major announcement that was brewing at Lucasfilm. “This could end up being the most important issue you’ve published to date,” I wrote, but I could not give him any specifics. I just said to hold the cover (and never advised what to run instead of a planned Clone Wars cover) and said that I have about 4,800 words of story coming his way, so that he had to move editorial around to make room. To his credit, Jonathan responded exactly the way a Star Wars fan should: he was excited to hear what was coming.
Now, per schedule, the content for issue #138 – which arrives at newsstands tomorrow – was supposed to be delivered by mid-September. Here we were, way past that deadline; we had to move fast. George Lucas and Kathleen Kennedy had sat down to record their video conversation with Lynne Hale on October 19th. A few days later, I got to review the video in its entirety to help advise where individual featurettes could be cut from this longer piece. I figured while starwars.com got to run the shorter video chapters, the Insider could present the entirety of the interview for those who prefer reading their news and having this content in textual form for easy future reference, without fast-forwarding and rewinding. (Full disclosure: I’m a text guy. I’m not a video guy. I prefer to read on the Internet. And if you’ve made it this far, maybe you do too!)
So I quickly transcribed the text by the 24th, a 4,800-word document (turns out, I’m really good at estimating word counts), and reformatted the text by topic and turned it into a feature article for Insider. Issue #138 communicates this major news in the world of Star Wars in a format worth preserving in print, and also has some content that has not yet made it online or will never make it into the web series.
Of course, that’s only one of the features in this issue of the magazine. There’s plenty more filling out Insider #138.
Scoundrel Days. The deep mining of some never-before-published gems continues with the surfacing of a Harrison Ford interview from January 1977. This is before Star Wars exploded into a worldwide phenomenon, and is based on a discovery made by JW Rinzler of interviews done by Charley Lippincott during the making of Episode IV. This completes a trilogy of rare interviews; issue #137 featured a similar article with Mark Hamill, while issue #136 featured Carrie Fisher.
Scoundrels: We Like the Sound of That. Speaking of Scoundrels, this is the issue that pays tribute to Timothy Zahn’s forthcoming heist novel. Tricia Barr interviews Zahn about the making of this eagerly anticipated book that takes Han, Lando, and some other checkered rogues and put them firmly in their underworld element.
Heist: Zahn supplies the exclusive fiction in this issue, with a short stories that stars two of the scoundrels from his book, the beautiful and resourceful cat burglar twins Bink and Tavia Kitik. Brian Rood (who illustrated the portraits in The Essential Reader’s Companion) provides the artwork.
The Art of Tsuneo Sanda: On the subject of art, one of the nicest and most talented Star Wars artists is profiled in this issue by Mark Newbold. Sanda-san has been illustrating Star Wars for over ten years, including some striking pieces that have appeared in previous issues of Insider as well as Star Wars Celebration.
Celebration VI Through the Eyes Of… Celebration VI continues to be a subject of discussion – no surprise, given an event as big and exciting as that convention. In this feature article, some of the guests themselves offer their inside look at what made the event so memorable. Mark Hamill offers his perspective, as does James Arnold Taylor to interviewer Amy Ratcliffe. My particular favorite is the piece penned by Samantha Roberts, the daughter of Tom Kane. She describes how she would not let her battle with Hodgkins Lymphona get in the way of appearing at Celebration VI in costume as Asajj Ventress. It’s an inspiring and heartwarming tale that shows the power of Star Wars and its fans.
And More. Bantha Tracks celebrates the Season of Giving, Catherine Taber shows off an impressive knowledge of blaster types, the comics column looks at the latest arc in Dawn of the Jedi, Incoming is filled with Angry Birds while Rogues Gallery profiles some pigs – Ugnaughts and Gamorreans – and the sexy Black Milk models make this issue’s cover of Blaster one to remember.
And there’s more beyond that, so check out Titan Magazine’s official site here for more about Star Wars Insider, and go like ‘em on Facebook.
The fishy comics store-exclusive cover for issue #138.
Pablo Hidalgo is paid to know the difference between Romba and Lumat and dies a little bit inside when you misspell Wookiee or Lucasfilm.
Some of the greatest Star Wars stories are those from behind the scenes. In Saga Chronicles, Lucasfilm’s Lucas Seastrom tells those tales.
In a remote village, Obi-Wan Kenobi and young Princess Leia seek refuge in a hideout used for smuggling Jedi. But Darth Vader and his fearsome Inquisitors are on their trail. Arriving at the settlement, the ruthless Vader begins murdering innocents to coax his former master out of hiding. Sending Leia to escape, an unsettled Kenobi attempts to draw the villain away, confronting the vengeful Sith Lord with lightsaber in hand. The scene is from the last moments of Part III of Lucasfilm’s latest series, Obi-Wan Kenobi, with all episodes now streaming on Disney+.
“The input from [series director] Deborah Chow was to make it terrifying and dark,” recalls Danielle Dupre, re-recording mixer at Skywalker Sound. “The audience knows how evil Darth Vader is and the lengths he is willing to take, but the people in the story don’t. We had to capture the experience of everyone in the village realizing what was going to happen. It was shot brilliantly as well. You have these ominous close-ups of Vader with the strength of his body and pure determination, then you cut to Obi-Wan and he’s scared, confused, and feels the darkness of Vader’s presence.”…
Propmaster Brad Elliott discusses linking Jabba the Hutt to the burgeoning Rebel Alliance in the new limited series.
Through the props and costumes of Star Wars, we find a tangible link to connect with the characters from a galaxy far, far away and the stories they inhabit. Inside the Lucasfilm Archive, take a closer look at these artifacts and the stories behind their design.
Nods to previous Star Wars storytelling are scattered throughout the props utilized in the new Obi-Wan Kenobi limited series, with careful study of prequel pieces informing items pulled directly from Kenobi’s time in the Jedi Order and the circular hilts of the Inquisitor lightsabers making the leap from animation.
But among the items that begin to signal a burgeoning rebellion, it’s surprising to find connections to the crime boss Jabba the Hutt and his Tatooine abode.…
Propmaster Brad Elliott shares insights on fabricating Kenobi’s lightsaber and other personal items that link the new series to the prequel trilogy and the film that started it all. Kristin Baver
Through the props and costumes of Star Wars, we find a tangible link to connect with the characters from a galaxy far, far away and the stories they inhabit. Inside the Lucasfilm Archive, take a closer look at these artifacts and the stories behind their design.
Obi-Wan Kenobi is a man who cannot escape his past.In the Obi-Kenobi limited series, now streaming on Disney+, storytellers explore a previously unseen era in the character’s life — nearly 10 years after the fall of the Jedi with Order 66 but still almost a decade from meeting his fate aboard the Death Star. Behind-the-scenes, the production crew took great pains to find the middle ground between these two known story points when creating the props that would help define the titular character at the midpoint between Star Wars: Revenge of the Sith and Star Wars: A New Hope.
Among Kenobi’s meager belongings when the series opens on Tatooine, we find familiar macrobinoculars, a holoprojector, and a datapad that look almost exactly like screen-used items from the prequel trilogy. “It made sense that Kenobi would take a few items with him to watch over Luke,” Propmaster Brad Elliott tells starwars.com. That includes his lightsaber and other tools of the Jedi that were glimpsed in those earlier films. “The holoprojector would have been something that he would take with him from his belongings on Coruscant.” In this case, the item allowed Bail Organa to reach his old friend with an urgent request and was later broken in the chaos.
Kenobi’s macrobinoculars, first glimpsed in the trailer for the series, were fabricated from a pair intended to appear in Star Wars: Attack of the Clones. Their placement among Obi-Wan’s personal effects is itself a deep cut for fans familiar with a deleted scene showing Kenobi using the same item in Episode II. The prop was original destined for use on Geonosis, but an animated version later showed up in Star Wars: The Clone Wars.
The datapad was an even more obscure recreation, seen only briefly in Revenge of the Sith in the hands of Anakin Skywalker. “He is holding a datapad and mentions that Obi-Wan was there, as if the datapad was the evidence that his master had been to see Padmé and had left it behind,” Elliott says. Visual guides further cemented the idea that the datapad belonged to Skywalker’s master, but “we were the first to actually put it in his hands,” Elliott notes.
An elegant weapon
Even a Jedi in hiding needs their trusty lightsaber.
Kenobi’s elegant and iconic weapon from a more civilized age proved to be the most difficult challenge for the prop builders on the series, Elliott says. Designers on the original trilogy and the prequels had utilized similar but not identical designs to create Obi-Wan’s hilt, meaning that the prop builders on Kenobi were tasked with merging the two iterations into something new that still felt authentic.
“His lightsaber was the trickiest thing that we had to figure out,” Elliott says. “The Revenge of the Sith saber is smaller, shinier, and differs in many other details from the New Hope saber that Alec Guinness carried.
“Kenobi is coming from the loss of the war, the fall of the Jedi Order, and the loss of his best friend and Padawan,” Elliott adds. “He’s carrying the weight of his past, so his saber is largely from that past.”
While the design aesthetic mainly mirrors the prequel hilt previously carried by series star Ewan McGregor, prop makers specifically upgraded the emitter to more closely match Guinness’s original and aged the once pristine handle to make it feel like an artifact that had spent nearly 10 years buried in the desert….