Tag Archives: other

Chewbacca and Other Creature Department Creations

Here’s the latest from: StarWars.Com

How do you make 100 new Star Wars aliens? In an exclusive interview with creature designer Neal Scanlan, dive into his Oscar-nominated work on Episode VII a decade later.

By StarWars.com Team

As we mark the 10th anniversary of Star Wars: The Force Awakens, which premiered in theaters December 18, 2015, StarWars.com looks back at the film that launched the sequel trilogy.

Who is your favorite creature or alien from Star Wars: The Force Awakens? Is it brave Resistance pilot Ello Asty (coyly named after a Beastie Boys’ song)? Is it the conniving Unkar Plutt, played by super fan Simon Pegg? Is it the lumbering luggabeast? Maz Kanata? The glowing-red-eyed nightwatcher worm that pops his head up for five seconds right before the 10-minute mark of the film?

Regardless of who it may be (it’s the nightwatcher worm), chances are that Neal Scanlan, the 2015 film’s creature shop head, helped to bring them to life.

Scanlan has seemingly done it all. He started his career at 19 years old as a stop motion designer, then working as an animatronics designer and supervisor (including for the Jim Henson Creature Shop for nearly a decade). After scoring an Academy Award for his work on 1995’s Babe, Scanlan started his own studio in 1996. The Neal Scanlan Studio worked on a score of incredible films, including Tim Burton’s Charlie and the Chocolate Factory and Ridley Scott’s Prometheus. At one point, he retired….

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NYCC 2024: Into the Light and Other Reveals from the Lucasfilm Panel

Here’s the latest from: StarWars.Com

Plus, a first look at the storied Jedi Knights in full armor, a new cover in The Acolyte publishing program, and more!

By StarWars.com Team

The Jedi of Star Wars: The High Republic are ready to take on the Nameless and the Nihil. And that means they’re fully armored up to become the knights the galaxy needs.

The final stories in the Star Wars: The High Republic initiative are coming to your bookshelf next year, and during New York Comic-Con’s Lucasfilm Publishing Panel we got our first look at some of the cover art celebrating the grand finale of Phase III. At NYCC 2024, authors Steven Barnes, Zoraida Córdova, Marc Guggenheim, Lydia Kang, and Charles Soule joined host Krystina Arielle to give fans a glimpse at never-before-seen interior art, upcoming titles, and other news from Star Wars books and comics.

Take a closer look at all the announcements and cover reveals from the delightful conversation!…

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SDCC 2024: New Battle of Jakku Comic and Other Reveals

Here’s the latest from: StarWars.Com

Learn about new books and comics coming to this galaxy and get ready for the Lucasfilm Panel at San Diego Comic-Con later this week!

By StarWars.com Team

To quote Finn: Why does everyone want to go back to Jakku?

Our answer? To witness the end of the Empire. And a new Marvel maxi-series, Battle of Jakku — Insurgency Rising, arrives later this year to bring us all along for the ride. The comic is one of a handful of new titles StarWars.com can exclusively reveal today as we gear up for San Diego Comic-Con 2024. Check back Thursday after the annual Lucasfilm panel, which will dive into stories in books, comics, video games and beyond, for more news and reveals!…

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40 Star Wars Easter Eggs, Legends References, and Other Connections in The Living Force

I picked out forty easter eggs, references, and other Star Wars connections in the new book from John Jackson Miller, The Living Force! Be warned of spoilers!


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What Does Petrification Mean in Star Wars and Other Mythologies

Petrification has begun popping up more and more in Star Wars. But what does it mean? What does it symbolize in Star Wars and in ancient mythologies?

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Inside The Lucasfilm Archive: An Elegant Weapon And Other Jedi Artifacts From The Obi-Wan Kenobi Limited Series

Source: Official Site

Propmaster Brad Elliott shares insights on fabricating Kenobi’s lightsaber and other personal items that link the new series to the prequel trilogy and the film that started it all.
Kristin Baver

Through the props and costumes of Star Wars, we find a tangible link to connect with the characters from a galaxy far, far away and the stories they inhabit. Inside the Lucasfilm Archive, take a closer look at these artifacts and the stories behind their design.

Obi-Wan Kenobi is a man who cannot escape his past.In the Obi-Kenobi limited series, now streaming on Disney+, storytellers explore a previously unseen era in the character’s life — nearly 10 years after the fall of the Jedi with Order 66 but still almost a decade from meeting his fate aboard the Death Star. Behind-the-scenes, the production crew took great pains to find the middle ground between these two known story points when creating the props that would help define the titular character at the midpoint between Star Wars: Revenge of the Sith and Star Wars: A New Hope.

Among Kenobi’s meager belongings when the series opens on Tatooine, we find familiar macrobinoculars, a holoprojector, and a datapad that look almost exactly like screen-used items from the prequel trilogy. “It made sense that Kenobi would take a few items with him to watch over Luke,” Propmaster Brad Elliott tells starwars.com. That includes his lightsaber and other tools of the Jedi that were glimpsed in those earlier films. “The holoprojector would have been something that he would take with him from his belongings on Coruscant.” In this case, the item allowed Bail Organa to reach his old friend with an urgent request and was later broken in the chaos.

Kenobi’s macrobinoculars, first glimpsed in the trailer for the series, were fabricated from a pair intended to appear in Star Wars: Attack of the Clones. Their placement among Obi-Wan’s personal effects is itself a deep cut for fans familiar with a deleted scene showing Kenobi using the same item in Episode II. The prop was original destined for use on Geonosis, but an animated version later showed up in Star Wars: The Clone Wars.

The datapad was an even more obscure recreation, seen only briefly in Revenge of the Sith in the hands of Anakin Skywalker. “He is holding a datapad and mentions that Obi-Wan was there, as if the datapad was the evidence that his master had been to see Padmé and had left it behind,” Elliott says. Visual guides further cemented the idea that the datapad belonged to Skywalker’s master, but “we were the first to actually put it in his hands,” Elliott notes.

An elegant weapon

Even a Jedi in hiding needs their trusty lightsaber.

Kenobi’s elegant and iconic weapon from a more civilized age proved to be the most difficult challenge for the prop builders on the series, Elliott says. Designers on the original trilogy and the prequels had utilized similar but not identical designs to create Obi-Wan’s hilt, meaning that the prop builders on Kenobi were tasked with merging the two iterations into something new that still felt authentic.

“His lightsaber was the trickiest thing that we had to figure out,” Elliott says. “The Revenge of the Sith saber is smaller, shinier, and differs in many other details from the New Hope saber that Alec Guinness carried.

“Kenobi is coming from the loss of the war, the fall of the Jedi Order, and the loss of his best friend and Padawan,” Elliott adds. “He’s carrying the weight of his past, so his saber is largely from that past.”

While the design aesthetic mainly mirrors the prequel hilt previously carried by series star Ewan McGregor, prop makers specifically upgraded the emitter to more closely match Guinness’s original and aged the once pristine handle to make it feel like an artifact that had spent nearly 10 years buried in the desert….

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