Release Date: May 21, 1980 (original); February 21, 1997 (Special Edition)
Synopsis: (3 years after Episode IV) Three years after the destruction of the Death Star, Imperial forces continue to pursue the Rebels. After the Rebellion’s defeat on the ice planet Hoth, Luke journeys to the planet Dagobah to train with Jedi Master Yoda, who has lived in hiding since the fall of the Republic. In an attempt to convert Luke to the dark side, Darth Vader lures young Skywalker into a trap in the Cloud City of Bespin. In the midst of a fierce lightsaber duel with the Sith Lord, Luke faces the startling revelation that the evil Vader is in fact his father, Anakin Skywalker.
Opening Crawl:
It is a dark time for the Rebellion. Although the Death Star has been destroyed, Imperial troops have driven the Rebel forces from their hidden base and pursued them across the galaxy.
Evading the dreaded Imperial Starfleet, a group of freedom fighters led by Luke Skywalker have established a new secret base on the remote ice world of Hoth.
The evil lord Darth Vader, obsessed with finding young Skywalker, has dispatched thousands of remote probes into the far reaches of space….
Awards: Academy Award Winner: Best Sound, Special Achievement in Visual Effects. Academy Award Nominee: Best Art Direction-Set Decoration, Best Original Score.
BAFTA Award Winner: Anthony Asquith Award for Film Music. BAFTA Nominee: Best Production Design/Art Direction, Best Sound.
Golden Globe Nominee: Best Original Score.
Saturn Award Winner: Best Director, Best Science Fiction Film, Best Special Effects. Saturn Award Nominee: Best Costumes, Best Music, Best Supporting Actor, Best Writing.
Cast
Luke Skywalker
Mark Hamill
Han Solo
Harrison Ford
Princess Leia Organa
Carrie Fisher
Lando Calrissian
Billy Dee Williams
See Threepio (C-3PO)
Anthony Daniels
Darth Vader
David Prowse
Chewbacca
Peter Mayhew
Artoo-Detoo (R2-D2)
Kenny Baker
Yoda
Frank Oz
Ben (Obi-Wan) Kenobi
Alec Guinness
Boba Fett
Jeremy Bulloch
Lando’s Aide
John Hollis
Chief Ugnaught
Jack Purvis
Snow Creature
Des Webb
Performing Assistant For Yoda
Kathryn Mullen
Voice Of Emperor
Clive Revill
Admiral Piett
Kenneth Colley
General Veers
Julian Glover
Admiral Ozzel
Michael Sheard
Captain Needa
Michael Culver
Imperial Officers
John Dicks
Milton Johns
Mark Jones
Oliver Maguire
General Rieekan
Bruce Boa
Zev (Rogue 2)
Christopher Malcom
Wedge (Rogue 3)
Denis Lawson
Hobbie (Rogue 4)
Richard Oldfield
Dak (Luke’s Gunner)
John Morton
Janson (Wedge’s Gunner)
Ian Liston
Major Derlin
John Ratzenberger
Deck Lieutenant
Jack Mckenzie
Head Controller
Jerry Harte
Rebel Officers
Norman Chancer
Norwich Duff
Ray Hassett
Brigitte Kahn
Burnell Tucker
Crew
Directed By
Irvin Kershner
Produced By
Gary Kurtz
Screenplay By
Leigh Brackett
Lawrence Kasdan
Story By
George Lucas
Executive Producer
George Lucas
Production Designer
Norman Reynolds
Director Of Photography
Peter Suschitzky B.S.C.
Edited By
Paul Hirsch A.C.E.
Special Visual Effects
Brian Johnson
Richard Edlund
Music By
John Williams
Performed By
The London Symphony Orchestra
Original Music Copyright 1980
Fox Fanfare Music Inc. | Bantha Music
Associate Producers
Robert Watts
James Bloom
Design Consultant And Conceptual Artist
Ralph McQuarrie
Art Directors
Leslie Dilley
Harry Lange
Alan Tomkins
Set Decorator
Michael Ford
Construction Manager
Bill Welch
Assistant Art Directors
Michael Lamont
Fred Hole
Sketch Artist
Ivor Beddoes
Draftsmen
Ted Ambrose
Michael Boone
Reg Bream
Steve Cooper
Richard Dawking
Modellers
Fred Evans
Allan Moss
Jan Stevens
Chief Buyer
Edward Rodrigo
Construction Storeman
Dave Middleton
Operating Cameramen
Kelvin Pike
David Garfath
Assistant Cameramen
Maurice Arnold
Chris Tanner
Second Assistant Cameramen
Peter Robinson
Madelyn Most
Dolly Grips
Dennis Lewis
Brian Osborn
Matte Photography Consultant
Stanley Sayer, B.S.C.
Gaffer
Laurie Shane
Rigging Gaffer
John Clark
Lighting Equipment And Crew From Lee Electric
Make-Up And Special Creature Design
Stuart Freeborn
Chief Make-Up Artist
Graham Freeborn
Make-Up Artists
Kay Freeborn
Nick Maley
Chief Hairdresser
Barbara Ritchie
Yoda Fabrication
Wendy Midener
Costume Designer
John Mollo
Wardrobe Supervisor
Tiny Nicholls
Wardrobe Mistress
Eileen Sullivan
Property Master
Frank Bruton
Property Supervisor
Charles Torbett
Property Dressing Supervisor
Joe Dipple
Head Carpenter
George Gunning
Head Plasterer
Bert Rodwell
Head Rigger
Red Lawrence
Sound Design And Supervising
Sound Effects Editor
Ben Burtt
Sound Editors
Richard Burrow
Teresa Eckton
Bonnie Koehler
Production Sound
Peter Sutton
Sound Boom Operator
Don Wortham
Production Maintenance
Ron Butcher
Re-Recording
Bill Varney
Steve Maslow
Gregg Landaker
Music Recording
Eric Tomlinson
Orchestrations
Herbert W. Spencer
Supervising Music Editor
Kenneth Wannberg
Assistant Film Editors
Duwayne Dunham
Phil Sanderson
Barbara Ellis
Steve Starkey
Paul Tomlinson
Dialogue Editors
Curt Schulkey
Leslie Shatz
Joanne D’antonio
Optical Coordinator
Roberta Friedman
Assistant Sound Editors
John Benson
Joanne Cappuccilli
Ken Fischer
Craig Jaeger
Nancy Jencks
Laurel Ladevich
Foley Editors
Robert Rutledge
Scott Hecker
Foley Assistants
Edward M. Steidele
John Roesh
Sound Effects Recording
Randy Thom
Recording Technicians
Gary Summers
Howie
Kevin O’connell
Production Supervisor
Bruce Sharman
Assistant Production Manager
Patricia Carr
Production Coordinator
Miki Herman
First Assistant Director
David Tomblin
Second Assistant Directors
Steve Lanning
Roy Button
Location Manager
Philip Kohler
Continuity
Kay Rawlings
Pamela Mann
Casting
Irene Lamb
Terry Liebling
Bob Edmiston
Assistant To Producer
Bunny Alsup
Assistant To Director
Debbie Shaw
Assistant To Executive Producer
Jane Bay
Production Assistants
Barbara Harley
Nick Laws
Charles Wessler
Stunt Coordinator
Peter Diamond
Stunt Doubles
Bob Anderson
Colin Skeaping
Production Accountant
Ron Phipps
Assistant Accountant
Michael Larkins
Set Cost-Controller
Ken Gordon
Location Accountant
Ron Cook
Still Photographer
George Whitear
Unit Publicist
Alan Arnold
Assistant Publicist
Kirsten Wing
Studio Second Unit
Directors
Harley Cokliss
John Barry
Director Of Photography
Chris Menges
Assistant Director
Dominic Fulford
Second Assistant Director
Andrew Montgomery
Location Second Unit
Director
Peter Macdonald
Director Of Photography
Geoff Glover
Operating Cameraman
Bob Smith
Assistant Cameramen
John Campbell
Mike Brewster
Second Assistant Cameramen
John Keen
Greg Dupre
Dolly Grip
Frank Batt
Production Manager
Svein Johansen
Assistant Directors
Bill Westley
Ola Solum
Production And Mechanical Effects Unit
Mechanical Effects Supervision
Nick Allder
Location Unit Supervisor
Allan Bryce
Senior Effects Technician
Neil Swan
Dave Watkins
Robot Fabrication And Supervision
Andrew Kelly
Ron Hone
Effects Technicians
Phil Knowles
Barry Whitrod
Martin Gant
Brian Eke
Guy Hudson
Dennis Lowe
Effects Engineering
Roger Nicholls
Steve Lloyd
Electrical Engineer
John Hatt
Electronics Consultant
Rob Dickinson
Model Construction
John Pakenham
Effects Assistants
Alan Poole
Digby Milner
Robert McLaren
Effects Secretary
Gill Case
Minature And Optical Effects Unit
Effects DirectorOf Photography
Dennis Muren
Effects Cameramen
Ken Ralston
Jim Veilleux
Camera Operators
Don Dow
Bill Neil
Assistant Cameramen
Selwyn Eddy
Jody Westheimer
Rick Fighter
Clint Palmer
Michael McAlister
Paul Huston
Richard Fish
Chris Anderson
Optical Photography Supervisor
Bruce Nicholson
Optical Printer Operators
David Berry
Kenneth Smith
Donald Clark
Optical Line-Up
Warren Franklin
Mark Vargo
Peter Amundson
Loring Doyle
Thomas Rosseter
Tam Pillsbury
James Lim
Optical Coordinator
Laurie Vermont
Laboratory Technicians
Tim Geideman
Duncan Myers
Ed Jones
Art Director-Visual Effects
Joe Johnston
Assistant Art Director
Nilo Rodis-Jamero
Stop Motion Animation
Jon Berg
Phil Tippett
Stop Motion Technicians
Tom St. Amand
Doug Beswick
Matte Painting Supervisor
Harrison Ellenshaw
Matte Artists
Ralph McQuarrie
Michael Pangrazio
Matte Photography
Neil Krepela
Additional Matte Photography
Michael Lawler
Matte Photography Assistants
Craig Barron
Robert Elswit
Chief Model Maker
Lorne Peterson
Modelshop Foreman
Steve Gawley
Model Makers
Paul Huston
Tom Rudduck
Michael Fulmer
Samuel Zolltheis
Charles Bailey
Ease Owyeung
Scott Marshall
Marc Thorpe
Wesley Seeds
Dave Carson
Rob Gemmel
Pat McClung
Animation And Rotoscope Supervisor
Peter Kuran
Animators
Samuel Comstock
Garry Waller
John Van Vliet
Rick Taylor
Kim Knowlton
Chris Casady
Nina Saxon
Diana Wilson
Visual Effects Editorial Supervisor
Conrad Buff
Effects Editor
Michael Kelly
Assistant Effects Editors
Arthur Repola
Howard Stein
Apprentice Editor
Jon Thaler
Production Administrator
Dick Gallegly
Production Secretary
Patricia Blau
Production Associate
Thomas Brown
Production Accountant
Ray Scalice
Assistant Accountant
Glenn Phillips
Pam Traas
Laura Crockett
Production Assistant
Jenny Oznowicz
Transportation
Robert Martin
Still Photographer
Terry Chostner
Lab Assistant
Roberto McGrath
Electronics Systems Designer
Jerry Jeffress
Systems Programming
Kris Brown
Electronic Engineers
Lhary Meyer
Mike Mackenzie
Gary Leo
Special Project Coordinator
Stuart Ziff
Equipment Engineering Supervisor
Gene Whiteman
Design Engineer
Mike Bolles
Machinists
Udo Pampel
Greg Beaumonte
Draftsman
Ed Tennler
Special Projects
Gary Platek
Supervising Stage Technician
T.E. Moehnke
Stage Technicians
William Beck
Bobby Finley
Leo Loverro
Edward Hirsh
Dick Dova
Ed Breed
Miniature Pyrotechnics
Joseph Viskocil
Dave Pier
Thaine Morris
Optical Printer Component Manufacturer
George Randle Co.
Camera And Movement Design
Jim Beaumonte
Special Optics Designer
David Grafton
Special Optics Fabrication
J.L. Wood Optical Systems
Optical Printer Component Engineering
Fries Engineering
High Speed Camera Movements
Mitchell Camera Corp.
Ultra High Speed Camera
Bruce Hill Productions
Color Timer
Ed Lemke
Negative Cutting
Robert Hart
Darrell Hixson
Dolby Consultant
Don Digirolamo
Additional Optical Effects
Van Der Veer Photo Effects
Modern Film Effects
Ray Mercer & Company
Westheimer Company
Lookout Mountain Films
Special Edition Crew
Producer
Rick McCallum
Editor
T.M. Christopher
Sound Designer
Ben Burtt
Re-Recording Mixer
Gary Summers
First Assistant Editor
Samuel Hinckley
Assistant Editor
Robert Marty
Assistant Avid Editors
Mike Jackson
Robin Lee
Sound Editor
Teresa Eckton
Assistant Sound Editor
Lisa Storer
Re-Recordist
Ronald G. Roumas
Digital Mix Technician
Gary A. Rizzo
Archivist
Tim Fox
Optical Supervisors
Phillip Feiner
Chris Bushman
Film Restoration Supervisor
Pete Comandini
Color Timer
Robert J. Raring
Negative Continuity
Ray Sabo
Negative Cutter
Bob Hart
Special Edition Digital Remastering Provided By
Skywalker Sound A Lucas Digital Ltd. Company
Film Restoration Consultant
Leon Briggs
Optical Restoration
Pacific Title
Film Restoration By
Ycm Laboratories
Industrial Light And Magic
Visual Effects Supervisor
Dave Carson
Visual Effects Producer
Tom Kennedy
Computer Graphics Supervisor
Tom Hutchinson
Visual Effects Art Director
George Hull
Visual Effects Editor
Michael McGovern
Color Timing Supervisor
Bruce Vecchitto
Visual Effects Coordinator
Lisa Todd
Digital Effects Artists
Don Butler
Michael Conte
Howard Gersh
Marshall Krasser
Tia Marshall
Stuart Maschwitz
Julie Neary
Ken Nielsen
Eddie Pasquarello
Ricardo Ramos
Tom Rosseter
Lawrence Tan
Paul Theren
Hans Uhlig
Li-Hsein Wei
Ron Woodall
Digital Matte Artists
Ronn Brown
Eric Chauvin
Brian Flora
William Mather
3d Matchmove Artist
James Hagedorn
Digital Paint & Roto Artists
Lisa Drostova
Heidi Zabit
Chief Creature Maker
Howie Weed
Model & Creature Makers
Carol Bauman
Don Bies
Giovanni Donovan
Wendy Morton
Anne Polland
Mark Siegel
Steven Walton
Sabre Group Supervisor
Daniel McNamara
Sabre Artists
Rita Zimmerman
Chad Taylor
Mary McCulloch
Grant Guenin
Caitlin Content
Software Research And Development
David Benson
Jim Hourihan
Zoran Kacic-Alesic
Florian Kainz
Jeff Yost
Digital Scanning Supervisor
Joshua Pines
Digital Scanning Operators
Randall Bean
Michael Ellis
Earl Beyer
Negative Supervisor
Doug Jones
Negative Line-Up
Andrea Biklian
Tim Geideman
Projectionist
Tim Greenwood
Digital Plate Restoration
Melissa Monterrosa
Mike Van Eps
Wendy Hendrickson
Assistant Visual Effects Art Director
Alex Laurant
Assistant Visual Effects Editor
John Bartle
Video Editor
Angela Leaper
Animatic Artist
Jonathan Rothbart
Digital Effects Technical Assistants
Okan Ataman
Peter Chesloff
Joshua Levine
Dawn Matheson
Daniel Shumaker
Digital Effects Resource Assistant
Daniel Brimer
Visual Effects Production Staff
Julie Creighton
Joshua Marks
Video Assistants
Dawn Martin
Wendy Bell
Production Engineering
Ken Beyer
Ken Corvino
Gary Meyer
Aerial Camera System By Wesscam Camera Systems (Europe)
Aerial Cameraman
Ron Goodman
Assistant
Margaret Herron
Helicopter Supplied By Dollar Air Services Limited
Pilot
Mark Wolfe
Cloud Plates Photographed With
Astrovision(c) By Continental Camera Systems Inc.
Snow Vehicles Supplied By
Aktiv Fischer
R2 Bodies Fabricated By
White Horse Toy Company
Special Assistance From
Giltspur Engineering And Compair
Photographed On The Hardengerjekulan Glacier, Finse, Norway
And At Emi – Elstree Studios, Borehamwood, England
Music Recorded At
Anvil Studios, Denham, England
Re-Recording At
Samuel Goldwyn Studios, Los Angeles, California
Special Visual Effects Produced At
Industrial Light And Magic, Marin County, California
This Article was Originally posted 2022-07-25 16:31:59.
We react to Kathleen Kennedy’s response to last week’s reports claiming she will be stepping down as president of Lucasfilm and clarifying what was true in the reports and what wasn’t. Kathleen also discussed several STAR WARS projects currently in the pipeline. More footage of ANDOR season two dropped this week as the hype for next month’s season premiere ramps up. We breakdown the “Special Look” footage and search for hints of what’s to come. We discuss the STAR WARS presence in the 2025 Oscars including nominees and presenters, some flubs in the Original Trilogy and more!
Brought to you by RFR on Patreon!
Official YouTube Video Home for Rebel Force Radio: Star Wars Podcast
We’ve heard from so many listeners who say they love it when we feature rare interview footage from the Original Trilogy era so in this week’s RFR, we feature cool audio highlights from the official 1980 press conference for THE EMPIRE STRIKES BACK. You’ll hear from Harrison Ford, Mark Hamill, Carrie Fisher, Irwin Kershner, Anthony Daniels, and Gary Kurtz. Fast forward to the present, we discuss all the latest STAR WARS headlines, including new quotes from Daisy Ridley discussing her upcoming “New Jedi Order” film along with comments from Sigourney Weaver who reveals Baby Yoda “kicks ass” in upcoming THE MANDALORIAN AND GROGU. We react to a recent Lucasfilm executive shakeup and new rumors about a possible pair of unannounced all-new STAR WARS animated series. Plus, listener feedback, Luke Skywalker at STAR WARS GALAXY’S EDGE, and Harrison Ford’s new Jeep commercial
The screenwriter for the in-development “New Jedi Order” film featuring Daisy Ridley – George Nolfi – addressed some questions about the script in a recent interview. We look at quotes from Nolfi about his influences, along with the politics and history that may be inserted into the story. We provide a first blush review of the early chapters from the upcoming novel STAR WARS: REIGN OF THE EMPIRE: THE MASK OF FEAR. This book will look at the earliest days of The Galactic Empire, the political fallout surrounding Palpatine’s rise to power, and the birth of a rebellion. We continue our discussion about Marvel Comics’ “Legacy of Vader” and the death of Watto, we review highlights from recent interviews with Bill Burr, Mark Hamill and Harrison Ford, a RETURN OF THE JEDI-era “Outrageous and Unthinkable” story, listener feedback presents the question: Will Finn return as a Jedi?
Brought to you by RFR on Patreon!
Official YouTube Video Home for Rebel Force Radio: Star Wars Podcast
WhatCulture Star Wars is dedicated to all things Star Wars. We’ll have all the usual lists, features, and news, plus there’ll be Ups & Downs for all the latest shows and new Star Wars movies. The force is with us!
In London, Darryl James (author of Trigger World: Elite) hosted a Star Wars Tea Party where one of the attendees was Ron Hone who worked on Special Effects for The Empire Strikes Back. He assisted with IG-88, 2-1B, Yoda, R2 and the Probot plus in this segment, he talks about coming close to killing Mark Hamill in one scene.
Actor Nika Futterman talks to StarWars.com about the return of her fan-favorite character in Star Wars: The Bad Batch
By Dan Brooks
There was unfinished business for Nika Futterman. As the voice of Asajj Ventress, the Sith assassin serving Count Dooku, she played one of the most important — and well-liked among fans — characters of the Star Wars: The Clone Wars animated series. A dual-lightsaber-wielding menace, Ventress held her own against Anakin Skywalker, Obi-Wan Kenobi, and Ahsoka Tano, before leaving the bad guys behind for free agency. But just as Asajj’s journey was taking a surprising turn, it all stopped when the series was cancelled.
“I thought we had gotten to a place in her story where it was going to continue on in this really interesting way,” Futterman tells StarWars.com. “I just thought, now that she’s going to be a bounty hunter, there’s just a world of possibility that she could be anything and do anything and become anything.”…
After nearly ten years of running this channel, I have seen the same Star Wars questions over and over again. Today I’m answering FORTY of the most frequently asked questions I’ve seen about The Empire Strikes Back!
0:00 Intro
0:16 Who was the bounty hunter on Ord Mantell?
1:07 Why was Echo Base a mess?
1:49 Does hell exist in Star Wars?
2:30 How did the wampa hang Luke upside down?
3:09 When did Luke learn telekinesis?
3:42 Why did Obi-Wan wait three years to tell Luke to go to Dagobah?
4:45 Did Obi-Wan forget Qui-Gon Jinn?
5:23 What is a gundark?
5:56 When did Darth Vader get control of the Imperial fleet?
6:42 When was the Executor constructed?
7:12 What is Darth Vader’s pod?
7:42 From how far away can you Force choke someone?
8:28 Why did Darth Vader kill Admiral Ozzel?
9:09 Was Ozzel a Rebel spy?
9:57 What was Leia’s military rank?
10:33 Why didn’t the Rebels fly away from the Imperial blockade?
11:18 When was Rogue Squadron created?
11:59 How were AT-ATs deployed?
12:42 What happened to General Veers after the Battle of Hoth?
13:42 Did Yoda forget R2-D2?
14:28 How could Han and Leia walk around inside the space slug?
15:30 What is the dark side cave?
16:20 What does Luke’s vision in the dark side cave mean?
17:13 How did Boba Fett know where the Millennium Falcon was hiding?
17:54 How long did Luke train with Yoda?
19:09 What is Cloud City?
19:52 What does e chuta mean?
20:42 Why doesn’t Lobot talk?
21:36 Was Leia always meant to be a Skywalker?
22:37 Is that IG-88 on Cloud City?
23:36 How did the Empire beat Han to Cloud City?
24:09 Did Darth Vader actualy serve a meal to everyone?
25:01 Shouldn’t Darth Vader know carbon freezing isn’t lethal?
25:46 Why did Darth Vader stop Boba Fett from shooting Chewbacca?
26:45 What was in Willrow Hood’s camtono?
27:37 Was Darth Vader always going to be Luke’s father?
28:30 Why did Darth Vader let Admiral Piett live?
29:26 What did the Rebel fleet do while Luke and Leia were away?
30:08 Why is Lando wearing Han’s clothes?
30:57 Is that another galaxy at the end of the movie?
Cast:
Ian Abercrombie as Chancellor Palpatine
Matt Lanter as Anakin Skywalker
Cara Pifko as Dr. Sionver Boll
Terrence Carson as Mace Windu
Catherine Taber as Padmé Amidala
Dee Bradley Baker as clone troopers
Tom Kane as narrator and Yoda
Stephen Stanton as Mas Amedda
James Arnold Taylor as Obi-Wan Kenobi and Senate Guard
Jennifer Hale as Aayla Secura
Full Synopsis:
“The most dangerous beast is the beast within.”
Newsreel
A calculated risk! Following a costly
victory on the planet Malastare,
Chancellor Palpatine orders Jedi
Knights Mace Windu and Anakin
Skywalker to transport a fearsome
Zillo beast captured during the battle Back to Coruscant.
After seeing that not even a
lightsaber could harm the beast,
Chancellor Palpatine hopes to unlock the secret of its invulnerability to create new armor for the Republic’s clone troopers. Tensions run high as the most dangerous life form in the galaxy touches down on its mostpopulous planet….
ACT I
An enormous transport touches down in an embarkation zone on Coruscant near the monolithic Republic Science and Technical Center. Heavily armed clone troopers serve as security as the slumbering Zillo Beast is carted from the ship. Arriving by gunship are Mace Windu and Anakin Skywalker, who convene with Chancellor Palpatine. Windu once again voices his reservations about the beast’s presence on the capital, but the Chancellor insists it is a chance to uncover a technological edge that could end the war. Mace turns over stewardship of the creature to Doctor Sionver Boll.
Later, within the Jedi Council chambers, Mace commiserates with Obi-Wan Kenobi about the Chancellor’s reckless plan. Obi-Wan has an idea as to how to convince Palpatine of the threat posed by the Zillo Beast.
Within the hangar-like space of the science center, the Zillo Beast is contained by force-fields and girder-like structures while Dr. Boll supervises its examination. Worker and medical droids poke around its hardened scale plates. Chancellor Palpatine visits the doctor, checking on her progress. Dr. Boll fears the only way to properly extract a scale sample would be to kill the beast, but she is reluctant to do so, suspecting the rare Zillo may in fact be intelligent. Palpatine implores her to continue, suggesting that she use Malastarian fuel to weaken the Zillo. Palpatine threatens that if Dr. Boll cannot kill the beast, she will be replaced by someone who can. The Zillo Beast seems to recognize the malice in Palpatine.
In the Senate building, Padmé Amidala and Obi-Wan Kenobi convince Anakin to speak to the Chancellor and express their concerns. Amidala worries that no one in a position of power is representing what’s in the best interests of the alien life-form.
ACT II
In the Chancellor’s office, Padmé and Palpatine debate the merits of secretly dooming the creature to extinction. Anakin attempts to remain impartial, but the Chancellor is steadfast. He contacts Doctor Boll, who reports success in converting the Malastarian fuel into a poison gas. The Chancellor orders the Zillo Beast gassed.
Worker droids begin dousing the creature. It bucks and bolts, tearing the girders apart and shorting out the shields. The enraged monster breaks loose, shattering out of the science center. It makes its way towards the dense city lights.
Alarms wail in the metropolitan canyons as the Zillo Beast clambers through the dense cityscape. Republic gunships attempt to contain the monster, but to no avail. The creature reacts intensely to a holographic billboard of Chancellor Palpatine. It tears through the projector, enraged by the politician’s face.
Doctor Boll reports to the Chancellor that she needs time to synthesize more toxin. The creature charges the Senate office building. Its enormous head fills the panoramic window of the Chancellor’s office. Anakin, Padmé, the Chancellor, and C-3PO and R2-D2 evacuate the building. They head to an emergency escape route occupied by a sleek executive ship.
Meanwhile, Mace Windu and Obi-Wan fly to the embarkation area in transports to collect a column of armored stun tanks. Yoda, within the Jedi Temple, supervises the Jedi action with the aid of Aayla Secura.
Palpatine’s ship lifts off from the executive building, but it is plucked from the sky by the Zillo Beast, who holds the vessel as it if were a mere toy.
ACT III
The Republic tanks arrive in the Senate district and deploy in formation. Mace Windu orders them to fire on the beast, but Yoda countermands him. The elder Jedi Master reports that the creature is clutching the Chancellor’s shuttle. Using a gunship, Yoda and Aayla Secura fly up to the creature and leap atop its back to distract it.
Inside the shuttle, the bulkheads creak and groan under the strain of the Zillo Beast’s clutches. Anakin springs into action, slicing through the cabin with his lightsaber. He shears the ship into two sections, separating the crew cabin from creature’s grasp. The cabin slides down the sloping building surface while Mace Windu and Obi-Wan slow the section’s descent. Anakin, Padmé and the droids spill out of the cabin, sliding freely on their own. Anakin grabs Padmé before she falls off the edge, while R2-D2 affixes himself to the building surface, and stops C-3PO’s fall.
With the Chancellor out of the creature’s reach (with thanks to R2-D2’s boosters), the gunships and tanks open concentrated fire on the Zillo Beast. Republic gunships lob gas bombs, engulfing the monster in a toxic green cloud. It eventually collapses and dies, sliding to a stop at the foot of the Senate executive building.
The next day, the creature’s corpse is carted back to the science center. Chancellor Palpatine vows that the Zillo Beast’s sacrifice not be in vain. Unbeknownst to the Jedi, however, he orders Doctor Boll to clone the beast.
Trivia & Details
The holographic billboard of Palpatine is repeating the same address seen in “Lightsaber Lost.”
The droids tending to the Zillo Beast include re-purposed heavy labor droids first seen in Star Wars: Episode III Revenge of the Sith.
Memorable Quotes
“Chancellor, I must protest. Besides being the last of its kind, this creature may be intelligent.”
“I find that hard to believe. It is, after all, just an animal.” — Dr. Boll and Chancellor Palpatine
“I applaud your high moral stance, Doctor. After all, principle is in short supply these days. — Palpatine
“Doctor, you need to find a way to kill that Beast, or we shall replace you with someone who can.” — Palpatine
“I sympathize my dear, truly I do. But consider this: a democracy is only as strong as the people who comprise it.” — Palpatine to Senator Amidala
“Of course, in wartime, some things must be kept secret. Even from the people, so as not to aid the enemy.” — Anakin Skywalker
“We’re doomed.” — C-3PO
“I’ve got a bad feeling about this.” — Chancellor Palpatine
“Looks like one of Anakin’s improvised plans.”
“How can it be a plan if its improvised?” — Obi-Wan Kenobi and Mace Windu
“A lot of the General’s plans involve falling.” — Clone Captain Rex
This Article was Originally posted 2023-06-19 12:00:57.
Boba Fett On The Empire Strikes Back, That Crazy Suit, and the Star Wars Legacy
Vanity Fair article from October 8th, 2010 by Mike Ryan. Featured on starwars.com (hence its inclusion here)
In celebration of the 30th anniversary of The Empire Strikes Back, Lucasfilm is releasing a comprehensive history of the making of the groundbreaking film, aptly titled The Making of Star Wars: The Empire Strikes Back. The book is packed with hundreds of rarely seen behind the scene photographs which you can preview here. Over the next few days, VF Daily will be running a series of interviews coinciding with the release. Tune in next week for an interview with legendary director Irvin Kershner.
Despite extremely limited screen time and only a few lines of dialogue, Boba Fett remains, to this day, one of the most popular characters from the Star Wars trilogy. VF Daily sat down with the actor behind the mask of the most revered bounty hunter in the galaxy: Jeremy Bulloch, who is mostly known for his theater work before Empire. And he doesn’t shy away from how he got the role—the suit fit. Bulloch talked with us about the challenges behind portraying a bounty hunter in an outfit not really conducive to bounty hunting, dealing with Boba Fett’s rabid fan base, the differences in directing styles between Empire and Return of the Jedi, and how he feels about Jango Fett (Temuera Morrison) in Attack of the Clones.
Mike Ryan: There was a lot of buildup and hype with the Boba Fett character leading into Empire. Say what you will about The Star Wars Holiday Special, which I’m not sure Lucasfilm will even admit exists (the Lucasfilm rep in the room audibly laughs), but there was the Boba Fett cartoon during that special which piqued a lot of interest.
Jeremy Bulloch: The only thing that I thought was a bit strange was when I was shown a small figure of Boba Fett and I hadn’t even started filming, and they said, “Well, this will be given away if they send in [proofs of purchase].”And I didn’t understand what they were saying at all. Obviously the figures became very important much later on.
And action figures weren’t quite as popular then.
Then, there was just the off figure. And I thought it was amazing, “look, I’m in plastic, already.” This was before the first day, and I thought they might not like what I do and get rid of me. But now, of course, there’s so many things that are being made and in incredible detail—and Boba Fett is an ideal character to have because he has so many gadgets on his armor and his weaponry.
And how many of those do you own?
Well, I have (Laughs)—this is quite sad, now, really. I do have the big Boba Fett by Don Post, which I went to America to model for. I have that and I have lots of little trinkets and things like that. Only of Boba Fett, because I’m biased.
It’s interesting, considering your theater background, that you played a character in which we don’t even see your face, let alone hear your voice.
It’s the very first part that I’ve ever played with a mask. But, luckily, I was working in the theater at nights for two weeks of The Empire Strikes Back. So I had to leave by 5:30 to get to the theater. And in the theater, I was non-stop talking for two and a half hours for this fast comedy. So I could go in the next day, look at people who spent four or five-hour in makeup, and I just put a helmet on. I could rest a little bit because I was really tired.
The voice of Boba Fett was dubbed over by another actor. Were you saying the lines on set?
Oh, yes, you do. The lovely thing is that you’re saying something, even with Darth Vader, I was talking. And you can’t hear what you’re saying because it’s a muffled sound, obviously, under the helmet. But it’s quite fun because, at the time, you think, I wonder what kind of voice this will be? Whether it will be electronic or will it be just an ordinary voice? Looking at the outfit, I thought it would be some croaky type of person.
So you knew, unlike David Prowse (who played Darth Vader) in the first film, that the voice would be redubbed by another actor?
No, I didn’t know from the beginning. But I assumed that when everything goes back to America, they’ll get someone to do the voice. Now, had I been speaking throughout the whole film, and they wanted to dub my voice, I’d actually have been surprised. Why would they need to do it? But for this, Boba Fett, a few lines, I thought, this came out really well. I was quite happy.
I’m assuming that the outfit isn’t conducive to actual bounty hunting.
(Laughs.) No, no. It is possibly the most uncomfortable costume I’ve ever worn. As they clicked the jet-pack into position, you’d lean back. It was top-heavy and you were almost falling over. And the backs of your legs and your feet—at the end of it you’d just long for a hot bath.
You were in three Star Wars films. If I’m not mistaken, you were in Revenge of the Sith.
Yes, I had a little cameo role as Captain Colton.
Your largest roles were in Empire and Jedi. What was the biggest difference between Empire director Irvin Kershner and Jedi director Richard Marquand?
Irvin was wonderful because you knew, as an actor, exactly what he wanted. He’d occasionally say, “come on, come on,” and you could see he was saying we had to get this shot in. Richard Marquand I’d met before and he was a lovely man. He said, “Jeremy, you know, you were in the last one, you know what to do. Don’t you?” I said, “well, yes I do, but it’s always lovely to have the director say, ‘no, no, no, that’s wrong,’” I quite like that. Because if you’re an actor who says, “well, what I do is obviously what is best,” it’s sometimes not right. I think it’s wonderful having a director leading you through.
It says in the book that Mark Hamill would get frustrated with kershner’s direction. At the way kershner would even act out a scene while saying, “do it like this.”
Well, I don’t know. As I said, I do like someone to direct you. And, as you say, Irvin kershner would say, “do it like this.” And you go, “O.K., fine.” But when they say “action,” you put a little of yourself in it. The director thinks that is exactly what he said, but, in fact, it’s quite a bit of what you want.
There’s a transcript in the book from the set of the Carbon Freezing Chamber where Harrison Ford and Carrie Fisher were having a huge, real-life argument. Could you tell there was tension between the two?
No. For us in masks, we were just dripping and waiting for one section of the piece to go—just pouring with sweat. There was something happening, but I could never know what it was because there was so much noise and I was standing at the back next to Darth Vader while the carbon freezer thing was going. I could hardly see through the mask because it used to mist up with all of the steam. So if someone said, “did you see anything, Jeremy?” I’d say, “No, I didn’t.”
The funniest part of that transcript is when David Prowse interrupts kershner during the fight to offer him a signed copy of his new book, Fitness is Fun. Did you get a copy of Fitness is Fun?
Um, no. Well, I have seen it, actually, but I haven’t read it. I prefer to read my book because, as I said to David (Prowse), because it’s in English.
When Empire was released on DVD in 2004, Boba Fett’s voice was redubbed again, only this time by Temuera Morrison who played Jango Fett in Attack of the Clones. Do you feel he’s co-opted your role, playing Jango Fett or Boba Fett throughout the six films? Someone watching all six today for the first time would probably just assume that he’s the guy in the suit by the time we get to Empire.
I can see why because now it’s the Clone Wars and they’re all exactly the same. It’s Temuera and Daniel Logan who plays the young Boba Fett. We all know the voice and what’s going to happen. Although, the original voice by Jason Wingreen is far more menacing. (Mimes Wingreen) “Put Captain Solo in the cargo hold.” That sounded a bit funny.
No, that was a good impression.
I think the original voice—I’m caught halfway here. I can see why, although, I don’t think they needed to change the voice. Especially with the little dialogue Boba Fett has, it’s very strong what comes out. But that’s what is so lovely about the Star Wars films, there’s so much to talk about and argue about. If I’m at a convention, someone will say, “Mr. Bulloch, what do you think about the death of Boba Fett when he goes into the Sarlacc Pit? Could you tell us a little bit more about that?” I’ll say, “No, I’m deeply depressed that Boba Fett went into the Sarlacc Pit. But I will get out. I promise you.” And they say, “thank you very much, Mr. Bulloch, thank you.” I just made someone happy because now I’m going to get out of the pit. You say to someone, “I stay down in the pit as long as I want. There are bounty hunters falling down there every day of the week and I’ve now opened a bar. I’ve opened a Hooters.”
I hope that’s true, because even as a kid I remember thinking, “wait, Boba Fett was killed by Han with a stick by accident?”
George Lucas is terribly funny because I said—this was years and years ago—“Did you mean Boba Fett to die?” And he said, “Oh, yeah.” So all I could say was, “Thanks, George.” The great thing is, by getting rid of Boba Fett, it keeps the popularity up. So the reaction afterwards is actually really good.
How did your other role in Empire, as the Imperial Officer, come about?
I was sitting down waiting to do a Boba Fett scene—the one where I was firing in Cloud City at Luke Skywalker—and they said, “Jeremy, Jeremy, quick, get changed.” I went to wardrobe and they took the Boba Fett outfit off and put me in this Imperial Officer’s outfit. There was no one available to play the part, so that’s what it was.
Did you have to audition for Boba Fett?
No, I’ve said before, if I hadn’t fit in the outfit, I wouldn’t have played the part. There was only one costume. My half-brother, Robert Watts, was an associate producer and he said, “Look, get your agent on to this. It’s not very much, but you never know.” So I went back and put the outfit on. And that was the interview with producer Gary Kurtz, putting bits of the outfit on and it fit like a glove. I always say to people, “It was meant to be.”
I also learned from the book that you were credited as Yoda in Arthur Knight’s 1980 Hollywood Reporter review of Empire.
(Laughs.) I didn’t even know that. Well, that’s good. I’ll have to start practicing a Yoda voice. That’s brilliant.
And you received a lot of fan mail asking if you were the “other” that Yoda mentions.
Yes, I had a lot of that. I went on straight to another theater job after Empire, and I would get people writing letters asking if I was “the other.” I’d say, “other what?” And then pretend I knew. People will come up and ask, “Did you use the BlasTech .E33 rifle in the first film or the second film?” I just turn around and say, “I’m terribly sorry, it’s classified information. I’m not allowed to tell you.” It’s the best answer because they are far brighter than I am. I’m tempted to try and learn Mandalorian, so I can come back with a really classic answer, when needed. It’s not going very well at the moment.
It sounds like you’ve gotten more meaning with what’s happened in the 30 years after the movie was released than you did actually filming.
You’re absolutely spot on there, Mike. I do. You film something and sometimes you watch it for the first time and go, I wish I had done that. How stupid, I should have turned! I think I’ve been terribly fortunate as an actor. I had 20 years experience before Star Wars, but I was extremely lucky to land the role of Boba Fett. It is a journey, like the term, “if the shoe fit.” If the costume fit—and there it was, as if it was made for me.
I feel there’s a lot of people in your position who may resent talking about Boba Fett because, as you said, you just happened to fit a costume.
I think I’m very fortunate and very proud to be part of Star Wars, very proud. I’ve done a lot of work over the course of 52 years now. A lot of different work, some I’ve really enjoyed and thought, that was just right, and another one where I thought, oh, no, that wasn’t so good. People always ask, “Aren’t you upset because they’re not talking about other things that you’ve done? I say, “No, because they’re interviewing me about Star Wars and what my experience was like and what it means.” That’s terribly important to know that I was involved with Star Wars. There’s no point to say, “Oh, I’ve moved on, I’m playing King Lear now. I don’t want to talk about Star Wars.” I do want to talk about it because it was a very fun time for me. It was a terrific time.
This Article was Originally posted 2023-01-31 08:05:58.
Star Wars – From a Certain Point of View: The Empire Strikes Back
Get ready to experience the epic adventure of The Empire Strikes Back like never before! Celebrate the film’s 40th anniversary with “From a Certain Point of View”, an exciting reimagining of the timeless classic, featuring the perspectives of forty acclaimed authors.
Take a journey through the galaxy far, far away as you witness an iconic scene from The Empire Strikes Back through the eyes of a supporting character, from heroes and villains to droids and creatures. You’ll be amazed by the creativity and imagination of the contributing bestselling authors and trendsetting artists, such as Austin Walker, Hank Green, Tracy Deonn, and Martha Wells, to name a few.
Discover the unlikely partnership of bounty hunters Dengar and IG-88 as they pursue Han Solo, or the life of a naturalist caring for tauntauns on the frozen world of Hoth. Delve into the dark heart of the Dagobah cave where Luke confronts a terrifying vision, or reveal the world of the Ugnaught clans who dwell in the depths of Cloud City. You’ll even hear the wampa’s tragic tale of loss and survival, as well as witness the cost of serving a ruthless empire aboard the bridge of a doomed Imperial starship.
From hilarious to heartbreaking and astonishing, this book has something for every Star Wars fan. Plus, all the participating authors have generously forgone any compensation for their stories, and their proceeds will be donated to First Book, a leading nonprofit that provides new books, learning materials, and other essentials to educators and organizations serving children in need. To further support this mission, Penguin Random House and Disney/Lucasfilm will also donate $100,000 and 100,000 children’s books, respectively, to First Book.
Don’t miss out on this incredible opportunity to experience The Empire Strikes Back in a whole new way while supporting a great cause. May the Force be with you!
Get ready to experience the ultimate intergalactic adventure as you join forces with the legendary heroes, Luke Skywalker, Han Solo, and Princess Leia. This epic saga picks up 3 to 4 years after the Rebel Alliance’s triumphant victory over the evil Empire’s Death Star. However, the war is far from over, and our heroes must once again face insurmountable challenges.
Months have passed, and the Rebels have found refuge on the icy planet of Hoth. But their newfound peace is shattered when the notorious Darth Vader resumes his relentless pursuit of them. With the Dark Lord’s minions closing in, our beloved heroes are forced to flee in different directions, risking their lives for the greater good.
Will they be able to outsmart the Empire’s merciless forces and continue their fight for freedom? Or will they succumb to the Empire’s tyranny once and for all? The answer lies in this thrilling continuation of George Lucas’ timeless masterpiece, brought to life by the incredible screenplay from the talented duo, Leigh Brackett and Lawrence Kasdan.
Buckle up and get ready for a ride of a lifetime as you immerse yourself in this unforgettable adventure that will keep you on the edge of your seat until the very end.
Cheeky cameos, familiar-sounding Wampas, and everything else you probably missed in Episode V.
WhatCulture Star Wars is dedicated to all things Star Wars. We’ll have all the usual lists, features, and news, plus there’ll be Ups & Downs for all the latest shows and new Star Wars movies. The force is with us!
To celebrate the 30-year anniversary of AT-ATs, tauntauns, wampas, and Yoda hitting the big screen, here are some of our favorite quotes from celebrities and bands interviewed in Star Wars Rocks who shared their favorite memories of The Empire Strikes Back.
Kyle Newman — Fanboys director:The Empire Strikes Back is the greatest sequel of all time! And one of cinema’s finest achievements to date. It is the Sgt. Peppers of celluloid. It had it all! It was fresh, vibrant, dark, thrilling, risk-taking, mythic, swashbuckling, romantic, innovative, and profound. I’m still talking about Act one! It was so good it even elevated A New Hope‘s legendary status. Thank you to George and everyone involved for inspiring a generation!
Sean Lennon — musician:
The scene where Yoda describes the Force to Luke is the closest thing I can remember to a religious experience in my childhood.
Milo Ventimiglia — Heroes actor: The Empire Strikes Back was the first movie I ever saw in a movie theater. I remember waiting in line with my family when I was a little kid. We had pizzas and waited there for what felt like days. We went inside the theater — the Cinedome in Orange County which was like a stadium-seating kind of theater. I remember sitting down and staring at the big red curtain thinking that people were going to come out onto the stage and perform. I had no idea what to expect. Then the curtain parted and I saw the Twentieth Century Fox logo and heard the trumpets, and I got chills. Darth Vader scared the hell out of me!
Nathan Connolly — Snow Patrol:
Because I’m kind of a Star Wars purist I’d say Empire made the biggest impact on me as a fan. It’s so dark, and it’s hands down the best out of all six films. Darth Vader isn’t inA New Hope all that much, but in Empire he was such a sinister character. And at the time there were no real twists at the end of most films like Empire. Overall, it was an impeccably shot, directed and written film.
Hal Sparks — actor/comedian:
I love the scene where Yoda eats his food stick and for a moment you are wondering what exactly he’s eating. Because of that I thought in the future all we’d eat would be candy bars. And so I’m a firm believer that while Star Trek is probably responsible for cell phones, Star Wars is most certainly responsible for Power Bars.
Chris Jericho — pro wrestler: The Empire Strikes Back is my all-time favorite because it’s so well-written and exciting. Of course, having Han end up in carbonite at the end was so unthinkable that it kind of scarred me for life — but in a good way. I learned that things don’t always end up the way you expect them to, but if you stick with it will end up okay.
Nick Harmer — Death Cab For Cutie:
I’ve seen them all and I find things to like about all of them, but even to this day I still think Empire is the best one. When I first saw it as a kid, it seemed so desperate. There’s a certain darkness in that one that’s not really in the other films so much even though the dark side is always looming. There were so many struggles that as a kid it made the film seem so real. I always knew the Star Wars stories were made up and didn’t really exist, but there’s an element to Empire that made me think that was really happening somewhere in the universe at that point. It had a weight to it that was great.
James Lavelle — UNKLE:
The film I love the most, and stands the test of time, is The Empire Strikes Back. It’s in many ways a piece of genius art in the fact that it defies any logic in a children’s movie because the hero doesn’t win at the end. It goes against the traditional Hollywood values in its movies. It’s still one of my top 10 films of all time.
Jane Wiedlin — The Go-Gos: Empire, to me, is by far the finest of the six films. It is so exciting, so dramatic, and so full of pathos. Harrison Ford, as Han Solo, totally stole my heart and no one has ever outdone him in the scoundrel-as-hero role.
Nick Rhodes — Duran Duran:
I do have a particular fondness for Yoda. I especially liked his Tai Chi moves. And his ears and wise face, and basically everything he says I found somewhat appealing.
Bill Hader — Saturday Night Live cast member, actor: The first movie I remember seeing in a theater was The Empire Strikes Back with my dad. And when the movie got to the part with the tauntaun dying and he’s cut open and I saw all that rice-like innards, I freaked out. I was probably about 3 years old and that scene scared the crap out of me.
Chris Jericho — pro wrestler:
I cried when Han Solo was frozen in the carbonite. But the worst thing about it was the junior high bully was in the theater at the same time I was and saw me crying. So he made sure to tell everybody in the school and for the next three years the girls and guys made fun of me which totally ruined my street cred for awhile. However, later I used the frozen Han Solo scene as inspiration to freeze my own soul and become a tougher person and conquer all bullies in pro wrestling.
Margaret Cho — actor/comedian: Sometimes I get so emotional I can’t even watch, like when Han Solo gets frozen and Chewbacca lets out that painful scream. I can’t even think about it without crying. I am kind of crying right now when I am remembering it. It is painful for me but it is still my favorite.
Seth Green — Robot Chicken co-creator, actor: The first toys that I got were R2-D2 and C-3PO, but I was super excited when I got my Boba Fett in the mail; then being really confused and furious when I got that letter that his rocket pack didn’t fire because some kid shot himself in the face, though it wasn’t exactly worded that way. I was so mad. At first, I thought it I was the only one who got that letter, so I called all my friends to complain about it. I think the original Boba Fett that I got as a kid is still my favorite. I mean there were like six different versions of him that came out on different cards, but the very first one from the mail away was special. I still have one of those and I love it.
Les Claypool — Primus: The battle scene on Hoth with the Imperial walkers descending on the Rebels in the icy wasteland was incredible. Living in the East Bay, you’d see the big cargo container loaders around Alameda, Calif. which [some believe] was the inspiration for the design of the AT-ATs. So every time you drive by those, you get an Imperial walkers flashback.
Matt Greene: Los Angeles Kings hockey team:The Empire Strikes Back is awesome. I loved the Imperial Walkers! They are my favorite vehicles in the movies. I like that Empire is the middle of the story, and you get to see your favorite characters come back.
Mark Osborne — Kung Fu Panda director: My most-prized possession is still my original AT-AT because it was the most iconic and significant toy for me. The first time I saw it was in the Boston Globe Weekend Magazine with the cover story being all about The Empire Strikes Back. I obsessed over that image for weeks before I saw the film.
Milo Ventimiglia — Heroes actor: In Empire Strikes Back, everything was about Luke seeking to find about himself and so he had to go on this path of discovery where he met Yoda and really found out about the teachings of the Jedi. There was just something about it that was so fascinating to me as a kid. Given my background of the path I was put on at a young age and the family I was raised in, I really connected to it. Plus as a kid you want to be dazzled, so a big epic space battle is totally entertaining and fun to watch. The great part about movies is that you can relive that experience over and over.
Mark Hamilton — Ash: I think the most powerful Star Wars scene of all is when in Empire Leia and Han stare at each other desperately as Han is lowered into the carbonite chamber. Nothing can be more desperate and emotion-stirring than when the person you love most in the world is in peril. Everyone can relate to that.
Corey Taylor — Slipknot:Empire was by far my favorite. When A New Hope came out I was still kinda young, but when Empire came out, I was old enough to really be into it. My friends and I went like every weekend until they were refusing us at the door. The movies were an instant way to find friends. There were two categories of people then: those who loved Star Wars and those who LLLLLLOOOOOOVVVVVVEEEEDD Star Wars. I was firmly planted in the latter.
Simon Pegg — Spaced, Shaun of the Dead:Spaced was about a group of people in their 20s at the close of the last millennium. My character Tim, was a comic book geek, so inevitably, like myself, was a Star Wars fan. In Episode Six of the second series, the relationship between the six main characters becomes very strained and the group almost breaks apart. At the end of the episode, the audience was left unsure as to whether everything was going to come good.The Empire Strikes Back has one of the greatest low-key cliffhanger endings in cinema history and it only seemed right to reference it in order to communicate how desperate things had got for the Spaced gang.
Bill Kelliher — Mastodon: My favorite scene has to be the Hoth scene with the AT-AT walkers and snowspeeders. Just the sheer size of those things coming over the horizon destroying everything in sight was amazing! They had no chance against those things. It looked as though the Rebels were done for.
Bill Hader — Saturday Night Live cast member, actor: In college, I went with a bunch of my friends to see a midnight screening of The Empire Strikes Back. Fans were dressed up in costumes and everyone was excited to see the film. I brought this girl I had started dating with us since she said she’d never seen a Star Wars film before. I filled her in on the storyline from A New Hope and said she should just enjoy watching it and not get too caught up in the plot. So as the movie starts in Hoth, and as the characters show up onscreen, she turns to me and gasps loudly, “Hey! I didn’t know Harrison Ford was in this!” And it got super quiet and some guy in the back of the theater then said, “Who the hell just said that?” And then everybody in the theater groaned and starting booing my date. Obviously, we’re not dating anymore.
Mark Osborne — Kung Fu Panda director: I remember when I was seven years old trying to use the Force. I would lie in bed and try to move stuff; especially after Empire Strikes Back. They really explain how to do it. I should be able to do it because I heard everything Luke was told!
Hal Sparks — actor/comedian: That bald guy with the digital stuff on his head — Lobot, I think his name was — who sets up their escape off of Cloud City is totally overlooked as an important character. Without him there would be no set up for the next film. Sure Lando was helpful, but he was only covering for his own mistakes. He redeemed himself which brought him back to zero. Lando didn’t earn any extra points in my mind.
Greg Puciato — The Dillinger Escape Plan:The Empire Strikes Back is the one that I, like most people, seem to like the most. The movies resonate for the same reasons that they affect so many other people. They touch on timeless themes, the classic tragic hero structure, good vs. evil, resolution of paternal conflict, themes of religion and spirituality. They are also arresting visually, and for me the music of a movie is very important, and you don’t get much better than the classic themes John Williams composed for the original trilogy.
Mark Osborne — Kung Fu Panda director: I think part of the reason being that Yoda was such a compelling character for me. I was ten years old at the time and connecting more to the significant parts of the story like the spiritual and mystical aspects. I remember seriously pondering things like “Why did Luke’s face show up in the helmet when Darth Vader’s head gets chopped off?”
Nick Harmer — Death Cab For Cutie: I have a friend who has an old refrigerator and the freezer section over-frosts all the time where it almost chokes out anything you try to put in it and he never defrosts it. So instead, he has an old Luke action figure from Empire that he stuck hanging upside down inside the freezer. So when you open the door you see Luke with his arms dangling. I laugh so hard every single time I see it. It’s almost the perfect excuse not to defrost your freezer.
Sam Endicott — The Bravery: I can’t remember a time when I didn’t have Star Wars figures lying around. I had everything. My favorite was the AT-AT because it was like having another pet around the house. We would pretend to leave food out for it, and my cat would get really jealous.
SP FX: The Empire Strikes Back is a television documentary special which originally aired on CBS on September 22, 1980. Hosted by actor Mark Hamill, it is a behind-the-scenes look at the creation of the special effects in the second Star Wars film, The Empire Strikes Back, which was released that year.