In this deep dive into Star Wars Legends lore, we explore how Emperor Palpatine transformed stormtroopers from ordinary citizens into faceless instruments of Imperial will, stripping them of identity, memory, and humanity in the name of absolute loyalty. From the aftermath of the Kamino Uprising to the brutal indoctrination on Carida, this analysis examines the psychological conditioning, ideological manipulation, and possible mind alteration used to replace individuality with obedience. By tracing stormtrooper doctrine, training rituals, and chilling examples like the fate of Kyp Durron’s brother, this video reframes stormtroopers not as disposable villains, but as victims of one of the darkest systems ever imposed by the Empire, revealing how Palpatine’s control extended far beyond fear and into the minds of those who served him.
Welcome to Colour Me Star Wars. A collection of articles from the archives of *starwars.com no longer directly available, in which there are a variety of PDF Files for you to download, print off and colour in.
Release Date: May 21, 1980 (original); February 21, 1997 (Special Edition)
Synopsis: (3 years after Episode IV) Three years after the destruction of the Death Star, Imperial forces continue to pursue the Rebels. After the Rebellion’s defeat on the ice planet Hoth, Luke journeys to the planet Dagobah to train with Jedi Master Yoda, who has lived in hiding since the fall of the Republic. In an attempt to convert Luke to the dark side, Darth Vader lures young Skywalker into a trap in the Cloud City of Bespin. In the midst of a fierce lightsaber duel with the Sith Lord, Luke faces the startling revelation that the evil Vader is in fact his father, Anakin Skywalker.
Opening Crawl:
It is a dark time for the Rebellion. Although the Death Star has been destroyed, Imperial troops have driven the Rebel forces from their hidden base and pursued them across the galaxy.
Evading the dreaded Imperial Starfleet, a group of freedom fighters led by Luke Skywalker have established a new secret base on the remote ice world of Hoth.
The evil lord Darth Vader, obsessed with finding young Skywalker, has dispatched thousands of remote probes into the far reaches of space….
Awards: Academy Award Winner: Best Sound, Special Achievement in Visual Effects. Academy Award Nominee: Best Art Direction-Set Decoration, Best Original Score.
BAFTA Award Winner: Anthony Asquith Award for Film Music. BAFTA Nominee: Best Production Design/Art Direction, Best Sound.
Golden Globe Nominee: Best Original Score.
Saturn Award Winner: Best Director, Best Science Fiction Film, Best Special Effects. Saturn Award Nominee: Best Costumes, Best Music, Best Supporting Actor, Best Writing.
Cast
Luke Skywalker
Mark Hamill
Han Solo
Harrison Ford
Princess Leia Organa
Carrie Fisher
Lando Calrissian
Billy Dee Williams
See Threepio (C-3PO)
Anthony Daniels
Darth Vader
David Prowse
Chewbacca
Peter Mayhew
Artoo-Detoo (R2-D2)
Kenny Baker
Yoda
Frank Oz
Ben (Obi-Wan) Kenobi
Alec Guinness
Boba Fett
Jeremy Bulloch
Lando’s Aide
John Hollis
Chief Ugnaught
Jack Purvis
Snow Creature
Des Webb
Performing Assistant For Yoda
Kathryn Mullen
Voice Of Emperor
Clive Revill
Admiral Piett
Kenneth Colley
General Veers
Julian Glover
Admiral Ozzel
Michael Sheard
Captain Needa
Michael Culver
Imperial Officers
John Dicks
Milton Johns
Mark Jones
Oliver Maguire
General Rieekan
Bruce Boa
Zev (Rogue 2)
Christopher Malcom
Wedge (Rogue 3)
Denis Lawson
Hobbie (Rogue 4)
Richard Oldfield
Dak (Luke’s Gunner)
John Morton
Janson (Wedge’s Gunner)
Ian Liston
Major Derlin
John Ratzenberger
Deck Lieutenant
Jack Mckenzie
Head Controller
Jerry Harte
Rebel Officers
Norman Chancer
Norwich Duff
Ray Hassett
Brigitte Kahn
Burnell Tucker
Crew
Directed By
Irvin Kershner
Produced By
Gary Kurtz
Screenplay By
Leigh Brackett
Lawrence Kasdan
Story By
George Lucas
Executive Producer
George Lucas
Production Designer
Norman Reynolds
Director Of Photography
Peter Suschitzky B.S.C.
Edited By
Paul Hirsch A.C.E.
Special Visual Effects
Brian Johnson
Richard Edlund
Music By
John Williams
Performed By
The London Symphony Orchestra
Original Music Copyright 1980
Fox Fanfare Music Inc. | Bantha Music
Associate Producers
Robert Watts
James Bloom
Design Consultant And Conceptual Artist
Ralph McQuarrie
Art Directors
Leslie Dilley
Harry Lange
Alan Tomkins
Set Decorator
Michael Ford
Construction Manager
Bill Welch
Assistant Art Directors
Michael Lamont
Fred Hole
Sketch Artist
Ivor Beddoes
Draftsmen
Ted Ambrose
Michael Boone
Reg Bream
Steve Cooper
Richard Dawking
Modellers
Fred Evans
Allan Moss
Jan Stevens
Chief Buyer
Edward Rodrigo
Construction Storeman
Dave Middleton
Operating Cameramen
Kelvin Pike
David Garfath
Assistant Cameramen
Maurice Arnold
Chris Tanner
Second Assistant Cameramen
Peter Robinson
Madelyn Most
Dolly Grips
Dennis Lewis
Brian Osborn
Matte Photography Consultant
Stanley Sayer, B.S.C.
Gaffer
Laurie Shane
Rigging Gaffer
John Clark
Lighting Equipment And Crew From Lee Electric
Make-Up And Special Creature Design
Stuart Freeborn
Chief Make-Up Artist
Graham Freeborn
Make-Up Artists
Kay Freeborn
Nick Maley
Chief Hairdresser
Barbara Ritchie
Yoda Fabrication
Wendy Midener
Costume Designer
John Mollo
Wardrobe Supervisor
Tiny Nicholls
Wardrobe Mistress
Eileen Sullivan
Property Master
Frank Bruton
Property Supervisor
Charles Torbett
Property Dressing Supervisor
Joe Dipple
Head Carpenter
George Gunning
Head Plasterer
Bert Rodwell
Head Rigger
Red Lawrence
Sound Design And Supervising
Sound Effects Editor
Ben Burtt
Sound Editors
Richard Burrow
Teresa Eckton
Bonnie Koehler
Production Sound
Peter Sutton
Sound Boom Operator
Don Wortham
Production Maintenance
Ron Butcher
Re-Recording
Bill Varney
Steve Maslow
Gregg Landaker
Music Recording
Eric Tomlinson
Orchestrations
Herbert W. Spencer
Supervising Music Editor
Kenneth Wannberg
Assistant Film Editors
Duwayne Dunham
Phil Sanderson
Barbara Ellis
Steve Starkey
Paul Tomlinson
Dialogue Editors
Curt Schulkey
Leslie Shatz
Joanne D’antonio
Optical Coordinator
Roberta Friedman
Assistant Sound Editors
John Benson
Joanne Cappuccilli
Ken Fischer
Craig Jaeger
Nancy Jencks
Laurel Ladevich
Foley Editors
Robert Rutledge
Scott Hecker
Foley Assistants
Edward M. Steidele
John Roesh
Sound Effects Recording
Randy Thom
Recording Technicians
Gary Summers
Howie
Kevin O’connell
Production Supervisor
Bruce Sharman
Assistant Production Manager
Patricia Carr
Production Coordinator
Miki Herman
First Assistant Director
David Tomblin
Second Assistant Directors
Steve Lanning
Roy Button
Location Manager
Philip Kohler
Continuity
Kay Rawlings
Pamela Mann
Casting
Irene Lamb
Terry Liebling
Bob Edmiston
Assistant To Producer
Bunny Alsup
Assistant To Director
Debbie Shaw
Assistant To Executive Producer
Jane Bay
Production Assistants
Barbara Harley
Nick Laws
Charles Wessler
Stunt Coordinator
Peter Diamond
Stunt Doubles
Bob Anderson
Colin Skeaping
Production Accountant
Ron Phipps
Assistant Accountant
Michael Larkins
Set Cost-Controller
Ken Gordon
Location Accountant
Ron Cook
Still Photographer
George Whitear
Unit Publicist
Alan Arnold
Assistant Publicist
Kirsten Wing
Studio Second Unit
Directors
Harley Cokliss
John Barry
Director Of Photography
Chris Menges
Assistant Director
Dominic Fulford
Second Assistant Director
Andrew Montgomery
Location Second Unit
Director
Peter Macdonald
Director Of Photography
Geoff Glover
Operating Cameraman
Bob Smith
Assistant Cameramen
John Campbell
Mike Brewster
Second Assistant Cameramen
John Keen
Greg Dupre
Dolly Grip
Frank Batt
Production Manager
Svein Johansen
Assistant Directors
Bill Westley
Ola Solum
Production And Mechanical Effects Unit
Mechanical Effects Supervision
Nick Allder
Location Unit Supervisor
Allan Bryce
Senior Effects Technician
Neil Swan
Dave Watkins
Robot Fabrication And Supervision
Andrew Kelly
Ron Hone
Effects Technicians
Phil Knowles
Barry Whitrod
Martin Gant
Brian Eke
Guy Hudson
Dennis Lowe
Effects Engineering
Roger Nicholls
Steve Lloyd
Electrical Engineer
John Hatt
Electronics Consultant
Rob Dickinson
Model Construction
John Pakenham
Effects Assistants
Alan Poole
Digby Milner
Robert McLaren
Effects Secretary
Gill Case
Minature And Optical Effects Unit
Effects DirectorOf Photography
Dennis Muren
Effects Cameramen
Ken Ralston
Jim Veilleux
Camera Operators
Don Dow
Bill Neil
Assistant Cameramen
Selwyn Eddy
Jody Westheimer
Rick Fighter
Clint Palmer
Michael McAlister
Paul Huston
Richard Fish
Chris Anderson
Optical Photography Supervisor
Bruce Nicholson
Optical Printer Operators
David Berry
Kenneth Smith
Donald Clark
Optical Line-Up
Warren Franklin
Mark Vargo
Peter Amundson
Loring Doyle
Thomas Rosseter
Tam Pillsbury
James Lim
Optical Coordinator
Laurie Vermont
Laboratory Technicians
Tim Geideman
Duncan Myers
Ed Jones
Art Director-Visual Effects
Joe Johnston
Assistant Art Director
Nilo Rodis-Jamero
Stop Motion Animation
Jon Berg
Phil Tippett
Stop Motion Technicians
Tom St. Amand
Doug Beswick
Matte Painting Supervisor
Harrison Ellenshaw
Matte Artists
Ralph McQuarrie
Michael Pangrazio
Matte Photography
Neil Krepela
Additional Matte Photography
Michael Lawler
Matte Photography Assistants
Craig Barron
Robert Elswit
Chief Model Maker
Lorne Peterson
Modelshop Foreman
Steve Gawley
Model Makers
Paul Huston
Tom Rudduck
Michael Fulmer
Samuel Zolltheis
Charles Bailey
Ease Owyeung
Scott Marshall
Marc Thorpe
Wesley Seeds
Dave Carson
Rob Gemmel
Pat McClung
Animation And Rotoscope Supervisor
Peter Kuran
Animators
Samuel Comstock
Garry Waller
John Van Vliet
Rick Taylor
Kim Knowlton
Chris Casady
Nina Saxon
Diana Wilson
Visual Effects Editorial Supervisor
Conrad Buff
Effects Editor
Michael Kelly
Assistant Effects Editors
Arthur Repola
Howard Stein
Apprentice Editor
Jon Thaler
Production Administrator
Dick Gallegly
Production Secretary
Patricia Blau
Production Associate
Thomas Brown
Production Accountant
Ray Scalice
Assistant Accountant
Glenn Phillips
Pam Traas
Laura Crockett
Production Assistant
Jenny Oznowicz
Transportation
Robert Martin
Still Photographer
Terry Chostner
Lab Assistant
Roberto McGrath
Electronics Systems Designer
Jerry Jeffress
Systems Programming
Kris Brown
Electronic Engineers
Lhary Meyer
Mike Mackenzie
Gary Leo
Special Project Coordinator
Stuart Ziff
Equipment Engineering Supervisor
Gene Whiteman
Design Engineer
Mike Bolles
Machinists
Udo Pampel
Greg Beaumonte
Draftsman
Ed Tennler
Special Projects
Gary Platek
Supervising Stage Technician
T.E. Moehnke
Stage Technicians
William Beck
Bobby Finley
Leo Loverro
Edward Hirsh
Dick Dova
Ed Breed
Miniature Pyrotechnics
Joseph Viskocil
Dave Pier
Thaine Morris
Optical Printer Component Manufacturer
George Randle Co.
Camera And Movement Design
Jim Beaumonte
Special Optics Designer
David Grafton
Special Optics Fabrication
J.L. Wood Optical Systems
Optical Printer Component Engineering
Fries Engineering
High Speed Camera Movements
Mitchell Camera Corp.
Ultra High Speed Camera
Bruce Hill Productions
Color Timer
Ed Lemke
Negative Cutting
Robert Hart
Darrell Hixson
Dolby Consultant
Don Digirolamo
Additional Optical Effects
Van Der Veer Photo Effects
Modern Film Effects
Ray Mercer & Company
Westheimer Company
Lookout Mountain Films
Special Edition Crew
Producer
Rick McCallum
Editor
T.M. Christopher
Sound Designer
Ben Burtt
Re-Recording Mixer
Gary Summers
First Assistant Editor
Samuel Hinckley
Assistant Editor
Robert Marty
Assistant Avid Editors
Mike Jackson
Robin Lee
Sound Editor
Teresa Eckton
Assistant Sound Editor
Lisa Storer
Re-Recordist
Ronald G. Roumas
Digital Mix Technician
Gary A. Rizzo
Archivist
Tim Fox
Optical Supervisors
Phillip Feiner
Chris Bushman
Film Restoration Supervisor
Pete Comandini
Color Timer
Robert J. Raring
Negative Continuity
Ray Sabo
Negative Cutter
Bob Hart
Special Edition Digital Remastering Provided By
Skywalker Sound A Lucas Digital Ltd. Company
Film Restoration Consultant
Leon Briggs
Optical Restoration
Pacific Title
Film Restoration By
Ycm Laboratories
Industrial Light And Magic
Visual Effects Supervisor
Dave Carson
Visual Effects Producer
Tom Kennedy
Computer Graphics Supervisor
Tom Hutchinson
Visual Effects Art Director
George Hull
Visual Effects Editor
Michael McGovern
Color Timing Supervisor
Bruce Vecchitto
Visual Effects Coordinator
Lisa Todd
Digital Effects Artists
Don Butler
Michael Conte
Howard Gersh
Marshall Krasser
Tia Marshall
Stuart Maschwitz
Julie Neary
Ken Nielsen
Eddie Pasquarello
Ricardo Ramos
Tom Rosseter
Lawrence Tan
Paul Theren
Hans Uhlig
Li-Hsein Wei
Ron Woodall
Digital Matte Artists
Ronn Brown
Eric Chauvin
Brian Flora
William Mather
3d Matchmove Artist
James Hagedorn
Digital Paint & Roto Artists
Lisa Drostova
Heidi Zabit
Chief Creature Maker
Howie Weed
Model & Creature Makers
Carol Bauman
Don Bies
Giovanni Donovan
Wendy Morton
Anne Polland
Mark Siegel
Steven Walton
Sabre Group Supervisor
Daniel McNamara
Sabre Artists
Rita Zimmerman
Chad Taylor
Mary McCulloch
Grant Guenin
Caitlin Content
Software Research And Development
David Benson
Jim Hourihan
Zoran Kacic-Alesic
Florian Kainz
Jeff Yost
Digital Scanning Supervisor
Joshua Pines
Digital Scanning Operators
Randall Bean
Michael Ellis
Earl Beyer
Negative Supervisor
Doug Jones
Negative Line-Up
Andrea Biklian
Tim Geideman
Projectionist
Tim Greenwood
Digital Plate Restoration
Melissa Monterrosa
Mike Van Eps
Wendy Hendrickson
Assistant Visual Effects Art Director
Alex Laurant
Assistant Visual Effects Editor
John Bartle
Video Editor
Angela Leaper
Animatic Artist
Jonathan Rothbart
Digital Effects Technical Assistants
Okan Ataman
Peter Chesloff
Joshua Levine
Dawn Matheson
Daniel Shumaker
Digital Effects Resource Assistant
Daniel Brimer
Visual Effects Production Staff
Julie Creighton
Joshua Marks
Video Assistants
Dawn Martin
Wendy Bell
Production Engineering
Ken Beyer
Ken Corvino
Gary Meyer
Aerial Camera System By Wesscam Camera Systems (Europe)
Aerial Cameraman
Ron Goodman
Assistant
Margaret Herron
Helicopter Supplied By Dollar Air Services Limited
Pilot
Mark Wolfe
Cloud Plates Photographed With
Astrovision(c) By Continental Camera Systems Inc.
Snow Vehicles Supplied By
Aktiv Fischer
R2 Bodies Fabricated By
White Horse Toy Company
Special Assistance From
Giltspur Engineering And Compair
Photographed On The Hardengerjekulan Glacier, Finse, Norway
And At Emi – Elstree Studios, Borehamwood, England
Music Recorded At
Anvil Studios, Denham, England
Re-Recording At
Samuel Goldwyn Studios, Los Angeles, California
Special Visual Effects Produced At
Industrial Light And Magic, Marin County, California
This Article was Originally posted 2022-07-25 16:31:59.
Welcome to Colour Me Star Wars. A collection of articles from the archives of *starwars.com no longer directly available, in which there are a variety of PDF Files for you to download, print off and colour in.
The Prophets of the Dark Side were a secret cult born from the Rule of Two that operated in the shadows of Star Wars Legends. In this video, we explore their origins on Dromund Kaas, their mastery of dark side foresight, and how their visions shaped galactic events behind the scenes. Learn how Palpatine discovered and used the Prophets, why their prophecies rivaled his own, and how a warning before Endor led to their downfall. If you’re fascinated by Sith cults, dark side religions, and Palpatine’s hidden allies, this deep dive reveals one of the most mysterious forces in Star Wars lore.
We’ve heard from so many listeners who say they love it when we feature rare interview footage from the Original Trilogy era so in this week’s RFR, we feature cool audio highlights from the official 1980 press conference for THE EMPIRE STRIKES BACK. You’ll hear from Harrison Ford, Mark Hamill, Carrie Fisher, Irwin Kershner, Anthony Daniels, and Gary Kurtz. Fast forward to the present, we discuss all the latest STAR WARS headlines, including new quotes from Daisy Ridley discussing her upcoming “New Jedi Order” film along with comments from Sigourney Weaver who reveals Baby Yoda “kicks ass” in upcoming THE MANDALORIAN AND GROGU. We react to a recent Lucasfilm executive shakeup and new rumors about a possible pair of unannounced all-new STAR WARS animated series. Plus, listener feedback, Luke Skywalker at STAR WARS GALAXY’S EDGE, and Harrison Ford’s new Jeep commercial
FILM FACT: The sets and the costumes for the 1977 comedy film Carry On Up The Empire were originally intended for the 1977 production of Star Wars.. However, the production of Star Wars was moved to Yorkshire, where new sets were built in a car park behind some old tires. Some say that Carry On Up The Empire was one of the finest Carry On films, and that the expensive sets and costumes inherited from Star Wars made it the most lavish Carry On film ever made. Others say that the film is beautifully shot, and that the cast are clearly having a ball. Unfortunately all footage was lost following a mysterious chip-pan fire, and Carry On Up The Empire never saw a release. The ‘lost’ trailer for the film was recently discovered in a bin by a bus stop. Here it is lovingly restored for your viewing pleasures.
Sidney James as Sid Kenobi
Joan Sims as Joan Solo
Kenneth Williams as Daft Vader
Jim Dale as Jimmy Skywalker
Charles Hawtrey as C3P-oh
Barbara Windsor as Princess Babs
Peter Butterworth as Storm Trooper
Bernard Bresslaw as Bernie Bacca
Frankie Howard as Grand Moff Tarquin
Of course that’s nonsense. As ever, it’s an idea that got into my head and I had to have a go at making it. As with most of my homemade nonsense it’s shoddy in places, but I think it’s a bit of fun and I enjoyed making it.
I hope you enjoy it – and remember to subscribe it cost nothing and really helps out the channel.
Empire 30th Artwork Collection: “I Love You…I Know”
Hands down, one of the most memorable lines from the entire Star Wars saga is the exchange between Han Solo and Princess Leia in Empire‘s carbon-freezing chamber: “I love you…I know.” The lines, spoken amid the inferno-like setting of the scene, resonates like few others in the Star Wars saga, and was an essential addition to the Empire Strikes Back 30th Anniversary Artwork Collection.
LucasArts’ own Amy Beth Christenson has captured this pivotal moment for the ninth entry in the series, titled, appropriately enough, “I Love You…I Know.” Available exclusively at StarWarsShop, this print is limited to just 100 pieces.
We asked Christenson a few questions about why she chose this particular scene from Empire:
When you’re not illustrating scenes from a 30-year-old movie, what’s your day job?
Illustrating scenes from a 30-year-old movie! Sort of. I’m a concept artist/art director at LucasArts, so my day job for the last ten years has been designing characters, vehicles, and environments for the Star Wars universe. I was very excited to have the opportunity to take part in this series, because I’ve been a fan of Star Wars since I can remember, and Empire in particular is one of my first memories.
Why this particular scene from Empire?
This is my favorite Star Wars scene for several reasons. First of all, because of the memorable quote…”I love you… I know.” That is one of the single greatest romantic exchanges in all of cinema, in my book. But also, I love it because of the overall tension. It’s about the only time in any Star Wars movie that so many big players are in one location at the same time, but without any major confrontation going on. It was a good opportunity to have one image with Boba, Vader, Han, Leia, Chewie, and C-3PO all present. And finally, I love the set design and lighting. It’s a bit of a departure from the other locations in Star Wars, and it creates a really striking mood.
Can you explain how this piece came together in terms of composition, color, etc?
I know that I wanted to work out a composition that had all of the major characters in it. I had some versions that were more dynamic, but I went for a more simple, flat layout in the end, because it was easier to read. I wanted Han and Leia to be the main focus, so I gave them the most visual real estate. I also wanted to capture a bit of that tension in the scene by keeping them slightly apart, either just before or just after the kiss. I also wanted to divide the image between the “good guys” and the “bad guys.” I kept Boba and Vader facing forward, because they are in control of the situation, while Lando and Chewie can only react to what is going on. The color and lighting was really just inspired by the movie set, I liked the drama of the lighting coming from below, and staying true to the vibrant colors of the scene.
Pick up “I Love You…I Know” at StarWarsShop today, and come back next month for the series’ tenth entry by Michael Fleming (rough comp below).
This Article was Originally posted 2023-02-14 08:00:58.
WhatCulture Star Wars is dedicated to all things Star Wars. We’ll have all the usual lists, features, and news, plus there’ll be Ups & Downs for all the latest shows and new Star Wars movies. The force is with us!
WhatCulture Star Wars is dedicated to all things Star Wars. We’ll have all the usual lists, features, and news, plus there’ll be Ups & Downs for all the latest shows and new Star Wars movies. The force is with us!
The Rise and Fall of the Galactic Empire has been out for a few weeks, but I just finally finished it! Here is my review of the in-universe history book written by Beaumont Kin aka Dr. Chris Kempshall.
In London, Darryl James (author of Trigger World: Elite) hosted a Star Wars Tea Party where one of the attendees was Ron Hone who worked on Special Effects for The Empire Strikes Back. He assisted with IG-88, 2-1B, Yoda, R2 and the Probot plus in this segment, he talks about coming close to killing Mark Hamill in one scene.
Today we’re answering YOUR questions about Tales of the Empire, as well as talking about our May 4 experiences, which included seeing Ewan McGregor at our screening of The Phantom Menace!
0:00 May 4
4:15 Seeing Ewan McGregor
10:04 Skeleton Crew News
15:31 Rebuilding the Galaxy
21:00 How does Captain Pellaeon fit in Tales of the Empire?
25:15 Why does Morgan lose her Nightsister magick?
30:50 Is The Acolyte baddie a Sith or not?
Lucasfilm adds another entry in the “Tales of” series of animated shorts. This time, the focus is on Thrawn-allegiant Morgan Elsbeth and Clone Wars Jedi traitor Barriss Offee. Throw in some Dathomir witches and fresh Inquisitor recruits, and you have our attention. Join us tonight at 9 p.m. ET for a LIVE After Show livestream breakdown of TALES OF THE EMPIRE. Be sure to watch, listen, chat and call in with your thoughts, theories and observations.
Tales of the Empire is out! It’s short, but there are still some fun connections to be made between it and other Star Wars stories, so here is everything I found!
Tales of the Empire is here! Here is my review for all six shorts. What I liked, what didn’t work for me as much, and how I think the entire series works together to explore the characters of Morgan Elsbeth and Barriss Offee.
The newest animated anthology of shorts is now streaming, only on Disney+.
By StarWars.com Team
Created by Dave Filoni, the series of shorts devotes three episodes each to established characters revealing key moments not previously explored on screen. In Tales of the Empire, journey into the fearsome Galactic Empire through the eyes of two warriors on divergent paths — Nightsister Morgan Elsbeth and former Jedi Barriss Offee. We’ll learn how a young Morgan survives the annihilation of her clan and navigates the expanding Imperial galaxy on a path of vengeance in alliance with Thrawn. Meanwhile, former Jedi Padawan Offee gets a second chance as a member of the Inquisitorius serving the Sith Lord Darth Vader. The choices they make will define their destinies….
We analyze the two new trailers that have Star Wars fans talking: TALES OF THE EMPIRE and STAR WARS OUTLAWS. Along with those breakdowns, we also have a bunch of cool stuff you won’t hear anywhere else, like more highlights from the recently discovered rare 1977 radio interview featuring Mark Hamill, Harrison Ford and Carrie Fisher on their first and only STAR WARS promotional tour together, and the world premiere of Puppet Lando’s all-new original tune “Buckle Up Baby”. Plus, we review the STAR WARS stuff on display at the DISNEY100: THE EXHIBITION in Chicago, listener feedback about THE BAD BATCH and more!
Tales of the Empire had a surprise announcement earlier this week! Along with it came a bunch of questions, so in this week’s Q&A we’re discussing the trailer and answering some of them!
0:00 Introduction
3:57 Tales of the Empire discussion
15:57 Is this replacing Tales of the Jedi?
20:07 Will Barriss Offee kill Luminara Unduli?
22:27 Will Marrok be in Morgan’s episodes?
26:37 Will Cid get any redemption in The Bad Batch?
30:48 Have we ever seen a Sith experience pure joy?