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Tag Archives: phantom
Phantom at 25 | Iain McCaig Talks Darth Maul
Concept and storyboard artist Iain McCaig was among the first to join Episode I’s art department and played a central role in designing many iconic characters.
In 1995, Star Wars: The Phantom Menace (1999) was still two years from starting principal photography and four years from release, but Lucasfilm’s art department at Skywalker Ranch was well underway creating designs and concepts for the innumerable characters, locations, and vehicles in the film. This included a new villain: Darth Maul.
“George [Lucas] just came up and said, ‘Darth Maul, he’s our new Sith Lord,’ and he walked away,” recalls artist Iain McCaig, who by that point had been working primarily on hero characters. “I didn’t know if Maul was male or female, an alien, anything. It freaked me out at the beginning that I didn’t get much direction. Then I realized that maybe he picked me because he liked my work and wanted me to show him what I thought a Darth Maul might look like. George clearly enjoys reacting to visuals. One of his many skills is that he can look at fifty things, make choices, move things around, take a head from this character and put it on the body of that one over there, and suddenly, it’s Star Wars. We learned to trust him and also to trust ourselves.”…
Matthew Wood Explains Why The Phantom Menace Was His Favorite Movie to Work On
The veteran sound artist was among the first crew members to work on the Star Wars prequel entry.
The first person to watch the initial assembly of Star Wars: The Phantom Menace (1999) wasn’t director George Lucas. It was then-25-year-old Matthew Wood of Skywalker Sound. As he tells StarWars.com, picture editors Ben Burtt and Paul Martin Smith had spent weeks with Lucas at Skywalker Ranch compiling the first rough version of Episode I. Hours long and far from the refined cut that audiences would see, it was up to Wood to review it and make notes about voices that needed recording.
“Paul and Ben ran out their sequences on video tapes for me,” Wood recalls, “and as I walked into their office, they were all stacked up really high on the table. George Lucas said, ‘Well, here you go, Matt. You’re the first person that’s going to watch the whole movie from beginning to end.’” George was obviously watching everything between the two editing rooms, but they hadn’t screened the movie in its entirety yet. This was the first output of the movie, and I had it in my hands. The Ranch has these bikes so we can ride between the buildings, and I put all the tapes in the front basket and rode back to the Tech Building….
Sound-mixing The Phantom Menace with Gary Rydstrom
The award-winning artist from Skywalker Sound made his Star Wars debut as a re-recording mixer on Episode I.
By Lucas Seastrom
By 1999, sound artist Gary Rydstrom had worked at Skywalker Sound for 16 years. He’d won seven Academy Awards for his work on Terminator 2: Judgment Day (1991), Jurassic Park (1993), Titanic (1997), and Saving Private Ryan (1999). He was on the cutting edge of Lucasfilm’s pioneering work in digital sound technology. But he still hadn’t worked on a Star Wars movie.
“I will point out that I worked on Spaceballs [1987], so that kind of counts,” Rydstrom notes with a laugh. He’d joined the company in 1983, only months after the completion of Star Wars: Return of the Jedi. His work on the Mel Brooks parody Spaceballs and the theme park attraction Star Tours would be as close as he’d get before Star Wars: The Phantom Menace (1999) came along. “That was the first real honest-to-God Star Wars film that I got to work on.”…
The Phantom Menace – The Most Frequently Asked Questions ANSWERED
After nearly ten years of running this channel, I have seen the same questions over and over again. Today I’m answering over FORTY of the most frequently asked questions I’ve seen about Star Wars Episode One, The Phantom Menace!
0:00 Introduction
0:19 What was the blockade of Naboo for?
1:12 What do battle droid colors mean?
1:49 Why did Naboo elect young queens?
2:32 Why was Jar Jar banished?
3:08 Why do the Gungans dislike the Naboo?
3:35 What is Naboo’s core made of?
4:01 Was Padme’s name a secret?
4:40 Why did the handmaidens have similar names?
5:28 Are there angels in Star Wars?
6:01 Why was Quinlan Vos on Tatooine?
6:41 Does Anakin have a statue of Maz Kanata?
7:23 Did Anakin build C-3PO from scratch?
8:13 Was Sio Bibble’s message a trick?
8:47 What was a normal midi-chlorian count?
9:30 Was Anakin really the only human that could podrace?
10:34 What did Boonta Eve celebrate?
11:22 Who started saying wizard?
11:57 Why did Sebulba hate Anakin?
12:38 Why did Ben Quadinaros’s pod explode?
13:19 Why was Aurra Sing at the podrace?
14:01 Who got second in the podrace?
14:58 What happened to Kitster?
15:46 What is the Trade Federation?
16:44 Is E.T. in the senate?
17:40 What happened to Chancellor Valorum?
18:15 Why was Anakin too old to train?
19:17 What were the Jedi Trials?
20:08 What happened to the blockade?
21:00 Who knew Padme was the queen?
21:38 What was the purpose of the laser gates?
22:21 Why didn’t Obi-Wan use Force speed?
23:23 How did Maul survive being cut in half?
24:19 What happened to Maul’s ship?
24:56 Why couldn’t Qui-Gon be saved?
25:30 Why didn’t Qui-Gon disappear?
26:05 What happened to the lightsabers of fallen Jedi?
26:50 What happened to the Padawans of fallen masters?
27:34 What happened to Captain Panaka?
28:16 What happened to the handmaidens?
29:17 Why was Qui-Gon cremated on Naboo?
29:52 How did Yoda know about the Rule of Two?
30:53 Was Jar Jar a secret Sith Lord?
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Star Wars: The Phantom Menace | Remastered Trailer
Fear is the path to the dark side…
Celebrate the 25th anniversary with the original teaser trailer for #ThePhantomMenace, now in theaters.
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Animating The Phantom Menace with ILM’s Rob Coleman
Today’s creative director of ILM’s Sydney studio talks Jar Jar Binks, digital armies, and working with George Lucas on the project of a lifetime.
By Lucas Seastrom
Fairly late in Star Wars: The Phantom Menace (1999), as the heroes plan their concerted attack on the Trade Federation army occupying Naboo, Jar Jar Binks and Boss Nass have a brief moment together. They walk through a forest, the shorter and squatter Boss Nass’ arm wrapped around Jar Jar’s taller and lankier shoulders. The onetime Gungan outcast is now in rising favor with his people’s leader, and Jar Jar enjoys brushing off Boss Nass’ adulations with mock-humility. It is only when Nass tells Jar Jar that he is to be made a general that Jar Jar breaks character and faints with surprise.
The moment is portrayed in one shot as the camera pans from right to left. The characters’ equal sense of playfulness and pomposity is fun and believable, communicated in large part by their body language and distinct inflections of speech. It’s a type of scene that could be in any kind of movie. What makes this scene different from most others up to that point in time, however, is that both Jar Jar Binks and Boss Nass are computer-animated by the artists at Industrial Light & Magic (ILM), with voice performances by Ahmed Best and Brian Blessed, respectively….
Phantom at 25
The renowned visual effects supervisor takes us inside some of Episode I’s most groundbreaking visuals.
By Dan Brooks
Kicking off the highly-anticipated prequel trilogy, Star Wars: The Phantom Menace arrived May 19, 1999. To celebrate its 25th anniversary, StarWars.com presents “Phantom at 25,” a special series of interviews, editorials, and more.
To put it simply, there is no Star Wars: The Phantom Menace without John Knoll.
Having joined Industrial Light & Magic in 1986 as a technical assistant, Knoll cut his teeth and worked his way up on projects ranging from Captain EO to The Abyss, but the turning point in his career came with the Star Wars Special Editions. Working directly with George Lucas, he served as visual effects supervisor on new, digital additions to the classic films….
10 Things You Learn Rewatching Star Wars: The Phantom Menace
WhatCulture Star Wars is dedicated to all things Star Wars. We’ll have all the usual lists, features, and news, plus there’ll be Ups & Downs for all the latest shows and new Star Wars movies. The force is with us!
Star Wars: Episode I- The Phantom Menace 25th Anniversary Re-Release Featurette- Screenvision (2024)
Check out the official re-release featurette for Star Wars: Episode I – The Phantom Menace 25th Anniversary directed by George Lucas!
US Re-Release Date: May 3, 2024
Starring: Liam Neeson, Ewan McGregor, Natalie Portman
Director: George Lucas
Synopsis: Experience the heroic action and unforgettable adventures of Star Wars: Episode I – The Phantom Menace. See the first fateful steps in the journey of Anakin Skywalker. Stranded on the desert planet Tatooine after rescuing young Queen Amidala from the impending invasion of Naboo, Jedi apprentice Obi-Wan Kenobi and his Jedi Master Qui-Gon Jinn discover nine-year-old Anakin, who is unusually strong in the Force. Anakin wins a thrilling Podrace and with it his freedom as he leaves his home to be trained as a Jedi. The heroes return to Naboo where Anakin and the Queen face massive invasion forces while the two Jedi contend with a deadly foe named Darth Maul. Only then do they realize the invasion is merely the first step in a sinister scheme by the re-emergent forces of darkness known as the Sith. After the feature, fans will also get a special first look at Star Wars: The Acolyte series coming to Disney+ June 2024.
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A Very Brief Analysis: The Phantom Menace
Star Wars has a great deal of lore to analyse. Over time, the history of its universe has been modified. The most significant change was during the time of the Prequel Trilogy. A great many things were added, and some were altered. This can be hard to research, especially from official websites and wikis. We will infer what we can from the movie, combined with background information.
This is not a defence of Episode 1, nor is it an attack. The idea is a detailed, fair, and informed analysis. We’ll go over the entire movie, giving credit and blame as needed.
~ Special Thanks (in order of first appearance) ~
@RemnantCult: foreword script, narration, editing; lightsabre style footage capped from Jedi Academy; misc.
10003120290: Resident podracing expert, Neva Kee spotter, video references
@lba_e_ross2152: Darth Maul audiobook intro, video references, misc. physical reference material scouting
@ArmoredStruggleWagon: Droch March song, a whole bunch of top-quality Terminator memes, misc.
Dagomarosart: Gungan wargear art, advice on historical warfare, misc.
(The) Bread Circus Discord Server: for being the butt of the joke 20+ times
SkywalkerFoe: subtitle fixes and timing
Narration recorded in partnership with THE WARDROBE (IG: @wardobestudionz).
00:00:00 Introduction
00:01:05 Foreword
00:08:29 Credits to the Opening
00:10:49 No Purpose for Fighting
00:23:46 Setting the Scene
00:27:14 Feminine Programming
00:42:35 That Blasted Door!
00:50:39 Setting the Scene, cont.
01:01:06 Tongue-Tied Jar-Jar
01:13:30 Da Plaaanett Coaaarrrrr
01:39:36 Occupied with a Treaty
01:43:35 Darth Sinister
01:50:54 Shield Generator
01:59:40 Federation Firepower
02:04:41 Holey Hyperdrive
02:11:17 Ship Parts
02:23:02 Aerospike (Naboo Engines)
02:27:05 Little Ani
02:45:59 I’m Here to Free Slaves (Podracing Intro)
02:48:11 Defining ‘Podracer’
02:51:19 Podracer Pilots
03:08:41 The Nasty Dug
03:18:07 The Good Boy
03:29:19 Podracer Pilots, cont.
03:57:11 In the Review Mirror
04:05:39 Darth Maul
04:21:42 Duel in the Desert
04:46:31 The Approach
04:54:55 The Ecumenopolis
04:58:10 The Old Republic
05:04:58 The Senate
05:15:50 The Quarren Discontinuity
05:23:46 The Recruit
05:36:35 The Jedi
05:45:55 The Hundred Year Darkness
05:48:47 The Great Hyperspace War
05:52:41 The Sith War
05:57:50 The Knights (of the Old Republic)
06:05:24 Coruscant Landing
06:11:23 Vehicles Upon Vehicles In Vehicles
06:25:42 Counselled Jedi
06:30:20 Force-Dad Prophecy
06:45:03 Anakin’s Job Interview
06:57:17 Return to Naboo
07:05:19 Gungan: Diplomacy
07:17:36 Gungan: Battle
07:24:48 Gungan: Wargear
07:30:14 Trade Federation Vehicles
07:46:45 Planning and Launch
08:00:47 Naboo’s N-1 Starfighter
08:15:47 The Vulture Droid
08:20:55 Space Battle
08:37:46 Naboo’s Speeders
08:50:13 The Plan: Arson!
08:54:30 Palace Infiltration
09:07:22 Inspected Gadgets
09:14:49 Checkmate
09:16:54 Laying Out the Palace
09:18:14 Checkmate, cont.
09:21:15 The Fateful Duel
09:48:10 The Nature of Red Doors
09:59:19 Three Men Enter
10:23:46 Red Shuttle
10:31:08 Banished: Hitting Mute On Nute
10:37:34 Kenobi Talk, Kenobi Chat
10:46:53 The Pyre
10:57:27 Peace Ceremony
11:06:50 The Hero of Naboo
11:09:33 Escape From Theed
11:10:52 Vehicles for Battle
11:16:13 Freedom Fighting
11:35:50 Gamified Speeders
11:37:40 Return of Panaka
11:40:36 The Big N-1
11:43:36 Signalling the End
11:51:16 Debriefing
11:53:00 Conclusion
11:56:19 OUTRO
The Phantom Menace 25th Anniversary Gift Guide
Your focus determines your reality. Will you pick your favorite Chosen One or collect them all?
By StarWars.com Team
This is so wizard!
To celebrate the 25th anniversary of Star Wars: The Phantom Menace, StarWars.com has curated 10 of our favorite new products coming to a galaxy near you. From apparel and accessories to collectibles, toys, and books, there’s something for every Episode I fan. Roll the chance cube…
Matt Ferguson on His Stunning Phantom Menace 25th Anniversary Poster
The acclaimed artist discusses his history with Episode I and being called on to commemorate its latest milestone.
Dan Brooks
Every saga has a beginning, including that of poster artist Matt Ferguson and his relationship with Star Wars: The Phantom Menace. It started with the original theatrical release in 1999, which followed a huge buildup — it was the first Star Wars film since 1983’s Return of the Jedi — and level of anticipation seen by few movies. For 15-year-old Ferguson, living in Sheffield in the UK, the hype was real.
“I was actually doing work experience at the time in an office through school, and I remember just being so excited about the new Star Wars movie,” he tells StarWars.com. “I went out and bought this Darth Maul action figure on a lunch break and everybody else was just so excited for it. And then we got to go see it. And I can remember I just loved it.”…
Star Wars: The Phantom Menace 25th Anniversary Cinema Release Confirmed For May The 4th Weekend
The epic Darth Maul vs. Obi-Wan and Qui-Gon Jinn duel. The thunderous Boonta Eve Podrace. The battle of Naboo. Star Wars: Episode I – The Phantom Menace is packed with moments best witnessed on the big screen, spooling back to the very beginning of the Skywalker Saga to depict Anakin Skywalker’s first encounter with the Jedi, the beginnings of the galactic civil war, and the menacing meddling of Palpatine. Well, good news: to mark 25 years since the film first hit cinemas in 1999, it’s coming back to cinemas later this year. Cue the fanfare!
This May the 4th weekend (so, from Friday 3 May), The Phantom Menace will be re-released in cinemas for a limited time, meaning you can revisit all your favourite moments as large and loud as George Lucas intended…
The Phantom Menace | Misc.
Welcome to the Star Wars Gallery. A collection of some great images from Star Wars: Episode I – The Phantom Menace.
Below you will find a Gallery of Misc images from the first prequel, from 1999.
I hope you enjoy them.
[foogallery id=”226327″]
The Phantom Menace | Concepts
Welcome to the Star Wars Gallery. A collection of some great images from Star Wars: Episode I – The Phantom Menace.
Below you will find a Gallery of Concept Art from the first prequel, from 1999.
I hope you enjoy them.
[foogallery id=”226325″]
The Phantom Menace | Behind the Scenes
Welcome to the Star Wars Gallery. A collection of some great images from Star Wars: Episode I – The Phantom Menace.
Below you will find a Gallery of Behind the Scenes images (low quality) from the first prequel, from 1999.
I hope you enjoy them.
[foogallery id=”226322″]
The Phantom Menace | Art
Welcome to the Star Wars Gallery. A collection of some great images from Star Wars: Episode I – The Phantom Menace.
Below you will find a Gallery of Art from the first prequel, from 1999.
I hope you enjoy them.
[foogallery id=”226296″]
The Phantom Menace | Storyboards
Below you will find a Gallery of Storyboard(s) (quite literally Storyboard) images from the first prequel, from 1999.
I hope you enjoy them. There will be more coming!
[foogallery id=”370062″]
Star Wars | Episode I: The Phantom Menace
In a distant galaxy, ages ago, a malevolent presence once thought to be extinct is stirring. The dark side of the Force looms over the galaxy, and only an ancient Jedi prophecy stands between hope and destruction.
Jedi Master Qui-Gon Jinn and his apprentice, Obi-Wan Kenobi, land on the green, unspoiled world of Naboo to safeguard the young queen and her kingdom. She is in search of a diplomatic solution to end the siege of her planet by Trade Federation warships. Meanwhile, on the arid, barren landscape of Tatooine, a young slave boy, Anakin Skywalker, labors tirelessly under the scorching sun. Despite his circumstances, he possesses a peculiar ability to sense the “rightness” of things. He dreams of freeing himself and his beloved mother and becoming a Jedi Knight.
It is the unexpected meeting of Jedi, Queen, and a gifted boy that will give rise to a drama that will go down in history as a legend.
Wookieepedia
Read Star Wars
Jedi Temple Archives
Yoda’s Datapad
Youtini
The Phantom Menace | Concept Art vs Film
20 Things You Somehow Missed In The Phantom Menace
Did you spot Palpatine’s cheeky Phantom Menace dig at the Jedi Code?
WhatCulture Star Wars is dedicated to all things Star Wars. We’ll have all the usual lists, features, and news, plus there’ll be Ups & Downs for all the latest shows and new Star Wars movies. The force is with us!
20 Things You Didn’t Know About The Phantom Menace
The most controversial blockbuster ever!
WhatCulture Star Wars is dedicated to all things Star Wars. We’ll have all the usual lists, features, and news, plus there’ll be Ups & Downs for all the latest shows and new Star Wars movies. The force is with us!
Star Wars Episode I: The Phantom Menace | Trailer
Stranded on the desert planet Tatooine after rescuing young Queen Amidala from the impending invasion of Naboo, Jedi apprentice Obi-Wan Kenobi and his Jedi Master Qui-Gon Jinn discover nine-year-old Anakin Skywalker, a young slave unusually strong in the Force. Anakin wins a thrilling Podrace and with it his freedom as he leaves his home to be trained as a Jedi. The heroes return to Naboo where Anakin and the Queen face massive invasion forces while the two Jedi contend with a deadly foe named Darth Maul. Only then do they realize the invasion is merely the first step in a sinister scheme by the re-emergent forces of darkness known as the Sith.
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The Phantom Menace
Star Wars: Episode I The Phantom Menace
Release Date: May 19, 1999
Synopsis: (32 Years Before Episode IV) Stranded on the desert planet Tatooine after rescuing young Queen Amidala from the impending invasion of Naboo, Jedi apprentice Obi-Wan Kenobi and his Jedi Master discover nine-year-old Anakin Skywalker, a young slave unusually strong in the Force. Anakin wins a thrilling Podrace and with it his freedom as he leaves his home to be trained as a Jedi. The heroes return to Naboo where Anakin and the Queen face massive invasion forces while the two Jedi contend with a deadly foe named Darth Maul. Only then do they realize the invasion is merely the first step in a sinister scheme by the re-emergent forces of darkness known as the Sith.
Opening Crawl:
Turmoil has engulfed the Galactic Republic. The taxation of trade routes to outlying star systems is in dispute.
Hoping to resolve the matter with a blockade of deadly battleships, the greedy Trade Federation has stopped all shipping to the small planet of Naboo.
While the congress of the Republic endlessly debates this alarming chain of events, the Supreme Chancellor has secretly dispatched two Jedi Knights, the guardians of peace and justice in the galaxy, to settle the conflict….
Awards: Academy Award Nominee: Best Sound Effects Editing, Best Visual Effects, Best Sound.
BAFTA Award Nominee: Best Achievement in Special Visual Effects, Best Sound
Saturn Award Winner: Best Costumes, Best Visual Effects. Saturn Award Nominee: Best Director, Best Make-Up, Best Performance by a Younger Actor, Best Performance by a Younger Actress, Best Science Fiction Film, Best Supporting Actor, Best Supporting Actress.
Cast
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Qui-Gon Jinn
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Liam Neeson
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Obi-Wan Kenobi
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Ewan McGregor
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Queen Amidala | Padmé
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Natalie Portman
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Anakin Skywalker
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Jake Lloyd
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Palpatine
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Ian McDiarmid
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Shmi Skywalker
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Pernilla August
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Sio Bibble
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Oliver Ford Davies
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Captain Panaka
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Hugh Quarshie
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Jar Jar Binks
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Ahmed Best
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C-3PO
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Anthony Daniels
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R2-D2
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Kenny Baker
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Yoda
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Frank Oz
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Chancellor Valorum
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Terence Stamp
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Boss Nass
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Brian Blessed
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Watto
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Andy Secombe
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Darth Maul
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Ray Park
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Sebulba
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Lewis MacLeod
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Wald
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Warwick Davis
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Captain Tarpals
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Steven Speirs
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Nute Gunray
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Silas Carson
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Rune Haako
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Jerome Blake
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Daultay Dofine
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Alan Ruscoe
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Ric Olié
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Ralph Brown
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Fighter Pilot Bravo 5
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Celia Imrie
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Fighter Pilot Bravo 2
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Benedict Taylor
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Fighter Pilot Bravo 3
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Clarence Smith
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Mace Windu
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Samuel L. Jackson
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Palace Guard
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Dominic West
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Rabé
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Cristina da Silva
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Eirtaé
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Friday (Liz) Wilson
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Yané
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Candice Orwell
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Saché
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Sofia Coppola
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Sabé
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Keira Knightley
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Republic Cruiser Captain
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Bronagh Gallagher
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Republic Cruiser Pilot
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Silas Carson
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TC-14
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John Fensom
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Fode
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Greg Proops
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Beed
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Scott Capurro
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Jabba the Hutt
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Himself
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Jira
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Margaret Towner
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Kitster
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Dhruv Chanchani
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Seek
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Oliver Walpole
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Amee
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Jenna Green
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Melee
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Megan Udall
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Eeth Koth
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Hassani Shapi
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Adi Gallia
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Gin
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Saesee Tiin
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Khan Bonfils
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Plo Koon
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Alan Ruscoe
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Yarael Poof
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Michelle Taylor
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Ki-Adi-Mundi
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Silas Carson
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Even Piell
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Michaela Cottrell
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Oppo Rancisis
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Jerome Blake
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Depa Billaba
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Dipika O’Neill Joti
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Yaddle
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Phil Eason
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Mas Amedda
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Jerome Blake
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Aks Moe
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Mark Coulier
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Lott Dod
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Silas Carson
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Yoda Puppeteers
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Kathy Smee
Don Austen David Greenaway |
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Voice of TC-14
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Lindsay Duncan
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Voice of Darth Maul
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Peter Serafinowicz
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Voice of Rune Haako
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James Taylor
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Voice of Daultay Dofine
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Chris Sanders
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Voice of Lott Dod
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Toby Longworth
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Voice of Aks Moe
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Marc Silk
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Voice of Tey How
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Tyger
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Crew
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Director, Writer
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George Lucas
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Producer
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Rick McCallum
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Executive Producer
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George Lucas
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Director of Photography
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David Tattersall, B.S.C.
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Production Designer
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Gavin Bocquet
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Editor
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Paul Martin Smith G.B.F.E.
and Ben Burtt |
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Costume Designer
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Trisha Biggar
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Casting by
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Robin Gurland
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Sound Design
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Ben Burtt
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Music
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John Williams
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Design Director
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Doug Chiang
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Visual Effects Supervisors
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John Knoll
Dennis Muren Scott Squires A.S.C. |
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Animation Director
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Rob Coleman
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Production Supervisor
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David Brown
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Live Action Creature Effects Supervisor
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Nick Dudman
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Chief Make-Up Artist
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Paul Engelen
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First Assistant Director
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Chris Newman
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Second Assistant Director
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Bernard Bellew
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Third Assistant Director
|
Ben Howarth
|
|
|
Stunts
|
||
|
Stunt Coordinator | Swordmaster
|
Nick Gillard
|
|
|
Assistant Stunt Coordinator | Obi-Wan Double
|
Andreas Petrides
|
|
|
Stunt Performers
|
Dominic Preece
Morgan Johnson Ray De-Haan |
|
|
Stunt Performer | Qui-Gon Double
|
Rob Inch
|
|
|
Stunt Performers
|
Mark Newman
Joss Gower Danni Biernat |
|
|
Art Department
|
||
|
Supervising Art Director
|
Peter Russell
|
|
|
Art Directors
|
Fred Hole
John King Rod McLean Phil Harvey |
|
|
Art Director (Tunisia)
|
Ben Scott
|
|
|
Draftsmen
|
Paul Cross
Neil Morfitt Gary Tomkins Toad Tozer Julie Philpott Jane Clark Pearce Philip Elton Mike Bishop Lucy Richardson |
|
|
Scenic Artist
|
James Gemmill
|
|
|
UK Concept Artists
|
Tony Wright
Kun Chang |
|
|
UK Art Department Coordinator
|
Laura Burrows
|
|
|
Junior Draftsmen
|
Helen Xenopoulos
Remo Tozzi |
|
|
Sculptors
|
Eddie Butler
Tessa Harrison Richard Mills Keith Short Richard Smith |
|
|
US Concept Artists
|
Iain McCaig
Terryl Whitlatch Jay Shuster Ed Natividad Kurt Kaufman Marc Gabbana |
|
|
Storyboard Artist
|
Benton Jew
|
|
|
Concept Sculptors
|
Tony Mcvey
Mark Siegel Richard Miller Robert Barnes |
|
|
Concept Model Makers
|
John Goodson
John Duncan Ellen Lee |
|
|
3-D Computer Modelers
|
Caine Dickinson
Simon Dunsdon |
|
|
US Art Department Coordinators
|
Jill Jurkowitz
Blake Tucker |
|
|
US Art Department Assistant
|
Tom Barratt
|
|
|
UK Art Department Assistants
|
Christopher Challoner
Iain Mcfayden Claire Nia Richards Emma Tauber |
|
|
Conceptual Researchers
|
David Craig
Jonathan Bresman Koichi Kurisu |
|
|
Pre-Visualization | Effects
|
||
|
Pre-Visualization | Effects Supervisor
|
David Dozoretz
|
|
|
Pre-Visualization | Effects Artists
|
Evan Pontoriero
Ryan Tudhope Kevin Baillie Jeff Wozniak |
|
|
Production
|
||
|
Production Manager
|
Jo Burn
|
|
|
Production Manager (Tunisia)
|
Peter Heslop
|
|
|
Unit Manager (Tunisia)
|
Jeremy Johns
|
|
|
Script Supervisor
|
Jayne-Ann Tenggren
|
|
|
Assistant to Rick McCallum (UK)
|
Isobel Thomas
|
|
|
Location Managers
|
Robert Jordan
Richard Sharkey |
|
|
Extras Casting
|
Sally Millson
|
|
|
Casting Assistant
|
Kirsten Hampton
|
|
|
Artists’ Assistants
|
Kate Jones
|
|
|
Assistants to Rick McCallum (US)
|
Janet Nielsen
Sophie Milton |
|
|
Executive Assistant to George Lucas
|
Jane Bay
|
|
|
Secretary to George Lucas
|
Anne Merrifield
|
|
|
Production Coordinators
|
Lisa Parker
Hermione Ninnim |
|
|
Production Coordinator (Tunisia)
|
Tori Parry
|
|
|
Production Coordinator (Italy)
|
Winnie Wishart
|
|
|
Production Coordinator (Travel)
|
Mel Claus
|
|
|
Assistant Production Coordinator
|
Leo Martin
|
|
|
Unit Nurse
|
Jeanie Udall
Jemma Kearney |
|
|
Crowd Assistant Director
|
Paul Higgins
|
|
|
Floor Runners
|
Tamana Bleasdale
Nathan Holmes |
|
|
Studio Runners
|
Melissa Leigh
Henry Forsyth Joe Halford Marc Wilton Martin Brown |
|
|
Production Network Engineer
|
Paul Matwiy
|
|
|
Fire Safety Officer
|
David Deane
|
|
|
Production Controller
|
Kathryn Farrar
|
|
|
Props
|
||
|
Production Accountant
|
Michele Tandy
|
|
|
Set Cost Accountant
|
Betty Williams
|
|
|
Accounting Manager
|
Wendy Gorman
|
|
|
Location Accountant (Tunisia)
|
Dean Hood
|
|
|
Location Accountant (Italy)
|
Val Sunderland
|
|
|
Assistant Accountant (Tunisia)
|
Clare Plummer
|
|
|
Assistant Accountants
|
Rajeshree Patel
Penelope Powell Barbara Harley |
|
|
Accounts Assistant
|
Jean Simmons
|
|
|
Accounts Runner
|
Sarah-Jane Wheale
|
|
|
Assistant to Controller
|
Ardees Rabang Jundis
|
|
|
Camera | Production Sound
|
||
|
Camera Operator
|
Trevor Coop
|
|
|
Aerial Cameraman
|
Adam Dale
|
|
|
Helicopter Pilot
|
Mark Wolfe
|
|
|
Focus Pullers
|
Graham Hall
Ben Butler |
|
|
Clapper | Loaders
|
Jason Coop
Shaun Evans |
|
|
Steadicam Operator
|
Keith Sewell
|
|
|
Key Grip
|
Peter Myslowski
|
|
|
Sound Recordist
|
John Midgley
|
|
|
Boom Operator
|
June Prinz
|
|
|
Sound Assistant
|
Craig Burns
|
|
|
Location Matchmove Supervisor
|
Jack Haye
|
|
|
Matchmover
|
Edward Cotton
|
|
|
Video Playback
|
Lester Dunton
Andrew Haddock |
|
|
Video Playback Assistant
|
Dathi Sveinbjarnarson
|
|
|
Effects Video Engineer
|
Clark Higgins
|
|
|
Props
|
||
|
Set Decorator
|
Peter Walpole
|
|
|
Assistant Set Decorator
|
Amanda Bernstein
|
|
|
Production Buyer
|
Deborah Stokely
|
|
|
Supervising Dressing Propman
|
Martin Kingsley
|
|
|
Chargehand Dressing Propmen
|
Peter Watson
Keith Pitt |
|
|
Dressing Propmen
|
Brian Aldridge
Wesley Peppiatt Bruce Cheesman Nick Turnbull Peter Looby Grant Tarbox Terry Toohill Paul Hearn Matthew Foster |
|
|
Property Master
|
Ty Teiger
|
|
|
Chargehand Propmaker
|
Oliver Hodge
|
|
|
Senior Propmaker
|
Toby Hawkes
|
|
|
Propmakers
|
Howard Munford
John Weller Pierre Bohanna Jim Barr Sander Ellers Lee Reeder Jeff Knight |
|
|
Prop Storeman
|
Jonathan Hurst
|
|
|
Drapesmen
|
Colin Fox
Frank Howe |
|
|
Supervising Stand-By Propman
|
Bernard Hearn
|
|
|
Stand-By Propman
|
Daniel Hearn
|
|
|
Costumes
|
||
|
Assistant Costume Designer
|
Ann Maskrey
|
|
|
Wardrobe Supervisor
|
Sharon Long
|
|
|
Crowd Pre-Fit Supervisor
|
Sarah Jane Touaibi
|
|
|
Wardrobe Master
|
Anthony Brookman
|
|
|
Wardrobe Mistress
|
Lou Durkin
|
|
|
Wardrobe Assistants
|
Helen Mattocks
Neil Murphy Natalie Rodgers |
|
|
Costume Painters
|
John Cowell
Steven Gell |
|
|
Textile Assistants
|
Martin Mcshane
Emma Walker |
|
|
Costume Props Assistants
|
Reuben Hart
Peter Thompson |
|
|
Costume Accessories
|
Karen Shannon
Emma Fryer |
|
|
Costume Runners
|
Karn Webster
Amber Smit |
|
|
Costume Workroom Supervisor
|
Nicole Young
|
|
|
Costume Assistant
|
Michael Mooney
|
|
|
Cutters
|
Kay Coveney
Sharon McCormack Debbie Marchant |
|
|
Costume Props Modeler
|
Ivo Coveney
|
|
|
Workroom Assistants
|
Anne Matheson
Marnie Ormiston Arabella Dean Roslyn Tiddy Angela Creasor Julie Nethercoat Rachel Turner Ruth Matheson Andrea Moon Caroline Mirfin Rosaria Coppola |
|
|
Armor Makers
|
FBFX
|
|
|
Set Construction
|
||
|
Construction Manager
|
David Bubb
|
|
|
Assistant Construction Manager
|
Leon Apsey
|
|
|
Chief Scaffolding Engineer
|
Steve Sansom
|
|
|
H.O.D. Carpenter
|
Robert Sutton
|
|
|
H.O.D. Plasterer
|
Ken Barley
|
|
|
Chargehand Riggers
|
Peter Connolly
John Harris Paul Mills Bill Sansom |
|
|
H.O.D. Painter
|
John Davey
|
|
|
H.O.D. Stagehand
|
Keith Muir
|
|
|
Supervising Carpenters
|
Karl Apsey
Brian Blues |
|
|
Supervising Plasterer
|
Michael Gardiner
|
|
|
Supervising Painter
|
Paul Whitelock
|
|
|
Supervising Scenic Painter
|
Michael Guyett
|
|
|
Supervising Wood Machinist
|
Stephen Weston
|
|
|
Chargehand Carpenters
|
Wayne Day
Jim Kerr John Kirsop Simon Marjoram Tom McCarthy |
|
|
Chargehand Painter
|
David Carter
Wolfgang Walther |
|
|
Chargehand Plasterers
|
Ettore Venturini
Steve Court Patrick Laho |
|
|
Chargehand Paint Sprayer
|
Stan Lattimore
|
|
|
Stand-By Carpenter
|
Jason Phelps
|
|
|
Stand-By Rigger
|
Jason Curtis
|
|
|
Stand-By Painter
|
Kevin McCarthy
|
|
|
Stand-By Stagehand
|
James Muir
|
|
|
Construction Secretaries
|
Charlotte Biggs
Sarah Bubb Michelle Hudd |
|
|
Construction Nurses
|
Nicky Jarvis
Marcia Bamgboye |
|
|
Thanks to all the UK Construction Crew
|
||
|
Live Action Creature Effects
|
||
|
Creature Effects Coordinator
|
Lyn Nicholson
|
|
|
Animatronic Model Design Supervisor
|
Chris Barton
|
|
|
Key Sculptor
|
Gary Pollard
|
|
|
Creature Mold Shop Supervisor
|
Ray Tricker
|
|
|
Key Animatronic Model Designers
|
Monique Brown
Mark Coulier Michelle Taylor |
|
|
Animatronic Model Designers
|
Malcolm Evans
John Coppinger Shirley Cooper Maria Boggi Kate Murray Terry Jones Steve Wright Tamzine Hanks |
|
|
Animatronic Model Designers
|
Jenny Phelps
Julie Wright |
|
|
Key Animatronic Mold Design
|
Jonathan Abbas-Klahr
|
|
|
Molding Technician
|
Matthew Smith
|
|
|
Sculptors
|
Paul Spateri
Kate Hill Howard Swindell Shaune Harrison |
|
|
Creatures Mold Filler
|
Darren Robinson
|
|
|
Art Finisher
|
Astrig Akseralian
|
|
|
Supervising Plasterer
|
Ken Clarke
|
|
|
Chargehand Plasterer
|
Val Vasic
|
|
|
Plasterer
|
Ray Staples
|
|
|
Creatures Production Assistant
|
Louisa Rawlins
|
|
|
Make-up | Hair Department
|
||
|
Make-Up Artists
|
Meg Speirs
Melissa Lackersteen |
|
|
Make-Up Artist to Liam Neeson
|
Morag Ross
|
|
|
Make-Up Supplies by
|
Screenface
|
|
|
Wigs by
|
Wig Specialities
|
|
|
Chief Hairdresser
|
Sue Love
|
|
|
Hairdressers
|
Sarah Love
Darlene Forrester |
|
|
Hairdresser to Liam Neeson
|
Jan Archibald
|
|
|
Assistant Hairdresser
|
Helen Taylor
|
|
|
Electrical
|
||
|
Gaffer
|
Eddie Knight
|
|
|
Best Boy
|
Stewart Monteith
|
|
|
Electricians
|
Gary Colkett
Vernon Connolly Adam Lee Mark Thomas George White |
|
|
Generator Operators
|
Tim Wiley
Stuart Hurst |
|
|
Electrical Storeman
|
Colin Coughlin
|
|
|
Rigging Gaffer
|
Mark Evans
|
|
|
Rigging Electricians
|
Keith Kirkum
Larry Meehan Roy Rowlands Jack White |
|
|
Electrical Riggers
|
Simon Dutton
Garry Ridgewell |
|
|
Practical Electricians
|
John Barry
Ronald Lyons Mickey O’Connell |
|
|
Editing
|
||
|
First Assistant Editor
|
Marypat Plottner
|
|
|
Avid Assistant
|
Joseph Jett Sally
|
|
|
Visual Effects Editorial Coordinator
|
Paul Cichocki
|
|
|
Assistant Film Editors
|
Aura Gilge
David Suther |
|
|
UK Assistant Editors
|
Julian Pryce
Jamie Martin |
|
|
Post Production Assistant
|
Kerry Bailey
|
|
|
Color Timer
|
Jim Passon
|
|
|
Negative Cutter
|
Gary Burritt
|
|
|
Post Production Supervisors
|
Michael Blanchard
Jamie Forester |
|
|
SPECIAL VISUAL EFFECTS AND ANIMATION by
INDUSTRIAL LIGHT & MAGIC A Division of Lucas Digital Ltd. Marin County, California |
||
|
Visual Effects Executive Producer
|
Chrissie England
|
|
|
Visual Effects Producers
|
Ned Gorman
Jeff Olson Heather Smith Ginger Theisen Judith Weaver |
|
|
Digital Modeling Supervisor
|
Geoff Campbell
|
|
|
Viewpaint Supervisor
|
Jean Bolte
|
|
|
Creature Developer Supervisor
|
TIM Mclaughlin
|
|
|
Lead Animators
|
Linda Bel
Peter Daulton Lou Dellarosa Miguel Fuertes Hal Hickel Paul Kavanagh Kim Thompson Marjolaine Tremblay |
|
|
Visual Effects Production Designer
|
Doug Chiang
|
|
|
Lead ComputerGraphics Supervisor
|
Kevin Rafferty
|
|
|
Associate Visual Effects Supervisor
|
Barry Armour
|
|
|
Visual Effects Art Director
|
David Nakabayashi
|
|
|
Ground Battle Animation Supervisor
|
Tom Bertino
|
|
|
Technical Animation Supervisor
|
James Tooley
|
|
|
Additional Visual Effects Supervision
|
Scott Farrar
|
|
|
Computer Graphics Supervisors
|
Jon Alexander
Tim Alexander Christophe Hery Tom Hutchinson Euan Macdonald Greg Maloney Patrick T. Myers Doug Smythe Habib Zargarpour |
|
|
Sequence Supervisors and Development Leads
|
Kevin Barnhill
Samir Hoon Stuart Maschwitz Steve Molin Douglas Sutton Michael Di Como Dorne Huebler Terrence Masson Hiromi Ono Chad Taylor Howard Gersh Michael Ludlam David Meny Amanda Ronai-Dahle Christopher Townsend Dan Goldman Robert Marinic Curt Miyashiro Sean Schur Christopher White |
|
|
Digital Effects Artists
|
Shadi Almassizadeh
Michael Conte Christina Hills Michael Min Douglas J. Smith Will Anielewicz Caitlin Content David Hisanaga Daryl Munton Brian Sorbo Joakim Arnesson Vincent De Quattro David Horsley Julie Neary Christa Starr Okan Ataman David Deuber Christopher Horvath Patrick Neary David Stephens Al Bailey Jeff Doran Peg Hunter Kenneth Nielsen Chris Stillman Michael Baltazar Russell Earl Polly Ing Khatsho Orfali John Stillman Eran Barnea Eric Enderton Erich Ippen David Parrish Russ Sueyoshi Maurice Bastian Jeff Ertl Sandra Karpman Edward Pasquarello Catherine Tate Kathleen Beeler Gonzalo Escudero Louis Katz Mary Payne Tim Teramoto Jeffrey Benedict Leandro Estebecorena Steve Kennedy Ellen Poon Eric Texier Leila Ben-Joseph Tom Fejes Russell Koonce Scott Prior Marc Toscano Aron Bonar Dean Foster Mitch Kopelman Ricardo Ramos Alex Tropiec Matthew Bouchard Christian Foucher Ed Kramer Philippe Rebours Hans Uhlig Stella Bogh David Fuhrer Brian La France Kevin Reuter Eric Voegels Gregory Brauer Todd Fulford Jeroen Lapre Max Rocchetti John Walker Patrick Brennan Jennifer German Mohen Leo Alan Rosenfeld Andy Wang Billy Brooks Jeremy Goldman Joshua Levine Tom Rosseter Robert Weaver Cathy Burrow John K. Goodman Lyndon Li Jonathan Rothbart Susan Weeks Don Butler Adrian Graham Alex Lindsay Barry Safley David Weitzberg Mario Capellari Matthieu Grospiron Craig Lyn Frederic Schmidt Colie Wertz Tamala Carter Andrew Hardaway Simon Maddocks Durant Schoon Ken Wesley Ian Christie Pablo Helman Tia Marshall Dan Shumaker Melva Young Paul Churchill John Helms Kevin May JeffShank Dean Yurke Brian Conlon Neil Herzinger Jennifer Mcknew Paul Sharpe Ken Ziegler Patrick Conran Kela Hicks Kerry Miller Linda Siegel Rita Zimmerman |
|
|
Character Animators
|
Philip Alexy
Andrew Doucette Steve Lee Jacques Muller Magali Rigaudias Chris Armstrong Andrew Grant Martin L’heureux Julie Nelson Trish Schutz Patrick Bonneau Paul Griffin Victoria Livingstone Steve Nichols Tom St. Amand Susan Campbell Kent Hammerstrom Kevin Martel Dana O’Connor Glenn Sylvester Marc Chu Tim Harrington Glen Mcintosh Rick O’connor Si Tran Chi Chung Tse Jason Ivimey Neil Michka David Parsons Scott Wirtz Kyle Clark Shawn Kelly Christopher Minos Steve Rawlins Andy Wong Bruce Dahl Ken King Christopher Mitchell Jay Rennie William R. Wright |
|
|
Digital Model Development and Construction Artists
|
Stephen Aplin
Ken Bryan Paul Giacoppo Sunny Li-Hsien Wei David Saccheri Donna Beard Andrew Cawrse Derek Gillingham Alyson Markell Tony Sommers Dugan Beach Simon Cheung Rebecca Heskes Russell Paul Howie Weed Scott Bonnenfant Catherine Craig Jean-Claude Langer Aaron Pfau Ron Woodall Robert Bruce Aaron Ferguson Lenny Lee Corey Rosen Elbert Yen |
|
|
Digital Matte Artists
|
Ronn Brown
Caroleen Green Paul Huston Rick Rische Yusei Uesugi Brian Flora Jonathan Harb Bill Mather Mark Sullivan Wei Zheng |
|
|
Rotoscope | Paint Supervisors
|
Susan Kelly-Andrews
Jack Mongovan |
|
|
Lead Visual Effects Coordinator
|
Lisa Todd
|
|
|
Visual Effects Production Accountant
|
Joshua Marks
|
|
|
Projectionist
|
Kenn Moynihan
|
|
|
Motion Capture Supervisor
|
Jeff Light
|
|
|
Digital Color Timing Supervisors
|
Bruce Vecchitto
Kenneth Smith |
|
|
3D Matchmove Supervisors
|
Keith Johnson
David Washburn |
|
|
Research & Development Supervisor
|
Christian Rouet
|
|
|
Additional Matte Paintings
|
Bill George
|
|
|
Visual Effects Editors
|
Scott Balcerek
David Tanaka Greg Hyman John Bartle |
|
|
Visual Effects Coordinators
|
Alexandra Altrocchi
Michaela Calanchini Monique Gougeon Amanda Montgomery Penny Runge Lori Arnold David Dranitzke David Gray Luke O’byrne Robin Saxen Liz Brown Vicki Engel Susan Greenhow Christine Owens David Valentin |
|
|
Digital Rotoscope | Paint Artists
|
Trang Bach
Beth D’amato Susan Goldsmith Katie Morris Zachary Sherman Katharine Baird Scott David Cam Griffin Aaron Muszalski David Sullivan Lance Baetkey Kate Elsen Jiri Jacknowitz Andrew Nelson James Valentine Chris Bayz Kelly Fischer Patrick Jarvis Elsa Rodriguez Mike Van Eps Rene Binkowski Dawn Gates Regan McGee Joe Salazar Erin West |
|
|
3D Matchmove Artists
|
Alia Agha
David Hanks David Manos Morris Dani Morrow Talmage Watson Jim Hagedorn Luke Longin Joseph Metten Melissa Mullin R.D. Wegener |
|
|
Motion Capture Group
|
Alexandre Frazao
Douglas Griffin Ann McColgan Seth Rosenthal Michael Sanders |
|
|
Visual Effects Storyboard | Conceptual Artists
|
Brice Cox Jr.
Warren Fu Jules Mann Noel Rubin |
|
|
Film Scanning and Recording
|
Randall Bean
Michael Cordova Tim Geideman Doug Jones Josh Pines Earl Beyer Michael Ellis Lydia Greenfield James Lim Stephanie Taubert Andrea Biklian George Gambetta Nancy Jencks Todd Mitchell Alan Travis |
|
| Visual Effects Editorial Staff |
Nic Anastassiou
Edwin Dunkley Dawn Martin Jim Milton Ellen Schade Carey Burens Natalee Djokovic Ian Mccamey Mike Morgan Anthony Pitone |
|
|
Software Development
|
John Anderson
Tommy Burnette Zoran Kacic-Alesic Nicolas Popravka Vincent Toscano David Benson John Horn Florian Kainz Vishwa Ranjan Alan Trombla Rod Bogart Jim Hourihan Cary Phillips Eric Schafer Jeffery Yost |
|
|
Visual Effects Production and Technical Support
|
Noel Brevick
Brian Gee Bill Grinder Jennifer Nona Marc Sadeghi Sean Casey Kathy Gardner Sean Hoessli Marisa Pearl Leslie Safley Mei Ming Casino Diana Gazdik John Levin David Owen Damian Steel Fay David Sam Granat Kimberly Lashbrook Don Rottiers Bill Tlusty Tom Firestone Kaleem Karman Jonathan Litt Masayori Oka Anthony Shafer Douglas Applewhite Brian Kasper Daniel Lobl Kim Orla- Bukowski Marc Wilhite Cedrick Chan Todd Krish Dana Masino Mike Peters Carrie Wolberg |
|
|
Digital Operations and Technology Group
|
Brian Brecht
Gail Currey Shannon Henry Nancy Luckoff Cliff Plumer Endla Burrows Vicki Dobbs Beck Jay Johnson Ken Maruyama Beth Sasseen Kipp Aldrich Russell Darling Mary Hinman Raleigh Mann Gary Meyer Ken Beyer Greg Dunn Jeff King Garrick Meeker Fred Meyers Stewart Birnam Scott Grenier Dan Lee Will Melick Joe Takai |
|
|
Special Effects: Miniature Construction and Photography Unit
|
||
|
Model Supervisor
|
Steve Gawley
|
|
|
Chief Model Makers
|
William Beck
Barbara Affonso Brian Gernand Keith London Lorne Peterson Steve Walton Charlie Bailey Giovanni Donovan Ira Keeler Michael Lynch |
|
|
Model Makers
|
Lauren Abrams
Nick DiAbo Aaron Haye Rodney Morgan Larry Tan Carl Assmus Fon Davis Grant Imahara Wendy Morton Trevor Tuttle Carol Bauman Brian Dewe Erik Jensen Dave Murphy Lauren Vogt Salvatore Belleci Robert Edwards Michael Jobe Randy Ottenberg Danny Wagner Don Bies Mark Fiorenza Kelly Lepkowski Alan Peterson Mark Walas Nick Blake David Fogler Victoria Lewis Tony Preciado Melanie Walas Nick Bogle Jon Foreman Todd Lookinland Tom Proost Kevin Wallace Jeff Brewer Chris Goehe Alan Lynch R. Kim Smith Chuck Wiley Phil Brotherton Jon Guidinger Scott McNamara Michael Steffe Julie Woodbridge Mark Buck Peggy Hrastar Amy Miller Eben Stromquist Eran Yachdav |
|
|
Effects Directors of Photography
|
Marty Rosenberg
Patrick Sweeney Pat Turner Ray Gilberti |
|
|
Camera Operators
|
Carl Miller
Vance Piper |
|
|
Assistant Camera Operators
|
Bob Hill
John Gazdik Michael Bienstock |
|
|
Gaffers
|
Michael Olague
Tim Morgan |
|
|
Key Grips
|
Bill Barr
Bernie Demolski |
|
|
Chief Costumer
|
Annie Polland
|
|
|
Camera Engineering
|
Greg Beaumonte
Mike Mackenzie Duncan Sutherland |
|
|
Stage Coordinator
|
Megan Carlson
|
|
|
Grip and Electric Crew
|
Joe Allen
Ron Diggory Danny Michalske Chuck Ray Dave Watson Tom Cloutier Dennis Gehringer Craig Mohagen John Siler |
|
|
Special Effects Pyrotechnics Crew
|
||
|
Special Effects Supervisor
|
Geoff Heron
|
|
|
Special Effects Best Boy
|
Robbie Clot
|
|
|
Special Effects Technician
|
Dave Heron
|
|
|
Data Capture System Supplied by Arri Media, Munich
|
||
|
Visual Effects Processing & Prints by Monaco Laboratories, San Francisco
|
||
|
Visual Effects Crew Fueled by Michael Smith of Java the Hutt
|
||
|
POST PRODUCTION SOUND SERVICES PROVIDED BY
SKYWALKER SOUND A Division of Lucas Digital Ltd. Marin County, California |
||
|
Foley | Automated Dialogue Replacement
|
||
|
Re-Recording Mixers
|
Gary Rydstrom
Tom Johnson Shawn Murphy |
|
|
ADR Recordist
|
Matthew Wood
|
|
|
ADR Recorded at
|
Compass Point Studios,
Nassau, Bahamas Magmasters |
|
|
Supervising Sound Editors
|
Ben Burtt
Tom Bellfort Matthew Wood |
|
|
Sound Effects Editors
|
Teresa Eckton
Chris Scarabosio |
|
|
Dialogue | ADR Editors
|
Sara Bolder
Gwendolyn Yates Whittle |
|
|
Foley Mixer
|
Tony Eckert
|
|
|
Foley Recordist
|
Frank ‘Pepe’ Merel
|
|
|
Foley Artists
|
Dennie Thorpe
Jana Vance |
|
|
Re-Recordist
|
Ronald G. Roumas
|
|
|
Mix Technicians
|
Tony Sereno
Jurgen Scharpf Kent Sparling |
|
|
Machine Room Operators
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Brandon Proctor
Stephen Romanko Jennifer Barin |
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Foley Editors
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Bruce Lacey
Marian Wilde |
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Assistant Sound Editors
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Kevin Sellers
Steve Slanec |
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Assistant Dialogue | ADR Editor
|
Jessica Bellfort
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Digital Audio Transfer Supervisor
|
Jonathan Greber
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Digital Audio Transfer
|
Dee Selby
Christopher Barron |
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Video Services
|
Christian Von Burkleo
John Torrijos |
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Projectionist
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Scott Brewer
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Music
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||
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Music Editor
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Ken Wannberg
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Assistant Music Editor
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Peter Myles
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Orchestrations
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John Neufeld
Conrad Pope |
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Music Recorded at
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Abbey Road Studios
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Scoring Engineer
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Shawn Murphy
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Scoring Assistants
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Jonathan Allen
Andrew Dudman |
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Music Preparation
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Dakota Music Service
Jo Ann Kane Music Service |
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Music Performed by
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London Symphony Orchestra
|
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Orchestra Leader
|
Gordan Nikolitch
|
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Choirs
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London Voices
New London Children’s Choir |
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Chorus Directors
|
Terry Edwards
Ronald Corp |
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Publicity
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||
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Director of Publicity
|
Lynne Hale
|
|
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Unit Publicist
|
Kate Campbell
|
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Chief Stills Photographer
|
Keith Hamshere
|
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Stills Photographers
|
Giles Keyte
Jonathan Fisher |
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Photography Assistant
|
Derek Boyes
|
|
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Stills Processing by
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Pinewood Studios
|
|
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Documentary Cinematographer
|
Jonathan Shenk
|
|
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Documentary Sound Recordists
|
Mark Becker
Guy Hake |
|
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Image Archivist
|
Tina Mills
|
|
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Researchers
|
Jo Donaldson
Cheryl Edwards Jenny Craik |
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Second Unit
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||
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Second Unit Director
|
Roger Christian
|
|
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Director of Photography
|
Giles Nuttgens
|
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First Assistant Director
|
Nick Heckstall-Smith
|
|
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Second Assistant Director
|
George Walker
|
|
|
Third Assistant Director
|
Janet Nielsen
|
|
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Script Supervisor
|
Lisa Vick
|
|
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Focus Puller
|
Steven Hall
|
|
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Clapper | Loaders
|
Edward Meredydd Jones
Ian Coffey |
|
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Grip
|
Mark Binnall
|
|
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Wardrobe Assistants
|
Day Murch
Jane Petrie Nigel Egerton |
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Art Director
|
Ricky Eyres
|
|
|
Gaffer
|
David Smith
|
|
|
Chargehand Stand-By Propman
|
Paul Turner
|
|
|
Stand-By Propman
|
Robert Thorne
|
|
|
Stand-By Carpenter
|
Paul Nott-Macaire
|
|
|
Stand-By Rigger
|
Steve Sansom Jr
|
|
|
Make-Up Artist
|
Trefor Proud
|
|
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Hairdresser
|
Hilary Haines
|
|
|
Matchmover
|
Catrin Meredydd
|
|
|
Video Playback
|
Lucien Nunes Vaz
|
|
|
Best Boy
|
Dave Ridout
|
|
|
Electricians
|
Sonny Burdis
Richard Oxley |
|
|
Stand-In for Liam Neeson
|
Gavin Hale
|
|
|
Stand-In for Ewan McGregor
|
Steve Ricard
|
|
|
Stand-In for Natalie Portman
|
Joan Field
|
|
|
Stand-In for Jake Lloyd
|
Raymond Griffiths
|
|
|
Utility Stand-Ins
|
Paul Kite
Christian Simpson |
|
|
Special Effects Supervisor
|
Peter Hutchinson
|
|
|
Senior Special Effects Technicians
|
Terry Glass
Digby Bettison-Milner Anthony Phelan Les Wheeler Andy Bunce |
|
|
Special Effects Coordinator
|
Brenda Hutchinson
|
|
|
R2-D2 Operator
|
Jolyon Bambridge
|
|
|
Special Effects Technicians
|
Jim Crockett
Stephen Hutchinson Barry Angus Mark Howard Sean Mcconville Graham Riddell |
|
|
Tunisia Shoot
|
||
|
Production Services Provided by CTV Services, Tunis, Tunisia
|
||
|
Production Supervisor
|
Abdelaziz Ben Mlouka
|
|
|
Unit Managers
|
Meimoun Mahbouli
Philippa Day |
|
|
Production Coordinator
|
Amel Becharnia
|
|
|
Location Manager
|
Moslah Kraiem
|
|
|
Transport Manager
|
Lassaad Mejri
|
|
|
Production Accountant
|
Abdallah Balouche
|
|
|
Art Director
|
Taieb Jallouli
|
|
|
First Assistant Director
|
Moez Kamoun
|
|
|
Prop Master | Buyer
|
Mohamed Bargaoui
|
|
|
Grip
|
Hassen Tebbi
|
|
|
Gaffer
|
Lotfi Siala
|
|
|
Make-Up Assistant
|
Hager Bouhaouala
|
|
|
Wardrobe Supervisor
|
Naama Jazi Mejri
|
|
|
Italy Shoot
|
||
|
Production Services Provided by Mestiere Cinema, Venice, Italy |
||
|
Production Supervisor
|
Guido Cerasuolo
|
|
|
Unit Manager
|
Enrico Ballarin
|
|
|
Production Coordinator
|
Laura Cappato
|
|
|
Production Assistant
|
Nicola Rosada
|
|
|
First Assistant Director
|
David Turchi
|
|
|
Second Assistant Director
|
Dario Cioni
|
|
|
Third Assistant Director
|
Andrea Boni
|
|
|
Location Manager
|
Franco Rapa
|
|
|
Location Assistant
|
Ugo Criscuolo
|
|
|
Art Director
|
Livia Borgononi
|
|
|
Transport Captain
|
Fabio Mancini
|
|
|
Accountant
|
Carla Zacchia
|
|
|
Payroll
|
Marilena La Ferrara
|
|
|
Cashier
|
Claudia Bravin
|
|
|
Transportation
|
||
|
Transport Captain
|
Phil Allchin
|
|
|
Unit Drivers
|
George Andrews
Nigel Birtchnell Garry Clark Peter Collins Mark Davies Brian Esterbrook Peter Graovac John Hollywood Chris Streeter Steve Timms |
|
|
Catering
|
||
|
Catering by
|
Hollywood Catering Services
|
|
|
Catering Manager
|
Tim De’ath
|
|
|
Artists’ Chef
|
Mark Reynolds
|
|
|
Craft Service
|
Sophie Mellor
|
|
