Tag Archives: clones,

Colouring Clones

Welcome to a look inside The Holocron. A collection of articles from the archives of *starwars.com no longer directly available.

(*Archived here with Permission utilising The Internet Archive Wayback Machine)

Colouring Clones

Here’s a great PDF to print off and colour in. If the PDF doesn’t work, please click HERE to download it.

Click on the image to download.

This Article was Originally posted 2023-11-04 13:54:05.

Attack of the Clones – The Most Frequently Asked Questions ANSWERED

After nearly ten years of running this channel, I have seen the same questions over and over again. Today I’m answering over FORTY of the most frequently asked questions I’ve seen about Star Wars Episode Two, Attack of the Clones!

0:00 Introduction
0:15 Why did Captain Typho replace Captain Panaka?
1:05 Has the Republic stood for a thousand years or generations?
1:49 What is the Loyalist Committee?
2:23 What are kouhuns?
2:57 Who is Ahck Med-Beq?
3:34 What are death sticks?
4:04 Did Elan Sleazebaggano go home and rethink his life?
4:43 Why was the assassination so convoluted?
5:38 What happened to Yaddle?
6:27 Did the Republic really have no military forces?
7:10 What is jawa juice?
7:47 How did Obi-Wan Kenobi meet Dexter Jettster?
8:30 Who were the Lost Twenty?
9:27 What was the Rishi Maze?
10:05 Are blindfolded younglings given real lightsabers?
10:44 Who deleted Kamino from the Jedi Archives?
11:21 How did the Kaminoans become cloners?
11:55 What’s the deal with Sifo-Dyas?
12:52 Was Obi-Wan meant to find the clone army?
13:55 Who paid for the clone army?
14:43 Did Jango Fett know about Order 66?
15:36 Did the Kaminoans know about Order 66?
16:22 Is Jango Fett’s armor beskar?
17:11 What happened to Kamino after the Clone Wars?
17:55 What happened to Watto after Attack of the Clones?
18:36 When did Shmi Skywalker meet the Lars family?
19:22 Why does Duel of the Fates play again in Attack of the Clones?
20:33 What was the Separatist Movement really about?
21:39 What did the Tusken Raiders do to Shmi Skywalker?
22:13 Why wasn’t Padme more upset by Anakin’s massacre?
23:07 Who did the other graves belong to on the Lars homestead?
23:47 Does Anakin steal C-3PO from the Lars family?
24:34 Did Mas Amedda know Palpatine’s true identity?
25:10 What is Dooku’s full name?
25:48 What happened to R2-D2’s leg rockets?
26:37 What are the Geonosis arena beasts?
27:21 How did Mace Windu get a purple lightsaber?
28:04 Whose lightsabers do Obi-Wan and Anakin use on Geonosis?
28:46 How many Jedi died in the Battle of Geonosis?
29:28 Who made the weapons and vehicles for the clone army?
30:07 Who married Anakin and Padme?
30:34 Why is luggage so terrible in Star Wars?


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Clones, Traitors and Secret Darksiders

The Royal Guards come after the Senate Guards, and Red Guard, protecting Palpatine through the Clone Wars and into the Imperial Era, see the different variants like Shadow Guard, Sovereign Protector, and Saber Guard. See notable Royal Guards like Kir Kanos, Carnor Jax, and others, going through to the Praetorian Guard with the First Order.

#StarWars #Andor #CloneWars

SOURCE

This Article was Originally posted 2022-09-13 21:01:04.

Star Wars | Episode II: Attack of the Clones

Star Wars – Episode II: Attack of the Clones

The galaxy is in turmoil as a great disturbance in the Force rocks the very foundation of the Republic. From the towering skyscrapers of Coruscant to the picturesque gardens of Naboo, the people are restless and dissent is brewing. Supreme Chancellor Palpatine, once hailed as the savior of the government, is failing to keep the peace as separatists threaten war. The Senate is divided and unable to decide whether to raise an army or maintain fragile diplomacy. The stalemate is a ticking time bomb that could unleash chaos across the galaxy.

In the midst of this turmoil, a young and headstrong Anakin Skywalker has come of age. The Jedi Council is perplexed by his enigmatic personality and Obi-Wan Kenobi struggles to train him as his apprentice. Anakin is fiercely ambitious and independent, even as he grapples with his forbidden feelings for the beautiful Senator Padmé Amidala. When an assassination attempt is made on her life, Anakin and Padmé are reunited after ten long years. But little do they know, this attack is just the beginning of a dark and treacherous journey that will test their loyalties and challenge their emotions.

As the Republic teeters on the brink of war, the Jedi are clouded by a growing darkness that threatens to consume them. They are unaware of the army that is slowly amassing in secret, preparing for battle. Anakin and Padmé’s love intensifies even as the galaxy crumbles around them. Anakin’s allegiance to the Jedi Order is put to the test as he grapples with his emotions, leading him down a dangerous path.

Based on the iconic story by George Lucas and the screenplay by George Lucas and Jonathan Hales, R. A. Salvatore’s thrilling novel sheds new light on the Star Wars saga. Get ready to journey to a galaxy far, far away and experience the epic tale like never before.

Sources:

Wookieepedia
Read Star Wars
Jedi Temple Archives
Yoda’s Datapad
Youtini

Dee Bradley Baker: From Clones to Queen Karina

Welcome to a look inside The Holocron. A collection of articles from the archives of *starwars.com no longer directly available.

(*Archived here with Permission utilising The Internet Archive Wayback Machine)

Dee Bradley Baker: From Clones to Queen Karina

Veteran voice actor Dee Bradley Baker is already known to fans for his wide range of talents on The Clone Wars as not only all the clone troopers including Clone Commander Cody and Captain Rex, but many new creatures as well.

In addition to The Clone Wars, Baker has voiced hundreds of characters and creatures in such hit shows as American DadAvatar: The Last Airbender and Ben 10: Alien Force, just to name a few.

StarWars.com chats with Baker about voicing the creepy Geonosian Queen Karina in the episode “Legacy of Terror,” why he loves voicing bizarre creatures and the kinds of monster movies he loved watching as a kid.


You’ve voiced all the clone troopers and quite a few creatures in The Clone Wars. Which types of voices offer more of an interesting challenge for you as an actor?

In a way these clones are the most normal thing I’ve ever done. They’re completely straight ahead, above board, human characters. And that for me is an unusual project. When you look at the stuff I’ve done, I tend to do things that are just completely out there, or not even human in any way. So that’s what I’m kind of used to doing even though it’s just odd to do.

For me it’s unusual to do something normal, and that’s what the clones are. I like the clones because it’s more straightforward acting. They’re good soldiers, they’re smart and competent, and yet each one is a little different. They have foibles. Some are less experienced, some are gruffer and some are turncoats. To make these guys a little bit different, and yet feel real and the same, is a real interesting and fun challenge.

That said, I really like doing the bizarre stuff like the Geonosian queen who emerges from the catacombs. There’s a real thrill to doing something that’s so bizarre and inhuman that’s very gratifying.

How did you approach creating the voice for Queen Karina?

I have a lot of experience with doing enough weird things with my voice that I’m good at walking in, seeing some images of the character or creature, having it explained it to me, and then trying a few things that they like. In this case, they weren’t really sure what they were going to do with it, so Dave Filoni threw it to me and gave me a shot at it. He told me what she’s like, what she’s feeling and the tone of the scene, and I came up with this crazed, kind of frightening and yet authoritative type of voice. He liked my first take right away. And a lot of what you hear in the episode is my first run at it. I also added in some screams to give it more realism.

It was interesting that you gave the queen a scratchy, horror-type voice instead of the traditional voice like Queen Elizabeth.

It’s definitely more Ridley Scott. However, I don’t know if Queen Elizabeth sounds like that when she screams. (laughs)

Why do you think fans will really enjoy the “Legacy of Terror” episode?

This is a really unique episode. The creative team of The Clone Wars is confident enough to tell different kinds of stories. It’s not all just the politics of war, but you get these side stories that have their own flavor and feel that are very different from the other stuff they’ve put out. It’s like a little experiment and detour. This story is not the typical Star Wars stuff that you’ve seen. It’s got elements of horror in it that are unusual, and it’s really cool.

Zombies are definitely popular right now, so it’s fun to see The Clone Wars explore that genre. But the episode also has a lot of humor in it as well.

That’s a really smart storytelling device. With Obi-Wan’s light-hearted scientific take on what’s happening, it lets the viewer know they don’t need to get too freaked out. Obi-Wan’s not afraid that everyone is going to die and he’ll find a way to solve this, which is important because a number of these episodes in the new season are very intense and it’s good to have a character that reminds us that everything is going to be all right.

Speaking of zombies, according to your extensive list of credits on IMDB.com, you voiced the zombies in Dawn of the Dead. How does one go about making the perfect zombie sound?

What a great movie! I got to work with director Zack Snyder when I did the ADR on the zombies. The zombie who gets a broom to the back of the head — that was me. There was another zombie where his bottom half was torn off and he was crawling along the ceiling — that was me. I did a number of zombies.

When I do these zombie sounds, I look first at what’s happening on the screen and go from there. There are so many great zombie movies out now that are scary like Dawn of the Dead, and funny like Shaun of the Dead, and sometimes really moving like 28 Days Later. I’m also a big fan of the classic George Romero zombie films.

As a kid, were you really into monster and horror movies?

On Saturdays, I would watch Science Fiction Theater which you’d see a lot of vampires and werewolves and a lot of monster movies. I really liked Godzilla and worshiped Planet of the Apes. The first adult horror movie I ever saw, which has a lot of similarities in this episode, was Alien. I was into Hammer horror films and monster movies. And once the ’80s hit with The ThingAmerican Werewolf in London, and Scanners, I was all over those. They remain as some of my favorite movies to this day.

Making Attack of The Clones

The total-access look at the making of Star Wars: Episode II—Attack of the Clones


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Stars talk Clones and Ep III

Welcome to a look inside The Holocron. A collection of articles from the archives of *starwars.com no longer directly available.

(*Archived here with Permission utilising The Internet Archive Wayback Machine)

Stars talk Clones and Ep III

With the release of Attack of the Clones just around the corner, some of the film’s stars have begun the process of meeting with members of the press at Skywalker Ranch this week.

“I didn’t do anything like this on the original Star Wars,” recalled Director George Lucas. “Maybe I did a dozen interviews and one TV — that’s all there was. ‘The Today Show’ and then I did TIME magazine, the New York Times and a few other people, but there wasn’t an entertainment reporting business out there.”

For Hayden Christensen (Anakin Skywalker), his re-emergence into Star Wars came this last weekend at Celebration II in Indianapolis. “That was something else,” Christensen said. “It was like being a rock star for a day — it was weird. You walk out on stage and everyone starts screaming and they lose it. I’m glad I went because you realize how much these films mean to them and they’re not all nutty crazy Star Wars fans. They’re just people who want to have some mechanism for escape and I think the fantastical elements of Star Wars provides a great escape.”

The stars also had their first chance to see Episode II in final form.

“The intrigue is more intricate and gives the audience something to think about, even though we know the story,” said an excited Samuel L. Jackson (Mace Windu). “It’s being opened up to us and discovered. It’s still one of the most visually interesting things to sit down and watch, even though you know what’s going to happen to Anakin.”

“I’m not a Star Wars person, but I was so entertained by this film,” Natalie Portman (Padmé Amidala) smiled. “It was amazing. I tend to get bored in action movies. I really think it’s going to be great for young people. Girls get the cute boy, guys get a little skin and lots of action.”

Portman is particularly satisfied with the burgeoning romance her character experiences. “I like that she comes from a place where everything is rigid and formal, so uptight. It’s such an interesting place to start from in a love story, because you have to melt her to get her in a place where she can be vulnerable. I think the first film, the mask-like façade was a really wonderful place to have continuity from because you can see she’s had this formal rigid upbringing and that changes when she meets that young stud.”

“He’s not too bad lookin’,” she laughed. “He has a passion and intensity that’s similar to hers. She’s a fixer — she’s someone who thinks she can fix the world and then she sees this young man who’s very damaged and broken. She sees he’s not beyond repair yet and it’s attractive to her to be able to bring him out of that.”

For Lucas, the time for reflection on Episode II has been short. “I’m working on writing the next one while this one comes out. I can only worry about what I’m doing today.”

The actors are eagerly anticipating what the final Star Wars chapter will bring, though thus far they’ve been kept in the dark on the details.

“I hope I die on-screen,” laughs Jackson. “We know that’s what happens. There are only two Jedi left when the first Star Wars starts, Obi-Wan and Yoda. Unless the rest of us went on vacation, we’re dead. I just hope I have a great death scene. That’s what acting’s all about — dying great!”

“George has told me nothing. Absolutely nothing,” said Hayden shaking his head. “I’ll have more mechanical parts in the next one for sure. I’m told I might get to sport the dark helmet. I’d like to kill Mace Windu. I love Sam. He’s supposed to be one of the most powerful Jedi.”

Fans enjoying Padmé’s midriff in Clones will have a different perspective in three years. “I’m going to be with child,” said Portman patting her belly. “The next one, according to George, is going to be a tragedy. It’s going to be sad, but I’m looking forward to having more to do.”

Star Wars: Episode II Attack of the Clones opens May 16

Marvel Celebrates 20 Years of Attack Of The Clones

Here’s the latest from: starwars.com

Jango Fett, Zam Wesell, and more will grace alternate covers of Marvel’s Star Wars titles starting in December.

starwars.com Team

This party’s far from over.

Star Wars: Attack of the Clones turned 20 this year, a landmark anniversary for the film that brought us Hayden Christensen as Anakin Skywalker, Jango Fett, and Yoda versus Count Dooku. starwars.com is thrilled to reveal that Marvel plans to celebrate the milestone with a series of variant covers across its December 2022 Star Wars titles, as well as Star Wars #30 in January 2023. The covers feature some of Episode II’s most memorable characters and moments, from the Battle of Geonosis to Zam Wesell on Coruscant — a fitting tribute to the fan-favorite, innovative movie….

Read the Full Article @ starwars.com

Star Wars Episode II: Attack of the Clones | Trailer

Ten years after the invasion of Naboo, the galaxy is on the brink of civil war. Under the leadership of a renegade Jedi named Count Dooku, thousands of solar systems threaten to break away from the Galactic Republic. When an assassination attempt is made on Senator Padmé Amidala, the former Queen of Naboo, twenty-year-old Jedi apprentice Anakin Skywalker is assigned to protect her. In the course of his mission, Anakin discovers his love for Padmé as well as his own darker side. Soon, Anakin, Padmé, and Obi-Wan Kenobi are drawn into the heart of the Separatist movement and the beginning of the Clone Wars.

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Everything I LOVE About Attack of the Clones

Attack of the Clones was released twenty years ago today! In celebration of its birthday, here is everything I love about the movie!

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Attack of the Clones

Star Wars: Episode II Attack of the Clones

Release Date: May 16, 2002

Synopsis: (22 Years Before Episode IV) Ten years after the events of the Battle of Naboo, not only has the galaxy undergone significant change, but so have Obi-Wan Kenobi, Padmé Amidala, and Anakin Skywalker as they are thrown together again for the first time since the Trade Federation invasion of Naboo. Anakin has grown into the accomplished Jedi apprentice of Obi-Wan, who himself has transitioned from student to teacher. The two Jedi are assigned to protect Padmé whose life is threatened by a faction of political separatists. As relationships form and powerful forces collide, these heroes face choices that will impact not only their own fates, but the destiny of the Republic.

Opening Crawl:

There is unrest in the Galactic Senate. Several thousand solar systems have declared their intentions to leave the Republic.

This separatist movement, under the leadership of the mysterious Count Dooku, has
made it difficult for the limited number of Jedi Knights to maintain peace and order in the galaxy.

Senator Amidala, the former Queen of Naboo, is returning to the Galactic Senate to vote
on the critical issue of creating an ARMY OF THE REPUBLIC to assist the overwhelmed Jedi….

Awards: Academy Award Nominee: Best Visual Effects

Saturn Award Winner: Best Costumes, Best Special Effects. Saturn Award Nominee: Best Actress, Best DVD Special Edition Release, Best Director, Best Music, Best Performance by a Young Actor, Best Science Fiction Award.

Cast

Obi-Wan Kenobi
Ewan McGregor
Padmé
Natalie Portman
Anakin Skywalker
Hayden Christensen
Count Dooku
Christopher Lee
Mace Windu
Samuel L. Jackson
Yoda
Frank Oz
Supreme Chancellor Palpatine
Ian McDiarmid
Shmi Skywalker
Pernilla August
Jango Fett
Temuera Morrison
Senator Bail Organa
Jimmy Smits
Cliegg Lars
Jack Thompson
Zam Wesell
Leeanna Walsman
Jar Jar Binks
Ahmed Best
Dormé
Rose Byrne
Sio Bibble
Oliver Ford Davies
Dexter Jettster
Ronald Falk
Captain Typho
Jay Laga’aia
Watto
Andrew Secombe
C-3PO
Anthony Daniels
Ki-Adi-Mundi & Nute Gunray
Silas Carson
Queen Jamillia
Ayesha Dharker
Boba Fett
Daniel Logan
Owen Lars
Joel Edgerton
Beru Whitesun
Bonnie Maree Piesse
Voice Of Lama Su
Anthony Phelan
Voice Of Taun We
Rena Owen
Madame Jocasta Nu
Alethea McGrath
Hermione Bagwa
Susie Porter
Elan Sleazebaggano
Matt Doran
Lott Dod
Alan Ruscoe
Plo Koon
Matt Sloan
Cordé
Veronica Segura
Mas Amedda
David Bowers
Naboo Lieutenant
Steve John Shepherd
Clone Trooper
Bodie ‘Tihoi’ Taylor
Senator Orn Free Taa
Matt Rowan
Senator Ask Aak
Steven Boyle
Kit Fisto
Zachariah Jensen
J.K.Burtola
Alex Knoll
Mari Amithest
Phoebe Yiamkiati
R2-D2
Kenny Baker
Oppo Rancisis
Hassani Shapi
Eeth Koth
Jerome Blake
Adi Gallia
Gin
Saesee Tiin
Khan Bonfils
Even Piell
Michaela Cottrell
Depa Billaba
Dipika O’Neill Joti

Crew

Directed By
George Lucas
Screenplay By
George Lucas
Executive Producer
George Lucas
Director Of Photography
David Tattersall, B.S.C.
Production Designer
Gavin Bocquet
Editor And Sound Designer
Ben Burtt
Costume Designer
Trisha Biggar
Casting By
Robin Gurland
Music By
John Williams
Visual Effects Supervisors
John Knoll
Pablo Helman
Ben Snow
Dennis Muren, A.S.C.
Animation Director
Rob Coleman
Concept Design Supervisors
Doug Chiang
Erik Tiemens
Ryan Church
Production Supervisor
Stephen Jones
First Assistant Director
James McTeigue
Second Assistant Director
Claire Richardson
Second Second Assistant Director
Paul Sullivan
High Definition Supervisor
Fred Meyers
Supervising Art Director
Peter Russell
Art Directors
Jonathan Lee
Ian Gracie
Phil Harvey
Michelle McGahey
Fred Hole
Assistant Art Directors
Jacinta Leong
Clive Memmott
Art Department Coordinator
Colette Birrell
Draftspeople
Andrew Powell
Edward Cotton
Peter Milton
Damien Drew
Junior Draftspeople
Mark Bartholomew
Andrew Chan
Cindi Knapton
Paul Ocolisan
Set Model Makers
Ben Collins
Kerryanne Jensen
Michael Kelm
Conceptual Researcher
David Craig
Graphics/3d Modeller
Pheng Sisopha
Art Department Runners
Roderick England
Chris Penn
Art Department Supervisor
Fay David
Concept Artists
Iain McCaig
Dermot Power
Jay Shuster
Ed Natividad
Marc Gabbana
Kurt Kaufman
Phil Shearer
Ravi Bansal
Storyboard Artists
Mark Sexton
Rodolfo Damaggio
Sculptor
Tony Lees
Concept Sculptors
Robert E. Barnes
Michael Patrick Murnane
Tony McVey
Concept Model Makers
John Goodson
John Duncan
Carol Bauman
R.Paul Topolos
Simon Dunsdon
Brian Pohl
Katie Cole
Stunt Coordinator/Swordmaster
Nick Gillard
Assistant Stunt Coordinator
Richard Boué
Obi-Wan Stunt Double
Nash Edgerton
Jango Stunt Double
Scott Mclean
Dooku Stunt Double
Kyle Rowling
Padmé Stunt Doubles
Gill Stratham
Carly Harrop
Stunt Performers
Daniel Stevens
Avril Wynne
Chris Mitchell
Jon Heaney
Ray Anthony
Dean Gould
Dar Davies
Robert Simper
Joss Gower
Production Manager (Tunisia)
Peter Heslop
Script Supervisor
Jayne-Ann Tenggren
Unit Manager
Tic Carroll
Production Coordinators
Paul Ranford
Isobel Thomas
Anna Hall
Assistant Production Coordinators
Jacqueline King
Polly Leach
Executive Assistants To George Lucas
Jane Bay
Sarita Patel
Assistant To George Lucas
Anne Merrifield
Australian Assistant To Rick McCallum
Jacqui Louez
US Assistants To Rick McCallum
ArdeesRabang Jundis
Alvin Lopez
IT Manager
Paul Matwiy
Network Manager
Peter Hricak
Unit Nurse
Jacquie Robertson
Extras Casting
Maura Fay
Ros Breden
Casting Assistant
Vanessa Sulman
Artists’ Assistants
Jill Goldberg
Leonard Thomas
Chloe Moss
Alice Lanagan
Third Assistant Director
Gordon Westman
Set PA
Sam Smith
Production Assistants
Ali Keshavji
Felicity Gibbins
Production Runners
Joshua Watkins
Tim Lion
Safety Supervisor
Sotiri Sotiropoulos
Security
George Hatsatouris
Gay Cobham
Construction Nurse
Margueritte O’Sullivan
Production Controller
Kathryn Ramos
Production Accountant
Kevin Plummer
Assistant Accountants
Valerie Williams
Patrick Plummer
Jannine Dixon
Belinda Lowson
Accounts Assistant
Ayse Selcuk
Uk Accountant
Rajeshree Patel
Accounting Manager
Wendy Gorman
Art Department Accountant
Deborah Eastwood
Location Accountant (Tunisia)
Robert Threadgold
Assistant Accountant (Tunisia)
Traci Duxbury
Location Accountant (Italy)
Val Sunderland
High Definition Camera Supervisor
Fred Meyers
Camera Operator/Steadicam Operator
Brad Shield
Camera Operator
Calum McFarlane
Focus Pullers
Brett Matthews
Damian Wyvill
Focus Pullers
Luke Nixon
Camera Assistants
Jason Binnie
High Definition Camera Assistant
Matt Hunt
Video Split Operator
Michael Taylor
Video Split Assistant
Cameron Morley
Techno Crane Operator
Geoff Brown
Assistant Techno Crane Operator
Jason Klaffer
Key Grip
David Nichols
Best Boy Grip
Jorge Escanuela
Dolly Grips
Mick Vivian
Matt Copping
Key Rigging Grip
Ady Rose
Rigging Grips
Paul Anderson
Mal Booth
Michael Rich
Sound Recordist
Paul ‘Salty’ Brincat
Boom Operator
Rod Conder
Cable Person
Ben Lindell
Matchmove Assistant
Felix Pomeranz
Set Decorator
Peter Walpole
Assistant Set Decorator
Bev Dunn
Assistant Set Decorator (Tunisia)
Dominic Hyman
Prop Buyer
Andrew Crichton
Set Decorating Buyer
Tony Xeros
Set Decorating Draftsperson
Godric Cole
Set Decorating Coordinator
Joanne Tastula
Props Scenic Artist
Michael Dayman
Props Painter
Reuben Hill
Charge hand Prop Dressers
Shane Aumont
Matt Milgate
Upholsterer
Ian Andrewartha
Assistant Upholsterer
Sandra Carrington
Stand-By Propman
Robert Moxham
Assistant Stand-By Propman
Peter Kodicek
Practical Electrics
Graham Beatty
David Felgar
Property Master
Ty Teiger
Assistant Property Master
John-Paul (Lon) Lucini
Model Making Supervisor
Peter Wyborn
Model Making Foreman
Trevor Smith
Model Making Leading Hands
Jim Leng
Adam Grace
Nick Bernyk
Lewis P. Morley
Leading Mould Maker
Keith Rae
Pattern Maker
Guy Masek
Engineer
Cal Foote
Mechanic
Thomas Van Koeverden
Model Making Coordinators
Trish Foreman
Tanya Harper
Props Runner
Sam Ford
Prop Storeman
Charly Wrencher
Model Making Runner
Nicole Van Lambaart
Prop Dressers
Sophie Buttner
Matthew Cook
Craig Fison
Jeremy Fuller
Jan Edwards
Alex Boswell
Anton Parsons
Rick Howie
Zvika Aloni
Bert Burless
Bryce Tibbey
Dion Horstmans
Zacharey Jane
Angus Macdonald
Kerrie Van Lambaart
Jason Christopher
Glenn Sheridan
Roberto Weil Machado
Seth Aitkin
Marc Barold
Model/Mould Makers
Steven Reid
Kevin McManus
Mark Powell
Matthew Cotter
Ruth Wynne
Russell Lowe
Brett Harrison
Ronald Rametta
Robert Berryman
Rowan Wademan
Chris Debney
Thomas Perry
David Nagel
Chris Marinovich
Craig Longhurst
Bill Demery
Simon Mouncey
Wayne Starkey
Luis Fonseca
Jessie Walker-Stewart
Laurie Hughes
Ray Jenkins
Adrian Britnell
Owen Lawrence
Brad Burnet
James Morgan
David McPhail
Tim McGaw
David Willis
Mario Egiziano
Assistant Costume Designer
Michael Mooney
Costume Supervisor
Nicole Young
Costume Props Superviso
Ivo Coveney
Assistant Costume Designer
Jason Gibaud
Assistant Costume Props Supervisor
Martin Rezard
Senior Costume Fabric Painter
Tim Shanahan
Senior Leather Accessories
Ken Barnett
Costume Buyers
Karin Thorn
Rhonda Nohra
Assistant Designers
Ann Maskrey
Jacqueline Durran
Cutters
Kay Coveney
Terry Thorley
Julie Bryant
Sheryl Pilkinton
Patricia Higgs
Sally Steele
Anthony Phillips
Allan Lees
Roberta Tate
Judith Meschke
Gloria Bava
Esther Walters
Workroom Assistance
Celinda Alvarado
Julie Beach
Larina Bennett
Justine Brien
Arlene Clement
Monique Donaldson
Michelle Ereaux
Danielle Lawson
Gaye Lee
Penny Mackie
Vicki Martin
Anne Matheson
Suzanne McRae
Yvette Meins
Marcia Smith
Joan Staley
Rebecca Tancred
Melissa Thornton
Valerie Evans
Didi Fitzgerald
Tracey Gardner
Andrea Gaskill
Robin Hall
Julie Herlihy
Fiona Holley
Debbie Millington Susan Millner
Musette Molyneaux
Julie Nethercoat
Marnie Ormiston
Maureen Rosa
Jackie Ross
Roslyn Tiddy
Margaret Trevillion
Alice Vargas
Costume Props
Justin Brown
Will Chiu
Hester Clark
Thomas Kelso
Tom Lampropoulos
Anna Marchant
Zoe Skinner
Kirstie Rickwood
Louise Shaw
Kara Walsh
Robert Colhoun
Reuben Hart
Thomas Hill
Amanda-Jane Amphlett
William Neave
Jo-Anne Parkin
Joanna Pullen
Felicity Wiecek
Astrid Fisher
Senior Milliner
Rick McGill
Milliners
Fiona Nichols
Virginia Settre
Fabric Painter/Dyers
Nicola McIntosh
Natalie Bracher
Fabric Painter/Dyers
Rebecca Villiers
Dyer
Tracy James
Graphics Assistant
Jacqueline Fenton
Administrative Assistant
Vanessa Edwards
Costume Coordinator
Gordon Barnett
Leather Accessories
Vajra Barnett
Darren Cowie
Hazel Trudgen
Costume Runners
Craig McClements
Amber Reynolds
Peter Tselepi
Wardrobe Supervisor
Lyn Askew
Key Costume Stand-By
Heather Laurie
Costume Stand-Bys
Julie-Anne Barton
Jamella Hassan
Assistant Costume Stand-Bys
Manuela Masoch
Carolyn Wells
Crowd Stand-Bys
Wendy Asher
Fiona Nicolls
Laura Hickey
Shereen Khan
Terri Kibbler
Marianne McKeon
Daniel Owen
Jo O’Connor
Helen Peacock
Special Embroidery By
Fullerton Design Embroidery
Beading By
Karen Torrisi Beading
Supervising Construction Manager
David Bubb
Construction Manager
Greg Hajdu
Assistant Construction Manager
Rob Sutton
Head Foreman
Mark Jones
Construction Foremen
Sean Ahern
Andy Staig
Peter Coy
Leading Hands
Brett Bartlett
Garth Tompkins
Ian Bickerton
Kristian Kielland
Norman Wray
Head Fibrous Plasterer
Ken Barley
Supervising Plasterers
Stephen Court
Michael Gardiner
Roger Gillespie
Paul King
Plaster Foreman
John Murch
Plaster Leading Hand
Tony Greenhill
Peter Bradford
Steel Foreman
Wayne Porter
Steel Leading Hand
Rod Nash
Head Rigger
Steve Sansom
Supervising Rigger
Warren Jones
Leading Hand Riggers
Ray Dew
Rod Scott
Darryl Dempsey
Nick Morrell
Head Scenic Painters
Matt Connors
Micky Guyett
Head Scenic Foreman
Alan Brown
Scenic Foremen
Steve Warren
Martin Bruveris
Danny Strachan
Scenic Leading Hands
Gaetano Lagana
Johnny ‘Jesus’ Sella
Jolyon Simpson
Linda Sang
Peta Black
Greg Commerford
Stand-By Carpenter
Richard Crowe
Construction Coordinator
Emily Saunders
Assistant Construction Coordinator
Shanthi Nadaraja
Thanks To All The Australian Construction Crew
Gaffer
Eddie Knight
Best Boys
Stewart Monteith
Moses Fotofili
Rigging Gaffer
Iain Mathieson
Rigging Best Boy
Phil Mulligan
Electricians
Kevin Blyth
Graeme Cook
Luke Cross
Gillian Huxley
Steve Johnson
Paul Klicin
Joel Klinger
Scott Rogers
Carey Smith
John Cummings
John Ellard
Russell Fewtrell
Mark Harris
Alex Laguna
Greg Little
Peni Loloa
Brecan Mitchell
Grant Wilson
Make-Up Supervisor
Lesley Vanderwalt
Make-Up Artists
Lynn Wheeler
Wizzy Molineaux
Make-Up Assistant
Jane Atherton
Key Hair Stylist
Sue Love
Hairdressers
Wendy De Waal
Jen Stanfield
Simon Zanker
Colour Artist
Daniel Galvin
Creatures Supervisor
Jason Baird
Creature Foreman
Gab Facchinei
Creature Technicians
Stuart Rowsell
Steven Boyle
Ty Batterham
Trish Bretland
Lead Animatronic Foreman
Matt Sloan
Lead Animatronic Technician
Martin Crowther
Creature Make-Up Artists
Damien Martin
Elka Wardega
Creatures Runner
Hilton Howson
Special Effects Supervisor
Dave Young
Special Effects Technicians
Herman Bron
Brian Osmond
Bernard Golenko
Gerard Collins
Special Effects Buyer
Peter Forbes
Droid Unit Supervisor/R2-D2 Operator
Don Bies
Droid Unit Technicians
Justin Dix
Trevor Tighe
Droid Unit Coordinator
Zeynep Selcuk
Assistant Editors
Todd Busch
Joseph Jett Sally
Cheryl Nardi
Location Assistant Editor
Jason Ballantine
Location Apprentice Editor
Allison Gibbons
Post Production Supervisor
Jamie Forester
Technical Supervisor
Michael Blanchard
Special Visual Effects And Animation By
Industrial Light & Magic
A Division Of Lucas Digital Ltd. Marin County, California
Visual Effects Executive Producer
Judith Weaver
Visual Effects Producers
Jill Brooks
Gretchen Libby
Heather Macdonald
Visual Effects Art Director
Alex Jaeger
Computer Graphics Supervisors
Kevin Barnhill
Daniel Goldman
Samir Hoon
Robert Marinic
David Meny
Curt Miyashiro
Patrick T. Myers
Henry Preston
Digital Compositing Supervisors
Jeff Doran
Dorne Huebler
Marshall Krasser
Digital Modeling Supervisors
Geoff Campbell
Russell Paul
Viewpaint Supervisor
Jean Bolte
Animation Supervisors
Christopher Armstrong
Hal Hickel
Technical Animation Supervisor
James Tooley
Lead Animators
Linda Bel
Scott Benza
Sue Campbell
Peter Daulton
Paul Griffin
Tim Harrington
Paul Kavanagh
Victoria Livingstone
Glen McIntosh
Christopher Mitchell
Steven Nichols
Steve Rawlins
Jamy Wheless
Andy Wong
Sylvia Wong
Digital Color Timer
Natasha Leonnet
Sequence Supervisors And
Development Leads
Leah Anton
Patrick Brennan
Tommy Burnette
Tamala Carter
Ian Christie
Grady Cofer
Patrick Conran
Michael Conte
Caitlin Content
Jay Cooper
Michael Di Como
Leandro Estebecorena
Willi Geiger
Howard Gersh
Jeremy Goldman
Indira Guerrieri
Craig Hammack
Neil Herzinger
David F. Horsley
Polly Ing
Erich Ippen
Ed Kramer
Erik Krumrey
Hayden Landis
Lenny Lee
Jonathan Litt
Sean Mackenzie
Khatsho Orfali
Philippe Rebours
Douglas J. Smith
Kevin Sprout
Nigel Sumner
Doug Sutton
Chad Taylor
Patrick Tubach
Dennis Turner
John Walker
Christopher White
Ronnie Williams Jr.
Dean Yürke
Digital Effects Artists
Shadi Almassizadeh
Okan Ataman
Jeffrey Arnold
Al Bailey
Michael Baltazar
Jean-Paul Beaulieu
Kathleen Beeler
Jeffrey Benedict
Suzanne Berger
Beverly Bernacki
Matthew Blackwell
Rob Blue
Stella Bogh
Aron Bonar
Robert Bourgeault
Sam Breach
Billy Brooks
Jason Brown
Cathy Burrow
Bernard Ceguerra
Cedrick Chan
Yina Chang
Peter Chesloff
Paul Churchill
Chris Ciampa
Richard Clarke
Rafael Colón
Brian Connor
Scott David
Kathleen Davidson
Dennis Davis
Emmet Doyle
Richard Ducker
Raul Essig
Alex Ethier
Bill Eyler
Tom Fejes
Eric Fernandes
Kelly Fischer
Christian Foucher
Carl Frederick
David Fuhrer
Ryan Galloway
Gonzalo Garramuno
Brian Gee
Christopher George
Bill Gilman
Archie Gogoladze
David Gottlieb
Jim Green
Branko Grujcic
Mary Beth Haggerty
Michael Halsted
Mark Hamilton
John Hansen
Benjamin Hawkins
Kela Hicks
Shawn Hillier
Ian House
Jen Howard
Dave R. Howe
Peg Hunter
Thomas Hutchinson
Michael Jackson
Samson Kao
Louis Katz
Russell Koonce
Ryan Laney
Jeroen Lapre
Toan-Vinh Le
Joshua Lebeau
Daniel Leung
Daniel Lobl
Daniel Ma
Doug Macmillan
David Marsh
Marcel Martinez
Kevin May
Morris May
Will McCoy
Kevin McGowan
Jennifer McKnew
Justin Mettam
Joseph Metten
Tory Mercer
Steven Molin
Sebastien Moreau
Andrew Morley
Michael Muir
Daryl Munton
Myles Murphy
Jennifer Nona
Masayori Oka
Joshua Ong
Scott Palleiko
Joe Pavlo
Daniel Pearson
Robert Powell
Scott Prior
Ricardo Ramos
Dylan Robinson
Amanda Ronai
Alan Rosenfeld
Kimberly Ross
Jason Rosson
James Rowell
Barry Safley
Steve J. Sanchez
Frederic Schmidt
Victor Schutz
Anthony Shafer
Paul Sharpe
Brian Sorbo
Damian Steel
Christopher Stillman
Russ Sueyoshi
Daniel Sunwoo
Blake Sweeney
Catherine Tate
Noah Taylor
Vincent Toscano
Alex Tropiec
Todd Vaziri
Pascale Ville
Eric Voegels
Ben Von Zastrow
Kelly Walsh
Robert Weaver
Susan Weeks
R.D. Wegener
David Weitzberg
Colie Wertz
Jeff Wozniak
Melva Young
Riccardo Zanettini
Animators
Charles Alleneck
Carlos Baena
Marc Chu
Sean Curran
Andrew Doucette
C. Michael Easton
Leslie Fulton
Kameron Gates
Andrew Grant
Lesley Headrick
Jeff Johnson
Maia Kayser
Peter Kelly
Shawn Kelly
Trish Krause
Greg Kyle
David Latour
Neil Lim Sang
Kevin Martel
Christopher Minos
Rick O’Connor
Jakub Pistecky
Mark Powers
Mike Quinn
Jay Rennie
Magali Rigaudias
P. Kevin Scott
Tom St. Amand
Kim Thompson
Delio Tramontozzi
David Weatherly
David Weinstein
Eric Wong
Christina Yim
Virginie Michel D’annoville
Digital Model Development And
Construction Artists
Andrew Anderson
Michael Balog
Leigh Barbier
Steve Bell
Sxott Bonnenfant
Maria Bowen
Timothy Brakensiek
Ron Bublitz
Andrew Cawrse
Pamela Choy
William Clay
Vincent De Quattro
Jon Farmer
Derek Gillingham
Lioudmila Golynskaia
Bridget Goodman
Dylan Gottlieb
Frank Gravatt
Rudy Grossman
Bruce Holcomb
Robbin Huntingdale
Moon-Jung Kang
Jeffrey Kember
Hyun Kim
Michael Koperwas
Kelvin Lau
Sunny Lee
Andrea Maiolo
Scott May
Steve McGrath
Tareq Mirza
Richard Moore
Giovanni Nakpil
Timothy Naylor
Susan Ross
Juan-Luis Sanchez
Steven Sauers
Larry Tan
Lee Uren
Omz Velasco
Steven Walton
Li-Hsien Wei
Ron Woodall
Keiji Yamaguchi
Ken Ziegler
Digital Matte Sequence Supervisors
Yusei Uesugi
Paul Huston
Jonathan Harb
Digital Matte Artists
Jett Green
Mathieu Raynault
Susumu Yukuhiro
Brett Northcutt
Simon Wicker
Kent Matheson
Masahiko Tani
Toshiyuki Maeda
Mark Sullivan
Wei Zheng
Rotoscope Supervisor
Jack Mongovan
Rotoscope Leads
Katie Morris
Heidi Zabit
3d Matchmove Supervisor
Jason Snell
3d Matchmove Leads
Amy Christensen
Marla Newall
Motion Capture Supervisor
Jeff Light
Senior Visual Effects Editor
Scott Balcerek
Visual Effects Editors
Nic Anastassiou
Anthony Pitone
Visual Effects Accountants
Pamela Knott
Marc Ostroff
Visual Effects Production Managers
Julie D’antoni
Jeanmarie King
William Tlusty
Visual Effects Coordinators
Lleslle Aclaro
Wayne Billheimer
Elizabeth Brown
Anthony Butler
Julie Creighton
Nina Fallon
Leigh Ann Fan
Monique Gougeon
Paula Nederman
Dale Taylor
Digital Rotoscope/Paint Artists
Trang Bach
Alicia Bissinger
Michaela Calanchini
Grace Cheney
Eric Christensen
Lee Croft
Amanda Finkelberg
Dawn Gates
Jennifer Gonzalez
Pascale Hery
Jiri Jacknowitz
Regan McGee
Kristen Millette
Lauren Morimoto
Jennifer Murray
Aaron Muszalski
C. Andrew Nelson
Leslie Safley
Amy Shepard
M. Zachary Sherman
David Sullivan
Alan Travis
Kate Turner
Erin West
Doug Wright
Matchmove And Motion Capture Artists
Lanny Cermak
Terry Chostner
Alexandre Frazao
Maria Goodale
David Hanks
Wendy Hendrickson-Ellis
Kerry Lee
Jodie Maier
David Morris
Melissa Mullin
Michael Orlando
Eric Roth
Jeffrey Saltzman
Mike Sanders
Brandon Warner
Visual Effects Conceptual Artists
Christian Alzmann
Michael Brunsfeld
Warren Fu
Philip Metschan
Wilson Tang
Visual Effects Editorial And
Imaging Services Group
Jerome Bakum
Randy Bean
Robert Bonstin
Diane Caliva
Rob De Haan
George Gambetta
Joseph Goldstone
Claudine Gossett
Larry Hoki
Michael Hutchinson
Lars Jensvold
Grace Lan
Jim Milton
Todd Mitchell
Mike Morgan
Video Engineering And Digital Technologies
Kipp Aldrich
Bill Anderson
Eric Bermender
Rod Bogart
Russell Darling
Dan Large
Sebastian Marino
Gary Meyer
Marcus Nordenstam
David Nahman-Ramos
Tony Pelle
Phil Peterson
Ari Rapkin
Neil Robinson
Michael Thompson
Visual Effects Production And
Technical Support
Amy Allen
Dhyana Brummel
Damien Carr
Christine Castellano
Mai Delapa
Matthew Edwards
Robert Gianino
Randy Gon
Jeff Grebe
Ian Jenkins
Kristy King
Kathleen Lynch
Scott Mease
Stephen Riera
Anthony Rispoli
John Sigurdson
Terrance Tornberg
Amy Trevor
Gordon Wittmann
Daniel Zizmor

Model Supervisor

Brian Gernand
Model Makers
Lauren Abrams
Barbara Affonso
Charles Bailey
Salvatore Belleci
Nicholas Bogle
Mark Buck
Fon Davis
Bryan Dewe
Robert Edwards
Thomas Ehline
David Fogler
Jon Foreman
Christopher Gaw
Steve Gawley
Jon Guidinger
Neal Halter
Nelson Hall
Aaron Haye
Loren Hillman-Morgan
Peggy Hrastar
Grant Imahara
Michael Jobe
Victoria Lewis
Alan Lynch
Michael Lynch
Richard Miller
David Murphy
Benjamin Nichols
Randy Ottenberg
Alan Peterson
Lorne Peterson
Juan Preciado
Thomas Proost
Mitchel Romanauski
Adam Savage
Roy Sutherland
Lauren Vogt
Daniel Wagner
Mark Walas
Melanie Walas
Effects Directors Of Photography
Carl Miller
Martin Rosenberg
Patrick Sweeney
First Assistant Camera Operators
Michael Bienstock
Robert Hill
Richard McKay
Dennis Rogers
Vision Engineers
Sprague Anderson
Robert Frey
David Lezynski
Calvin Roberts
Javva The Hutt
Michael Smith
Costume Supervisor
Gillian Libbert
Gaffers
Thomas Cloutier
Richard Demolski
Brad Jerrell
Timothy Morgan
Michael Olague
Key Grips
William Barr
Rod Janusch
David Watson
Grip
Carl Assmus
Construction Coordinator
Craig Mohagen
Construction
Charles Ray
Special Effects Supervisor
Geoffrey Heron
Special Effects Technician
Robert Clot
Post Production Sound Services Provided By
Skywalker Sound
A Division Of Lucas Digital Ltd. Marin County, California
Re-Recording Mixers
Gary Rydstrom
Michael Semanick
Rick Kline
Supervising Sound Editors
Ben Burtt
Matthew Wood
Sound Effects Editors
Teresa Eckton
Bruce Lacey
Sound Fu
Christopher Scarabosio
Dialogue/Adr Editors
Marilyn McCoppen
Steve Slanec
Foley Editors
Mary Helen Leasman
Kevin Sellers
Supervising Assistant Editor
Coya Elliott
Assistant Sound Editor
Eleanor Beaton
Assistant Dialogue/Adr Editor
Michael Axinn
Apprentice Sound Editor
David Acord
Digital Audio Transfer Supervisor
Jonathan Greber
Digital Audio Transfer
Christopher Barron
Tim Burby
Adr Recorded At
Soundfirm, Sydney & Melbourne
Mandrill Audio, Auckland
4mc, London
Foley Mixer
Frank ‘Pepe’ Merel
Foley Recordist
Travis Crenshaw
Foley Artists
Dennie Thorpe
Jana Vance
Re-Recordists
Ronald G. Roumas
Brian Magerkurth
Additional Re-Recording Mixer
Gary A. Rizzo
Mix Technicians
Jurgen Scharpf
Kent Sparling
Juan Peralta
Brandon Proctor
Machine Room Operators
Sean England
Mark Purcell
Video Services
John Torrijos
Ed Dunkley
Projectionist
Scott Brewer
Supervising Music Editor
Ken Wannberg
Music Editor
Peter Myles
Assistant Music Editor
Steven R. Galloway
Music Recorded At
Abbey Road Studios
Scoring Engineer
Shawn Murphy
Scoring Assistants
Andrew Dudman
Chris Clarke
Owen Tamplin
Orchestrations
Conrad Pope
Eddie Karam
Music Preparation
Jo Ann Kane Music Service
Music Librarian
Mark Graham
Music Performed By
London Symphony Orchestra
Orchestra Leader
Gordan Nikolitch
Choir
London Voices
Chorus Director
Terry Edwards
Keyboard Soloist
Randy Kerber
Additional Shooting Crew
Production Manager
Brian Donovan
Director Of Photography
Giles Nuttgens
Art Director
David Lee
Script Supervisor
Victoria Chambers-Pike
Construction Managers
Leon Apsey
Gene D’cruze
Production Buyer
Richard Bullock
Art Department Assistant
Mark Scruton
Gaffer
Dave Smith
Best Boy
Sonny Burdis
Grip
Pete Myslowski
Chargehand Propman
Peter Watson
Stand-By Propman
Alex Boswell
Stand-By Carpenter
Paul Nott-Macaire
Carpenter
Dennis Bovington
Rigger
Eddie Sansom
Chief Make-Up Artist
Pat Hay
Costume Coordinator
Jo Measure
Production Coordinators
Virginia Murray
Helen Gregory
Assistant Production Coordinator
Victoria Morgan
Transport Captain
Phil Allchin
Nurse
Jeanie Udall
First Assistant Directors
Richard Hewitt
Richard Whelan
Second Assistant Directors
Matthew Penry-Davey
Tamana Bleasdale
Sound Mixers
Brian Simmons
Simon Bishop
Creature Effects Supervisor
Nick Dudman
Prosthetic Make-Up Artists
Paul Spateri
Mark Coulier
Barrie Gower
Shaune Harrison
Kate Hill
Animatronics
Chris Barton
Martin Reid
Tamzine Hanks
Tom Blake
Simon Williams
Foam Latex
Andy Lee
Creatures Coordinator
Lyn Nicholson
Special Effects
Any Effects
Special Effects Supervisor
Tom Harris
Senior Special Effects Technician
Alex Gurucharri
Special Effects Technician
Barry Woodman
Director Of Publicity
Lynne Hale
Publicity Assistant
Lisa Shaunessy
Researchers
Jo Donaldson
Jenny Craik
Robyn Stanley
Location Researcher
Elizabeth Tulloch
Data Logging
Lizzie Eves
Stills Photographers
Lisa Tomasetti
Giles Westley
Paul Tiller
Stills Photography Assistant
Evelyn Rose
Stills & Publicity Runner
Ianna White
Image Archivist
Tina Mills
Transport Captain
Hans Van Beuge
Unit Drivers
Duan Kereru
Dave Simpkins
Phil McDonell
Ron Wyndham
Catering By
Kollage Katering
Catering Manager
Kerry Fetzer
Stand-In For Ewan McGregor
Richard Pike
Stand-In For Natalie Portman
Natalie Lawley
Stand-In For Hayden Christensen
Gordon Tyler