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Snagging a Piece of Special Effects History

By Pete Vilmur

Ever since 1980, when the second issue of an industry magazine called Cinefex gave extensive coverage to the making of The Empire Strikes Back’s special effects, I’ve pretty much been an fx geek. Setting up models against a blue screen — state of the art for the special effects industry in the ’70s and ’80s — the artists at Industrial Light & Magic would create the X-wing run down the Death Star trench, the snowspeeder attack against the AT-ATs, and the speederbike chase through the Endor forest, to name a few. These set-ups would include the models, the pylons propping them up, stage lights, the blue screen, and of course the camera — items that recently became available in an auction staged out of the old ILM facility in San Rafael, California.

Naturally, as an effects junkie and a resident of the Bay Area, this was destined to be a red-letter day.

Large crate from the ILM stage containing blue screen material

Because ILM has gone almost exclusively digital in the last decade or so, it shed off its modeling division a few years ago, with the new owners inheriting much of the old studio supplies that had served ILM for so long. But with the new studio recently disbanding, all the old lights, cameras, editing tables and booms — not to mention tables, desks, and even the contents of their drawers — were going to the auction block. With hundreds of lots available — several of which were literally room-fuls of stuff — there was a lot to scrutinize.

Pouring over scores of photos depicting the tools that created some of the most memorable effects shots in history, I’d marked about ten items of interest, two of which I and a colleague were ultimately able to win. I didn’t get everything I’d hoped to, but was glad to be able to take home a little piece of history in the end.

Below is a selection of some of the more interesting pieces of last week’s auction, at least interesting to those with a bent for analog-era special effects (Note: the photos below are a combination of our on-site photos and those posted by the auction house).

The “Vista Cruiser” motion control head used for Return of the Jedi

Stage lights and stands

An old ILM label affixed to a light stand

ILM stage blocks

A label indicating this piece was once owned by the Maker himselfThe “Nikon-flex” camera used to shoot the mine car chase in Temple of Doom

Large lights marked “ILM”

An editing table allegedly once owned by George LucasDirector’s chair allegedly once used by ex-ILM alum and Mythbuster Adam Savage

A trio of model pylons for shooting against blue screen

This Article was Originally posted 2022-11-04 16:32:17.